Jonas Wood

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Jonas Wood
Born1977 (age 46–47)
Boston, Massachusetts
Alma materUniversity of Washington
Known forPainting
MovementContemporary art
SpouseShio Kusaka

Jonas Wood (born 1977 in

contemporary artist based in Los Angeles
.

Early life and education

Raised in Boston,

As an undergraduate, Wood chose to study at Hobart College, a

Shortly after graduating, Wood moved to Los Angeles, where he worked as a studio assistant for two years for painter Laura Owens and then another two years for sculptor Matt Johnson.[8] He and Kusaka also worked for artist Charles Ray.[9] While working as an assistant, Wood continued to make his own work.

Process

During his student years, he explored making collage-like works based on montaged photographs that he took of himself, his friends, and their surroundings.[10] Wood now paints from studies (collages and drawings) and sometimes uses photography, but most of his works and studies are part of the larger plan of creating paintings.[6] Wood states, "I work from photos. I collect photos, ones I’ve taken or I’ve appropriated or that other people have sent to me. And then I either make a collage of those things or work directly from photos. And a bunch of times, I'll make a drawing from a found photo, a photo collage, or photo I took, and then make a painting from that drawing."[11] Wood has also done etchings.[2] He maintains active drawing, printmaking, and collage practices, each of which helps him generate techniques that he eventually uses in his paintings.[12]

Wood's studio is filled with the objects that influence his work, such as his children's drawings, plants, vessels, and sport memorabilia. An example of this includes a giant basketball sculpture by Paa Joe. He also works in close proximity to his partner, Shio Kusaka, whose work he appropriates and collaborates with. Wood's influences are also auditory, as he tends to listen to basketball podcasts while he works.[13]

A New York Times article by Janelle Zara states, "the studio is where Wood culls various photographs from the internet or his own archive and uses them as source material for his paintings". The appropriated imagery is organized in labeled folders in his studio to be physically accessible during his painting process. The images are printed out and pinned onto walls, then flattened and distilled into blocks of color. Wood then layers these "dense graphic patterns, overlapping fields of stipples and stripes, circles, squares, dots and wood grains".[13]

Themes

Helen's Room (2017) at the National Gallery of Art in 2023

Jonas Wood's paintings, drawings, and prints can be described as a myriad of genres, such as domestic interiors, landscapes, still-life and sports scenes.[2] Translating the three-dimensional world around him into flat color and line, he confounds expectations of scale and vantage point that reflect an instantly recognizable vision of the contemporary world.[4]

In an Architectural Digest story by Rebecca Bates, Wood claimed to paint to create new memories of his former residences: "I'm interested in exploring the spaces that I’ve inhabited and the psychological impact they've had on me and my memories of them,...And then I can create a new memory of that space."[14] The result is the perception that his work is very sincere.[15]

Style

Wood's style is described as multidimensional. In

The Huffington Post Wood is described in reminiscence of classic masters: "Although Wood pays homage to Van Gogh along with other abstract colorists like Matisse, Picasso and Keith Haring, his works are decidedly modern... Both steeped in tradition yet completely fresh, Wood captures the impossible sharpness of modernity with the familiar feelings of home."[16] Roberta Smith of The New York Times notes that "his works negotiate an uneasy truce among the abstract, the representational, the photographic and the just plain weird."[17]

Smith compares his work to those of Daniel Heidkamp.[18] In another story about Wood, Smith noted that as a painter who paints his own life, his art bears similarity to Édouard Vuillard, Henri Matisse, Alex Katz and David Hockney.[17]

Exhibitions

Black Dragon Society was the first gallery in Los Angeles to represent his work and give him a solo exhibition in 2006. Artist Mark Grotjahn saw Wood's paintings at that show and told Anton Kern Gallery in New York City about it. The result was Anton Kern Gallery mounting a one-man exhibition for Wood during the summer of 2007, and then Shane Campbell Gallery in Chicago hosted a solo show two months later. From that point on, he has continued to exhibit his work regularly.[8]

Past solo exhibition have been held at the Dallas Museum of Art (2019); Museum Voorlinden, Wassenaar, the Netherlands (with Shio Kusaka, 2017); Lever House, New York (2014); and Hammer Museum, Los Angeles (2010).[12]

Other solo projects include Still Life with Two Owls (MOCA), the façade of the

High Line Art, New York (2014); and LAXART Billboard and Façade, LAXART, Los Angeles (2014).[12]

His work is included in the permanent collections of many institutions, among them the

Art market

Wood has been represented by David Kordansky Gallery since 2011.[19]

In May 2019, Christie's set an auction record for Wood's work when Japanese Garden 3 sold for a $4.9 million.[20][21]

Personal life

Wood currently shares a studio with artist Shio Kusaka, his wife since 2002. Shio Kusaka, born in Japan, creates distinctive porcelain, and Wood then photographs and paints the pieces for co-operative exhibitions. The pair often work in tandem, motifs migrating from Kusaka's ceramic vessels to Wood's paintings and back again. He and Kusaka also incorporate imagery from their expansive art collection—including works by Alighiero Boetti, Michael Frimkess and Magdalena Suarez Frimkess, Mark Grotjahn, and Ed Ruscha—as well as from their children's storybooks and drawings.[11] They co-author art books in a series with the pen name Wood Kusaka Studios.[22]

In 2015 Gagosian in Hong Kong presented Blackwelder, which brought together Wood's and Kusaka's works in a dedicated two-person exhibition. This was followed by the couple's first collaborative museum exhibition, at Museum Voorlinden, Wassenaar, Netherlands, in 2017.[4]

Bibliography

References

  1. ^ "Jonas Wood". Gagosian. April 12, 2018. Retrieved August 8, 2023.
  2. ^ a b c Carr, Emily Leisz (October 9, 2013). "Super Sports Fan: An Interview with Jonas Wood". Art in America. Retrieved August 13, 2014.
  3. ^
    T
    . Retrieved August 13, 2014.
  4. ^ a b c "Jonas Wood". Gagosian. April 12, 2018.
  5. ^ "CSW Alumnus Designs Floors for New Taschen Store". The Cambridge School of Weston. The Cambridge School of Weston. May 4, 2015. Retrieved July 10, 2015.
  6. ^ a b "Q&A with Artist Jonas Wood". Hammer Museum. February 16, 2010. Retrieved August 13, 2014.
  7. ^ a b "Jonas Wood". Artspace. Retrieved August 13, 2014.
  8. ^ a b "A Trio of Artistic Trajectories". School of Art News Events RSS.
  9. ^ Amadour (August 7, 2023). "Artist Jonas Wood Discusses His Latest Exhibition Focused on His Drawing Practice, 'The Backbone of His Studio Practice'". ARTnews.com. Retrieved August 8, 2023.
  10. ^ August, Laura (February 12, 2019). "Painting Toward Intimacy: Jonas Wood at Dallas Museum of Art". Arts & Culture Texas.
  11. ^ a b Pobric, Pac (March 28, 2019). "I Was So Afraid for Way Too Long': Jonas Wood on How Going It Alone Helped Him Survive His Immense Art-Market Success". Artnet News.
  12. ^ a b c d Kordansky, David. "Jonas Wood". David Kordansky Gallery.
  13. ^ a b Zara, Janelle (March 22, 2019). "An Artist on Finding Balance, and His Giant Basketball Sculpture". The New York Times.
  14. ^ Bates, Rebecca (September 12, 2013). "Jonas Wood at Anton Kern Gallery". Architectural Digest. Retrieved August 13, 2014.
  15. ^ Johnson, Ken (December 11, 2008). "Art in Review". The New York Times. Retrieved August 13, 2014.
  16. The Huffington Post
    . Retrieved August 13, 2014.
  17. ^ a b Smith, Roberta (March 17, 2011). "Paintings by Jonas Wood". The New York Times. Retrieved August 13, 2014.
  18. ^ Smith, Roberta (July 10, 2014). "Daniel Heidkamp". The New York Times. Retrieved August 13, 2014.
  19. ^ Christopher Bagley (August 31, 2021), In David Kordansky and Mindy Shapero's Home, Art Always Comes First W.
  20. Barron's
    .
  21. ^ Wood, Jonas (2019). "Japanese Garden 3". Christie's.
  22. ^ ""Jonas Wood & Shio Kusaka: Still Life With Pots" opens May 25 at Glenn Horowitz Bookseller". Hamptons Art Hub. May 22, 2013. Retrieved August 13, 2014.