Kenneth Horne (writer)

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Horne, undated

Kenneth Horne (28 April 1900 – 5 June 1975) was an English writer and playwright. Born in Westminster, London, he was active between 1933 and 1970, and his works included A Lass and a Lackey, Fools Rush In, Trial and Error, Public Mischief and The Coming-Out Party, as well as film scripts. (He should not be confused with popular radio comedian Kenneth Horne of a similar age-group.)

Biography

Kenneth Horne was born in Westminster, London, on 28 April 1900.[1] He read many works by George Bernard Shaw, and later the two men shared the same manager.[2] During the Second World War, Horne worked in the Air Ministry.[1]

Horne was married twice

Croydon, Surrey.[3]

Horne's first play to be performed in the

Love In A Mist, about a secretary and her boss' son who go on a weekend in Exmoor, only for the secretary to attempt to escape from her date.[2] Horne's last play to be performed at the West End, A Public Mischief, ran in St Martin's Theatre in 1965. The play was about a woman who elopes with her lover while making her escape appear to be a boating accident. Though it received poor reviews,[4] this play was later adapted to television.[2] Horne's last play, The Coming Out Party, was performed in Bromley in 1970.[2]

Horne made his film debut as a screenwriter in 1938's

Aldo de Benedetti; Aunt Clara in 1954, and On the Bridon Beat in 1964.[6] Horne also recorded voice commentary, sometimes as a narrator, for several films and shorts, including in The Fibre Web (1963), The Story of Moses (1964), and Down Boy! (1964). He managed the dialogue for Fools Rush In, a 1949 comedy directed by John Paddy Carstairs.[6]

Horne died of cancer[2] on 5 June 1975.[1]

Themes

Horne's work often dealt with conflicting 19th and 20th century values, as well as the opposition of instinct and morality. As with his contemporary, Noël Coward, Horne challenged traditional speech patterns in British comedies, though where Coward's characters remain outrageous, Horne's ultimately return to what is expected from society.[2]

Many of Horne's plays feature young, often virginal women who, in their burgeoning sexuality, "offer themselves up, with some degree of apprehension, for ravishment."[2] Actor George Cole, who appeared in the West Side run of A Public Mischief, wrote of Horne's style: "Kenneth Horne's scripts were always carefully crafted to let the humour come naturally without being forced. He insisted that, in order to work properly, comedy should always be played straight".[4][7][1]

Legacy

Horne's grandson, the English writer Robert Farrar, describes Horne as

"school-of-Moliere, a pleaser, an artist of the depression and the war years whose brief was to make an audience feel safe and loved. You could put on your nicest clothes, turn up at the theatre and know beyond a shadow of a doubt that you were going to have good time."[2]

Partial bibliography

The following list is derived from Horne's published work, as catalogued at WorldCat.

References

  1. ^ a b c d e "Obituary: Mr Kenneth Horne". The Times. London. 6 June 1975. p. 17.
  2. ^ a b c d e f g h i j Farrar, Robert (2009). "Article: My grandfather Kenneth Horne, playwright". Psychodrome.co.uk. Archived from the original on 10 August 2013. Retrieved 22 January 2014.
  3. ^ a b "Jonathan Horne". The Telegraph. 12 July 2010. Archived from the original on 12 March 2014. Retrieved 22 January 2014.
  4. ^ a b
    ISBN 9781782194699
    .
  5. ^ "Almost a Honeymoon". British Film Institute. Archived from the original on 22 October 2012. Retrieved 22 January 2014.
  6. ^ a b "Filmography: Horne, Kenneth". British Film Institute. Archived from the original on 4 February 2014. Retrieved 22 January 2014.
  7. ^ "Kenneth Horne". Contemporary Authors. Gale. Retrieved 20 January 2014. (subscription required)

External links

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