John Fare

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John Fare (sometimes John Charles Fare or John Fahey or John Faré) is a fictional

suicide by beheading. The story originated in 1968 and is generally considered an urban legend.[1][2][3]

Sources for story

The original version was "The Hand" by N.B. Shein, published in Insect Trust Gazette in 1968.[4][5] In November 1972, Tim Craig published an embellished version of Shein's original story in reply to a letter to the editor of Studio International.[6] The reader was inquiring about an artist named Fahey who ended his career by having his head amputated onstage.[7][8][9]

In Craig's embellished version of Shein's original, John Charles Fare was born in 1936 in Toronto and attended

Bartlett School of Architecture, but soon left to live in Copenhagen
. He was briefly held in a mental health facility for exposing himself in public at performances. After his release, he was re-arrested for gluing objects to a car. The car's owner, musician and inventor Golni Czervath, did not press charges and befriended Fare. The two developed a robotic operating table with painter Gilbert Andoff. The first performance was a lobotomy on Fare in June 1964. All performances were performed on a Friday. By the time Fare performed at the Isaacs Gallery in Toronto on 17 September 1968, he "was short one thumb, two fingers, eight toes, one eye, both testicles, and several random patches of skin." The amputated parts were preserved in alcohol. That evening, he had his right hand amputated. Fare's body was fitted with small microphones, which transmitted his pulse and breathing frequency in a distorted fashion. Craig said Fare had performed six more shows between 1968 and 1972.

In 1985 Danny Devos wrote to Isaacs Gallery founder Avrom Isaacs enquiring about John Fare and his supposed performance in 1968. The response included a statement in writing that the story of John Fare "has no factual basis," adding "there was no such person as John Fare as far as I know."[10][11]

Response

The story was reprinted in a

Art Lies magazine.[18] Artists Gabriel Lester, Mariana Castillo Deball, "the estate of John Fare," René Gabri, Mario Garcia Torres, and Juozas Laivys explored themes of the story in a 2007 Gallery GB Agency exhibit in France.[19] While Lester acknowledged Fare was "an apparition, an artist thought to have existed," he said Fare embodied the culmination of romantic myth of the artist cursed, "someone who has probably never existed, and yet lives forever."[19]
Christopher Priest wrote the short story "The Head and the Hand" with a similar plot in 1972.

References

  1. ^ Cramer, Florian (2006). Sodom Blogging: Alternative Porn and Aesthetic Sensibility. C'Lick Me: A Netporn Studies Reader.
  2. ^ Shein, N.B. (1968). The Hand. Insect Trust Gazette, No. 3, pp. 1-4.
  3. ^ Craig, Tim (November 1972). Correspondence. Studio International (#949), pp. 160–161.
  4. ^ Apocalypse Culture, Adam Parfrey, Feral House, 1991, 2nd ed., pp. 95–96.
  5. ^ John Fare
  6. ^ Shirley R. Steinberg, Priya Parmar, Birgit Richard - 2006 Contemporary Youth Culture: An International Encyclopedia: Volume 2 - Page 317
  7. ^ Isaacs, Av (February 15, 1985) Personal correspondence. Via Danny Devos (November 16, 1985). The Myth of John Fare.
  8. ^ a b c A Coil Magazine, on line, accessed 11-III-2007.
  9. ^ Noctunrnal Emissions (2005). NIGEL AYERS / ANDREW LILES Four Compositions. Created for an imaginary performance by the legendary John Fare. Pipkin CDR (2005)
  10. ^ Stewart Home in D>Tour magazine, December 1997. Cf. [1].
  11. ^ Schröder, Johannes Lothar. Identität - Überschreitung - Verwandlung. Happenings, Aktionen und Performances von bildenden Künstlern. Münster: LIT, 1990
  12. ^ Jugend Kultur Archiv – The Industrial Culture scene
  13. ^ AnyBody's Concerns 6(2003)
  14. ^ Houses of horror, Gordon Burn, The Guardian, September 22, 2004, accessed on line 11-III-2007.
  15. ^ Zukauskaite, Audrone (2008) John Fare - The Scandal of the Missing Body (Parts). Archived 2011-07-21 at the Wayback Machine, ArtLies, Issue 57, 2008
  16. ^ a b Lesauvage, Magali (2007). The Last Piece by John Fare, curated by John Fare Estate. ParisART (French)