K Foundation
K Foundation | |
---|---|
![]() An early K Foundation advert: "Time is running in" | |
Background information | |
Origin | United Kingdom |
Years active | 1993–1995 |
Past members | Jimmy Cauty Bill Drummond |
The K Foundation was an art foundation set up by
The K Foundation announced a 23-year moratorium on all projects from November 1995. They further indicated that they would not speak about the burning of the million pounds during the period of this moratorium.
Context
In the early 1980s, British musician and artist
The JAMs' debut release, the single "
By their own account, neither Drummond nor Cauty kept any of the money that they made as The KLF; it was all ploughed back into their extravagant productions. Cauty told an Australian I think we made about £6m. We paid nearly half that in tax and spent the rest on production costs. When we stopped, the production costs stopped too, so over the next few months we amassed a surplus of cash still coming in from record sales; this amounted to about £1.8m. After tax we were left with about £1m.[12]
Although the duo had deleted their back catalogue in the UK with immediate effect, international licensees retained the contractual right to distribute KLF recordings for a number of years. The KLF, like any other artist, were also entitled to
Music journalist
K Foundation adverts
The first manifestation of the K Foundation was a series of adverts in UK national newspapers in 1993. The first adverts, in July 1993, were cryptic, referring to "K Time" and advising readers to "Kick out the clocks".[16][17] There was also an advert for their single "K Cera Cera" which was "Available nowhere ... no formats" and which was not planned for release until world peace was established. The single was eventually released, but only in Israel.[18]
"When the first in a strange series of full-page ads appeared in The Independent on July 4", said The Face, "people started whispering. The cultish rhetoric, the unfathomable "Divide and Kreate" slogans, the K symbols, all suggested that the kings of cultural anarchy were back."[19][20] Each advert cost between £5,000 and £15,000.[21]
Turner Prize subversion
The 1994 K Foundation award was an award given by the K Foundation to the "worst artist of the year". The Foundation commissioned more press adverts,[21] instructing readers to "Abandon all art now"[22] and then inviting them to vote for the worst artist of the year.[23][24] The 1993 Turner Prize was being judged at the same time, and, perhaps not coincidentally, both awards had the same shortlist of four artists.[25] The prize being offered by Drummond and Cauty was £40,000 which was double the £20,000 offered for the Turner Prize.[26]
Channel 4 Television broadcast coverage of the Turner Prize, during which three more K Foundation adverts were broadcast — these announced the "amending of art history".[27] During the evening, Rachel Whiteread was announced as the winner of both the Turner Prize and the K Foundation award. Whiteread initially refused to accept the K Foundation prize, but after being told that the money would be incinerated, she reluctantly accepted, with the intention of donating £30,000 to artists in financial need and the other £10,000 to the housing charity, Shelter.[19][28][29]
Money: A Major Body of Cash
During the buildup to the presentation of the K Foundation art award to Rachel Whiteread on 23 November 1993, the K Foundation presented their first artwork to the press. Nailed To A Wall, "the first of a series of K Foundation art installations that will also include one million pounds in a skip, one million pounds on a table and several variants on the theme of Tremendous Amounts Of Folding", consisted of one million pounds in £50 notes, nailed to a large framed board.[26] Nailed To A Wall had a reserve price of £500,000, half the face value of the cash used in its construction, which Scotland on Sunday's reporter Robert Dawson Scott was "fairly confident... really was £1 million [in cash]". The catalogue entry for the artwork stated: "Over the years the face value will be eroded by inflation, while the artistic value will rise and rise. The precise point at which the artistic value will overtake the face value is unknown. Deconstruct the work now and you double your money. Hang it on a wall and watch the face value erode, the market value fluctuate, and the artistic value soar. The choice is yours."[30]
Collectively, the K Foundation's money-as-art works were titled Money: A Major Body Of Cash, "seven pieces, all involving various amounts of cash nailed to, tied to or simply standing on inanimate objects".[13] The Face magazine neatly summed up the concepts behind the art project:
If there is any overriding theme to all this unfathomable rhetoric, it's that money has become the root of all art. The questions posed in the K Foundation's first catalogue all hint at this idea: "How beautiful is money?" "Why do we try and make money measure the immeasurable?" "Have you ever shagged somebody who works in a bank?" In short, "What is money?" To add further weight to this theory, they also pull off a neat conceptual punchline. Their art is made out of cash. The face value of that cash is obvious. The artistic value, until somebody buys it and gives it artistic status, is zero. The K Foundation have put a price on these works precisely halfway between their current monetary value and their artistic value. The joke being that if you were to buy the piece called 10,000 (four piles of mint fifties nailed to a plank of salvaged skirting board) for the asking price of 5,000 (ono), you stand to pocket five grand if you destroy the art and spend the money. Alternatively, hang it on your wall and see the cash value eroded by inflation while the artistic value soars. It's the sale of the century![19]
During the first half of 1994, the K Foundation attempted to interest galleries in staging Money: A Major Body Of Cash. However, even old friend
The K Foundation Burn a Million Quid
On 23 August 1994, in a boathouse on the Scottish island of
Reid admitted to first feeling shock and guilt about the burning, which quickly turned to boredom. The money took well over an hour to burn as Drummond and Cauty fed £50 notes into the fire. Drummond later said that only about £900,000 of the money was actually burnt – the rest flew straight up the chimney.[33] The press reported that an islander handed £1,500 into the police; the money had not been claimed and would be returned to the finder.[34][35]
On 23 August 1995, exactly one year after the burning, Drummond and Cauty returned to Jura for the premiere screening of the film,
K Cera Cera and The Magnificent
The only music release to bear the name of the K Foundation was "
Also made by the duo during the K Foundation's existence, reported by the NME as a K Foundation work,
Moratorium
Drummond and Cauty announced a
On 5 November 1995, Jimmy Cauty and Bill Drummond signed a contract with the rest of the world agreeing to end the K Foundation for a period of 23 years. This postponement provides opportunity of sufficient length for an accurate and appropriately executed response to their 'burning of a million quid'. The K Foundation's fate now lies irrevocably sealed in the imploded remains of a Nissan Bluebird nestling among the rocks 600 feet below Cape Wrath, Scotland.[42][43]
The final act of the K Foundation was distributing a van load of
Drummond and Cauty - reunited as The Justified Ancients of Mu-Mu under the auspices of K2 Plant Hire Ltd - ended the moratorium on 23 August 2017, 23 years after the burning.[46][47] "Why Did the K Foundation Burn a Million Quid?" was debated during a three-day festival celebrating the launch of their novel 2023: A Trilogy.[48] In the intervening period, the duo had worked together in 1997, when they attempted to "Fuck the Millennium" as 2K (music)[49] and K2 Plant Hire (conceptual art).[50]
Omnibus documentary
In November 1995, the BBC aired an edition of the
See also
Notes and references
- ^ Robbins, Ira. "KLF". Trouser Press. Retrieved 20 April 2006.
- AllMusic. Retrieved 5 March 2020.
- Q. January 1992. Archived (via the Library of Mu) on 16 September 2016.
- ^ "Tate tat and arty". NME. 20 November 1993. Archived (via the Library of Mu) on 16 September 2016.
- ISBN 0-571-21569-6.
- AllMusic. Retrieved 5 March 2020.
- ^ a b c Shaw, William (April 1995). "Special K". GQ. Archived (via the Library of Mu) on 16 September 2016.
- ^ Alan Freeman; Bill Drummond. "It's a Steal - Sampling". The Story of Pop. Episode 48. 31 minutes in. BBC Radio 1. First broadcast in 1994, per "The Story Of Pop". BBC Radio 6 Music. Retrieved 9 March 2020.
- ^ Longmire, Ernie; et al. (2020) [1998]. "Discography: The KLF (including The JAMS, The Timelords, 2K etc.)". Archived from the original on 29 February 2020.
- AllMusic. Retrieved 22 March 2020.
- ^ Martin, Gavin (December 1996). "The Chronicled Mutineers". Vox.
[1992] had been the year of Bill's 'breakdown', when The KLF, perched on the peak of greater-than-ever success, quit the music business, (toy) machine gunned the tuxedo'd twats in the front row of that year's BRIT Awards ceremony and dumped a sheep's carcass on the steps at the after-show party
Archived (via the Library of Mu) on 16 September 2016. - The Big Issue Australia). Archived from the originalon 10 December 2007.
- ^ a b c d e Reid, Jim (25 September 1994). "Money to burn". The Observer. Archived (via the Library of Mu) on 16 September 2016. passim
- ^ Sharkey, Alix (21 May 1994). "Trash Art & Kreation". The Guardian Weekend. Archived (via the Library of Mu) on 16 September 2016.
- ^ Morton, Roger (12 January 1991). "One Coronation Under A Groove". NME. Archived (via the Library of Mu) on 4 October 2016.
- ^ "Divide & Kreate". Guardian Weekend (K Foundation advertisement). 3 July 1993. Archived (via the Library of Mu) on 16 September 2016.
- ^ "Divide & Kreate". NME (K Foundation advertisement). 3 July 1993. Archived (via the Library of Mu) on 16 September 2016.
- ^ a b "K Cera Cera". NME (K Foundation advertisement). 10 July 1993. Archived (via the Library of Mu) on 16 September 2016.
- ^ a b c "K Foundation: Nailed To The Wall". The Face. January 1994. Archived (via the Library of Mu) on 16 September 2016.
- ^ "The kings of cultural anarchy" refers, of course, to The KLF.
- ^ a b Sandall, Robert (12 September 1993). "Adding to the confusion; K Foundation's new ads". Features section. The Times. Archived (via the Library of Mu) on 27 August 2007.
- ^ "Abandon All Art Now". Guardian Weekend (K Foundation advertisement). 14 August 1993. Archived (via the Library of Mu) on 16 September 2016.
- ^ "Let The People Choose". Guardian Weekend (K Foundation advertisement). 18 September 1993.
- The Sunday Times(K Foundation advertisement). 19 September 1993.
- ^ Ezard, John (30 August 1993). "Worst art hoaxers' scam goes kaput". The Guardian. Archived (via the Library of Mu) on 16 September 2016.
- ^ Q Magazine. Archived (via the Library of Mu) on 16 September 2016.
- ^ Three 30-second K Foundation TV advertisements. Channel 4. 23 November 1993. Transcripts archived (via the Library of Mu) on 16 September 2016.
- New York Times. 29 November 1993. Archived (via the Library of Mu) on 16 September 2016.
- ^ This was announced in an advertisement placed by Whiteread in Art Monthly, January 1994. See Image:Rachel Whiteread's K Foundation award advert.jpg for a scan.
- ^ Dawson Scott, Robert (28 November 1993). "K Foundation tries to turn the art world on its head". Scotland on Sunday. Archived (via the Library of Mu) on 16 September 2016.
- ^ a b c "We didn't set out to make a film, we set out to burn £1m". NME. 16 September 1995. Archived (via the Library of Mu) on 16 September 2016.
- ^ "One million Quid" in British slang
- ^ Simpson, Dave (20 May 2004). "'It's not haute cuisine'". The Guardian. Archived from the original on 4 April 2006.
- ^ Bowditch, Gillian (4 October 1994). "Duo with £1m to burn leave island guessing". The Times. Archived (via the Library of Mu) on 16 September 2016.
- ^ McKerron, Ian (1 October 1994). "Duo Burn £1M In Midnight Madness". Daily Express. Archived (via the Library of Mu) on 16 September 2016.
- ^ Banks-Smith, Nancy (30 August 1995). "From cash to ash". The Guardian. p. T.009.
- Q Magazine. Archived (via the Library of Mu) on 16 September 2016.
- ^ K Cera Cera (Sleeve notes). K Foundation. Israel: NMC Music. 1993. KCC 1-2.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ "Yasser, they can boogie!". NME. 13 November 1993. Archived (via the Library of Mu) on 16 September 2016.
- ^ Perry, Andrew; Upton, Sam (October 1997). "Millennial Mu Mu". Select. Archived (via the Library of Mu) on 16 September 2016.
- Variant. Vol. 2, no. 1. p. 18. Archived from the original(PDF) on 28 September 2007.
- ^ K Foundation (8 December 1995). "Cape Wrath". The Guardian (advertisement). Archived (via the Library of Mu) on 16 September 2016.
- ^ Note that they have spoken about the burning since then to a limited extent (references can be found in K Foundation Burn a Million Quid, including quotations from Drummond where he expresses regret at burning the money); the "contract" was not followed as strictly as The KLF's stated intention to delete their back catalogue in 1992. Cauty and Drummond officially ended the moratorium in 2017.
- San Jose Mercury. 26 December 1995. Archived (via the Library of Mu) on 16 September 2016.
- ^ Heaney, Mick (18 April 2004). "Bill Drummond once burnt £1m for art's sake. Now he is taking a soupopera to Belfast". The Sunday Times. p. 18.
- ^ Pilley, Max (24 August 2017). "The Ice Kream Van Kometh: The Justified Ancients of Mu Mu Return". Drowned in Sound. Archived from the original on 26 February 2020. Retrieved 26 February 2020.
- ^ Ellis-Petersen, Hannah (23 August 2017). "The return of the KLF: pop's greatest provocateurs take on a post-truth world". The Guardian. Retrieved 23 October 2017.
- ^ "The KLF: Pop's saboteurs return after 23 years". BBC News. 23 August 2017. Retrieved 26 February 2020.
- Billboard. Archived (via the Library of Mu) on 16 September 2016.
- ^ Sawyer, Miranda (26 October 1997). "They set fire to £1m and they're still not happy". The Observer. Archived (via the Library of Mu) on 16 September 2016.
- ^ Sutcliffe, Thomas (7 November 1995). "Omnibus: A Foundation Course in Art". TV section. The Independent (Review). p. 24.