K'ni
The k'ni, also known as mim or memm in Cambodia, popularly known as a mouth violin is a mouth resonator fiddle, i.e. a fiddle-like instrument used by the Jarai people in Vietnam and Tampuan people in Cambodia.
Etymology
K'ni is the common word for fiddle in the Jarai language.
In Khmer, the mouth violon is referred to as the mim, which derives from the Khmer word meaning baby suckling or breastfeeding. In fact, the musician playing mouth violin makes movement resembles a child receiving breast milk.[1]
While it is sometimes referred to as a mouth violin, it should more properly be called a mouth resonator fiddle not to be confused with the European Jew's harp[2] known in north-east England as the “Gewgaw,” a word possibly derived from the Swedish word “munngiga,” and German Maulgeige meaning “mouth fiddle.”[3]
History
The earliest depictions of the mouth resonator fiddle have been identified on the
Today, it is in use among the Jarai people in Vietnam and Tampuong people in Cambodia. Similar instruments are used among other tribal peoples of the Central Highlands, such as the Bahnar people. The instrument does not have a direct equivalent among traditional Vietnamese musical instruments.
The k'ni or mim is among the Angkorian instruments that were thought to have disappeared, but which were recently recovered though anthropological research.[1] Thus, just as the Khmer were surprised to see Austronesian people like the Jarai in Vietnam and the Tampuan in Ratanakiri playing the mim, the Khmer were also able to recover the Angkorian harp through ethnological research and comparison with the traditional harps in Khmer-Mon cultures of Myanmar where the harp was still in use.[1]
Description
The k'ni is a bowed
Whereas the Jarai k'ni is made of bamboo, the Kreung people in Ratanakiri have them made of bamboo.
The bow is usually hairless made of a simple straw of bamboo and resin is used to ensure its adhesivity.[9]
In the absence of any sound box, the resonance is obtained through a mouthpiece that makes a humming sound modulate by the opening of the mouth. The musician ties a string around the bottom near the bridge and stretches it into his mouth. In order to keep this string tightly in the mouth, a bamboo cercle is pierced with a whole and tied to the string, confining it to the bamboo neck of the instrument. This bamboo circle has sometime been replaced by a piece of plastic to make it easier for older toothless musicians.[1] The Jarai people sometimes tie an small bamboo section to a long string to create an amplifier in a traditional way of doing court to young women.[9]
The musician holds the neck of the instrument on one and in his left hand while the other end close to the bridge is held tightly between his first and second toe.
References
- ^ ISBN 978-1-58886-083-5.
- ISBN 978-1-4724-1413-7.
- ISBN 978-3-319-92796-1.
- ^ "bsip2755". Bowed Strings Iconography Project. Retrieved 4 March 2023.
- ^ "bsip2756". Bowed Strings Iconography Project. Retrieved 4 March 2023.
- ISSN 0003-598X– via Cambridge Core.
- ^ "Mysterious memm makes a comeback". The Phnom Penh Post. 14 January 2005. Retrieved 4 March 2023.
- ^ The Garland handbook of Southeast Asian music p 300 Terry E. Miller, Sean Williams – 2008 "Figure 16.2 Dock Ramah, a Jarai minority musician, plays the k'ni mouth-resonated bowed monochord. Photo by Terry E. Miller; 2005."
- ^ a b c Kersalé, Patrick. "Mouth resonator fiddle". Sounds of Angkor. Retrieved 2022-08-27.
External links
- Page with pictures of K'ni or Vietnamese mouth violin.
- Page from Vietnam National Administration of Tourism, with picture and description of K'ni.
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