Kawachi ondo

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Kawachi Ondo
.

Kawachi Ondo (河内音頭) is a kind of Japanese folk song that originates from

Buraku
communities has likely contributed to the form's close links to community practice rather than being "pasteuriz[ed] for consumption by the masses."

Form

"Kawachi Ondo" is a fluid form of traditional folk music. It has a common

electric basses
.

Singers

It is considered an art to be able to put lyric to Kawachi Ondo. It takes years of observation and study to become a singer. Expert singers, known as

Bon Odori is held where many famous singers go and perform. The most famous singer of Kawachi Ondo is Kawachiya Kikusuimaru of Yao City. Koishimaru Izutsuya
's singing is featured on a UNESCO/Smithsonian Folkways recording with extensive liner notes and transcriptions of his live performance.

A Kawachi Ondo singer was traditionally accompanied by one taiko player (on an chudaiko or odaiko) and a shamisen player. Since the 1970s, the shamisen has been increasingly replaced by an electric guitar player.

Dance

There are many ways to dance to Kawachi Ondo. The most famous dance is called "mamekachi". The dance proceeds clockwise around the yagura, though a few steps go in the opposite direction, and it is marked by a succession of three claps before the dance sequence begins again. It may be the most standard of Kawachi Ondo dances, but even this dance will vary slightly from region to region.

There is an alternate dance called "teodori", literally, "hand dance". Most of the movement is in the hands. In contrast, the mamekachi involves a lot of foot work. The teodori dance proceeds counter-clockwise around the yagura and the dancers clap twice before beginning the dance sequence anew. Often to change things, dancers will switch between the mamekachi and teodori dances halfway through a Kawachi Ondo performance, as performances can last up to 30 minutes or so.

Like the song Kawachi Ondo itself, the dance is ever changing and people are always coming up with new ways to dance to it. Guilds will often take an existing dance and add their own flair to it. For example, taiko troupes that decide to join in a local bon odori will often bring their bachi (drum sticks) and incorporate taiko drumming motions into the dance. Martial arts groups will incorporate chopping and kicking moves, etc. Sometimes groups may even come up with an entirely new dance altogether. Enka singer Mitsuko Nakamura is famous for singing Kawachi Ondo and a derivative of the song called Kawachi Otoko Bushi; she is credited for inventing a new Kawachi Ondo dance, and loyal fans get together and dance the "Nakamura Mitsuko" at bon dances.

Goshu Ondo

Kawachi Ondo is closely tied to

Goshu Ondo, as it is said Kawachi Ondo evolved from it. The kakegoe
"ha iya korase dokoise" is found in both songs and is well known to Japanese citizens of Osaka. As in Kawachi Ondo, the lyrics in Goshu Ondo are fluid, and it takes expertise to become a proficient singer. Singers of Kawachi Ondo are often singers of Goshu Ondo as well. In some parts of Osaka, both are sung alternatively at bon dances.

Kakegoe

Kawachi Ondo has two kakegoe, and they are sung at different times. They are "Ha enya korase, dokkoise!" and "Sorya yoi, dokoi sa, sa no yoiya sansa!"

Excerpt

References

Izutsuya, Koishimaru. (1991) 2013. Japan: Koishimaru Izutsuya: Master of the Kawachi Ondo Epics. Washington, DC: Smithsonian Folkways Recordings/UNESCO. https://folkways.si.edu/japan-koishimaru-izutsuya-master-of-the-kawachi-ondo-epics/world/music/album/smithsonian. Loubet, Emmanuelle. 2005. “The Ondo Singers of Kawachi, Japan: Anatomy of a Socio-Sonic Phenomenon.” Musicworks: Explorations in Sound, no. 93: 40–49.

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