Hwang In-ho

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Hwang In-ho
Born
Occupation(s)Film director, screenwriter
Years active2004–present
Korean name
Hangul
황인호
Revised RomanizationHwang In-ho
McCune–ReischauerHwang In-ho

Hwang In-ho is a South Korean film director and screenwriter. He wrote and directed the horror-romantic comedy Spellbound (2011) and the crime thriller Monster (2014).

Career

As screenwriter

Hwang In-ho first wrote the

virgin and loser who falls for a woman with DID (played by Bong Tae-gyu and Jung Ryeo-won). Hwang also served as script editor on high school comedy The Legend of Seven Cutter (also known as Escaping from Charisma, 2006) starring Yoon Eun-hye, and the World War II blockbuster My Way (2011) starring Jang Dong-gun
.

Spellbound

In 2011, Hwang made his feature directorial debut with

introverted woman (Son Ye-jin) who is constantly haunted by ghosts.[2][3] Like Sisily 2km, Hwang again flouted genre conventions by combining romantic comedy with horror. He said he had felt uncomfortable within the limitations of Korean commercial cinema, and wanted his "story to flow free of genre restrictions," adding, "Why do you have to respect every genre rule? My story still makes sense anyway, with or without them. [...] I just added a ghost to a simple love story, which resulted in a romance with a totally different texture than other romance films."[4] Spellbound became a hit with more than 3 million admissions, making it the 7th top-grossing Korean film of 2011 and one of the most commercially successful Korean rom-coms in recent years.[5]

Monster

For his sophomore directorial effort, Hwang reunited with actor Lee Min-ki on

developmentally disabled woman who wreaks revenge on the serial killer (Lee) who murdered her beloved younger sister.[6][7] Hwang experimented further with his filmmaking by pushing genres to the extremes, combining thriller, comedy and fantasy. But he primarily presented the film as "a character drama," saying he made "an effort to express the emotions, alienation and loneliness the main characters were experiencing. It was their emotions rather than the situations I wanted to explore. [...] What counts for me are characters. What interests me is the fresh tone created by a new type of character when he or she is introduced to a different cinematic world."[4][8] Critical and audience response were mostly negative, criticizing the unsuccessful genre mashup and a perceived misogyny beneath the film's ostensible message of female empowerment.[9][10]

Filmography

References

  1. Hancinema
    . Retrieved 2014-03-30.
  2. ^ Lee, Hyo-won (24 November 2011). "Romance lost between spooks and laughs". The Korea Times. Archived from the original on 30 March 2014. Retrieved 2014-03-30.
  3. ^ Whipp, Glenn (16 December 2011). "Movie review: Spellbound". Los Angeles Times. Retrieved 2014-03-30.
  4. ^ a b Song, Soon-jin (28 March 2014). "HWANG In-ho, Director of MONSTER: "I Want to Think Free of Genre"". Korean Cinema Today. Retrieved 2014-03-30.
  5. ^ "The Best Selling Films of 2011". Koreanfilm.org. Retrieved 2014-03-30.
  6. ^ Conran, Pierce (27 January 2014). "Monster". Korean Cinema Today. Retrieved 2014-03-30.
  7. ^ Song, Soon-jin (24 February 2014). "Press Conference Held for MONSTER: Actor Transformations Front and Center". Korean Film Council. Retrieved 2014-03-30.
  8. ^ Song, Soon-jin (24 March 2014). "In Focus: Monster". Korean Film Council. Retrieved 2014-03-27.
  9. Twitch Film. Retrieved 2014-03-30.[permanent dead link
    ]
  10. ^ Tae, Sang-joon (24 March 2014). "Box Office: March 6-19, 2014". Korean Film Council. Retrieved 2014-03-30.

External links