Jamaa Fanaka

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Jamaa Fanaka
Born
Walter Gordon

(1942-09-06)September 6, 1942
Compton Junior College, UCLA
Occupation(s)Film director, producer, screenwriter
Years active1972–2012
Parent(s)Robert L. and Beatrice Gordon

Jamaa Fanaka (born Walter Gordon; September 6, 1942 – April 1, 2012)

filmmaker. He is best known for his 1979 film, Penitentiary, and was one of the leading directors of the L.A. Rebellion
film movement.

Early life and education

Fanaka was born Walter Gordon to Robert L. and Beatrice Gordon in

8mm film about a heroin addict. The film stars Fanaka (credited as Walt Gordon) in the title role. It is the only narrative short he ever made. Jan-Christopher Horak of the UCLA Film Archives, when comparing the movie with the 1972 blaxploitation film, Super Fly, released the same year, observed, "unlike Priest's elegant cocaine consumption in Super Fly, Willie's arm gushes blood as he injects heroin."[4]

Later, he changed his name to Jamaa Fanaka. Ntongela Masilela states that while "a fundamental tenet of the Los Angeles school was an opposition to Hollywood," Fanaka was a notable exception. He describes Fanaka as "very much fascinated by Hollywood and averse to the contentious ideological and artistic discussions that were fundamental to the formation of the school."[5]

Career

During film school, Fanaka wrote, produced and directed Emma Mae (1974). The film focuses on a young woman who arrives in Los Angeles from Mississippi to live with her mother's sister and her family after her mother dies, and survives the culture shock that accompanies the move; Welcome Home Brother Charles (1975), about the ravages and dire consequences of racism; and Penitentiary (1979), the story of a young man wrongly sent to prison, who, through his boxing talents, is able to win his freedom.

Fanaka completed Street Wars in 1992. He was in extended production and

Hip Hop culture
.

Filmography

References

  1. ^ "Jamaa Fanaka, Leading LA Rebellion Film Movement Filmmaker, Dies At 69". Shadow and Act on Cinema of the African Diaspora.
  2. ^ King, Susan (2011-10-03). "The 'L.A. Rebellion' returns". Los Angeles Times. Los Angeles, California. Retrieved 2011-10-05.
  3. ISBN 0-7876-2469-1. {{cite book}}: |first= has generic name (help
    )
  4. ^ a b Horak, Jan-Christopher (2011). "A Day in the Life of Willie Faust, or Death on the Installment Plan (1972)". Los Angeles, California: UCLA Film & Television Archive. Retrieved 2011-11-14. Jamaa Fanaka's first project plays off the Blaxploitation's genre conventions, an adaption of Goethe's "Faust" presented with a non-synchronous soundtrack and superimposed over a remake of Super Fly (1972). Often out of focus with an overactive camera, the film immediately exudes nervous energy, but unlike Priest's elegant cocaine consumption in Super Fly, Willie's arm gushes blood as he injects heroin. A morality tale in two reels.
  5. ^ Masilela, Ntongela (1993). "The Los Angeles School of Black Filmmakers". In Diawara, Manthia (ed.). Black American Cinema. New York, London: Routledge. p. 115.

External links

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