Kieth Engen

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Kieth Engen
Born
Keith Sheldon Engen

(1925-04-05)5 April 1925
Died2 September 2004(2004-09-02) (aged 79)
Other namesStan Oliver
OccupationOpera singer (bass)

Kieth Engen (5 April 1925 – 2 September 2004) was an American operatic bass who was a member of Munich's Bavarian State Opera for decades. Although his career was based in Munich, he appeared internationally as a guest singer at major opera houses and festivals and performed and recorded many of Bach's Passion oratorios and cantatas, primarily with the conductor Karl Richter. He was born Keith Sheldon Engen in Frazee, Minnesota, and died in Murnau am Staffelsee, Germany at the age of 79. He was given the title of Kammersänger in 1962 and was a recipient of the Bavarian Order of Merit. In the mid-1950s he also had a brief parallel career as a pop singer under the pseudonym Stan Oliver.

Biography

Early life

Engen was born in

Wiener Musikakademie in 1951 where he studied under Elisabeth Radó, Tino Pattiera, and the bass Pavel Ludikar, who also became his friend and role model.[1][2] His first name was originally "Keith", but after several years in Germany, he changed the spelling to "Kieth" to conform to German phonetics.[3]

Singing career

Engen made his operatic debut in 1952 at the

United States Information Service and staged by Marcel Prawy under the slogan "So singt Amerika" (So sings America).[1][2][4]

His first appearance at the Bavarian State Opera came in 1954 as Bluebeard in Bartok's Bluebeard's Castle. In a March 2000 interview, Engen said that his height had got him the role. According to Engen, Hertha Töpper, who was singing Judith in the opera, was a tall woman, and the director insisted on an equally tall Bluebeard.[1] In 1955, he became a permanent member of company and went on to perform there until his retirement in 1996, appearing 2122 times in over 125 roles of the bass repertoire. His last appearance was as the Gemeindevorsteher in Reimann's opera Das Schloß. In recognition of his accomplishments he was given the title Kammersänger in 1962 and later the Bavarian Order of Merit.[5][6]

In the course of his career, Engen sang most of the leading bass roles. In addition to the title role in Bluebeard's Castle and Zaccaria in Nabucco, these included: the Mozart roles of Count Almaviva in

Il Turco in Italia; Enrico in Donizetti's Anna Bolena; Ramfis in Verdi's Aida; Mephisto in Gounod's Faust; and the Doctor in Alban Berg's Wozzeck.[2]

Although his career was primarily based in Munich, Engen also appeared as a guest singer in other German opera houses and internationally. He appeared at the Bayreuth Festival in 1958 as Heinrich in

Engen took part in several world premieres, singing Emperor Rudolf in Hindemith's Die Harmonie der Welt (1957), Alexandre Dumas in Norman Dello Joio's Blood Moon (1961), Oceanus in Carl Orff's Prometheus (1968), Senatspräsident in Volker David Kirchner's Belshazar (1986), and the Czar in Penderecki's Ubu Rex (1991).[2][9]

From 1956, Engen performed and recorded many of

St. Matthew Passion (1958),[13] while singing the work's bass arias in a 1969 recording.[14]

In the mid-1950s Engen had a brief parallel career in Germany as a pop singer under the pseudonym "Stan Oliver". He made several recordings on the

Polydor label which entered the German charts. These included "Ein Haus in Havanna" (A House in Havana) and '"Das Geisterschiff von Ohio" (The Ghost Ship from Ohio).[15] He also sang under that name in the light comedy films Das alte Försterhaus (1956)[16] and Der kühne Schwimmer (1957).[17]

Later years

In his retirement years, Engen taught singing and served on the juries of singing competitions.[4] He died at the age of 79 in Murnau am Staffelsee, where he and his wife had lived since 1972.[6] His obituary in Der Spiegel described him as inquisitive, secure in style and intelligent.[7][a] Ronald Adler, former artistic director at the Bavarian State Opera and longtime friend of Engen, wrote that his personality was marked by unwavering benevolence, kindness, and serene wisdom with a focus that was always on the essential—love of music, life and people.[5][b]

Discography

Engen's discography includes:

Opera

Oratorio and sacred music

Notes

  1. ^ Original German quote: "neugierig, stilsicher und intelligent"
  2. ^ Original German quote: "sein unerschütterliches Wohlmut, seine eigene Güte und seine gelassene Weisheit geprägt. In ihm wurde immer die Konzentration auf das Wesentliche, den Ausschluss des Trivialen, die Liebe zur Musik, zum Leben und zum Menschen erleben."

References

  1. ^ a b c Giessler, Ingeborg (30 March 2000). "Künstlergespräche: KS Kieth Engen". Interessenverein des Bayerischen Staatsopernpublikums. Retrieved 31 May 2019 (in German)
  2. ^ (in German)
  3. ^ Gessler, Clifford (16 September 1961). "Opera Opens with Brilliant Flourish". Oakland Tribune, p. 9. Retrieved 1 June 2019.
  4. ^ a b Herpen, Heino (updated version, 3 May 2009). "Ein Leben voller Musik". Münchner Merkur. Retrieved 31 May 2019 (in German).
  5. ^
    Bayerische Staatsoper
    . Retrieved 31 May 2019 (in German).
  6. ^
    s.n. (updated version, 14 April 2009). "Zum Tod von Opernsänger Kieth Engen". Münchner Merkur
    . Retrieved 31 May 2019 (in German).
  7. ^ . Retrieved 31 May 2019 (in German).
  8. ^ San Francisco Opera Performance Archives. "Kieth Engen". Retrieved 1 June 2019.
  9. ^ Rich, Alan (20 September 1961). "Opera: 'Blood Moon' Sung". The New York Times. Retrieved 1 June 2019.
  10. (in German)
  11. ^ Cantata BWV 56 / Ich will den Kreuzstab gerne tragen / Discography – Part 2 Bach Cantatas Website
  12. ^ Johannes-Passion BWV 245 / Discography – Part 3 Bach Cantatas Website
  13. ^ Matthäus-Passion BWV 244 / Discography – Part 2 Bach Cantatas Website
  14. ^ Matthäus-Passion BWV 244 / Discography – Part 3 Bach Cantatas Website
  15. ^ Harald Philipp (director) (1956). Das alte Försterhaus (film). Wega-Film.
  16. ^ Karl Anton (director) (1957). Der kühne Schwimmer (film). Roxy Film.
  17. DNB-IDN 353782017

External links