Invisible Republic (book)
 First edition | |
| Author | Greil Marcus |
|---|---|
| Country | United States |
| Language | English |
| Subject | Anthology of American Folk Music, The Basement Tapes, & Bob Dylan |
| Genre | Non-fiction, Music history |
| Publisher | Henry Holt and Company |
Publication date | 1997 (Revised 2011) |
Invisible Republic: Bob Dylan's Basement Tapes (1997) is a book by
The updated paperback edition (2011,
Content
Marcus quotes Robbie Robertson’s memories of recording the Basement Tapes: "[Dylan] would pull these songs out of nowhere. We didn't know if he wrote them or if he remembered them. When he sang them, you couldn't tell."[1] Marcus called these songs "palavers with a community of ghosts."[2] He suggests that "these ghosts were not abstractions. As native sons and daughters they were a community. And they were once gathered in a single place: on the Anthology of American Folk Music, a work produced by a 29-year-old of no fixed address named Harry Smith."[3] Marcus argues Dylan's basement songs were a resurrection of the spirit of Anthology, originally published by Folkways Records in 1952, a collection of blues and country songs recorded in the 1920s and 1930s, which proved very influential in the folk revival of the 1950s and 1960s. Anthology, initially titled American Folk Music, was reissued by Smithsonian Folkways as a box set of compact disc in the same year as the book's publication, with portions of the book excerpted as liner notes.
Marcus links the
Notes
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