Kofi Kayiga

Kofi Kayiga (born December 1943),

His work has been characterised as influenced by Africa and by Jamaican folklore and religious themes.^[9][10] In the words of the art historian Petrine Archer-Straw, "Kayiga’s work is concerned with origins, 'primitive'in the sense of exploring the essence of human consciousness and its links with spirituality. To access this deeper understanding of the self, Kofi strips himself of his formal training and approaches his subject matter intuitively and even mystically, recovering images from deepest memory and the subconscious. His is a pantheistic world that reveals the mystery of the universe in every aspect of daily life. Inanimate objects and situations become animate and alive with animal forms, insects and cosmic creatures that remind us that the spirit world is all around us. Unlike the many artists creating during this era who were inspired by the repatriation message of Garvey and Rastafari, Kayiga's world is not one of idealism mediated through the diaspora experience. Instead, he is the only artist who channeled a first-hand experience of Africa into his work, resulting in an immediacy and directness that consists of bold strokes, vibrant colour fields and symbolic language."^[4]

In 2015, Kayiga's work features exhibition

• 2013, Kofi Kayiga at 70, Multitudes Gallery, Miami, FL, USA.
• 2005, Kayiga: SpiritHue, Bunker Hill Community College Art Gallery, Boston, MA, USA.
• 2000, Riverside Gallery, St Ann, Trinidad.
• 1998, Of Spirit and Technology — 30-Year Retrospective, Kingdom Fine Arts, Boston, MA, USA.
• 1998, Mystical Images, Lafayette College, Black Culture Center, USA.
• 1996, Gateway 4, Newark, New Jersey, USA.
• 1994, Mutual Life Gallery, Kingston, Jamaica.
• 1990–91, Museum of African American Life and Culture,
  Dallas, Texas
  , USA.
• 1983, Paintings and Drawings, Brownagree Gallery,
  Commonwealth Institute
  , London, UK.
• 1981, Major Works, Museum of the National Centre of Afro American Artists, Boston, MA, USA.
• 1979, Drawings, Mercer Arts Salon New York, NY, USA.
• 1975, Nine-Year Retrospective, Olympia International Art Centre, Kingston, Jamaica.
• 1972, Paintings, West Indian Students' Centre, London, UK.
• 1971, Paintings and Drawings, Nomo Gallery,
  Kampala, Uganda
  .
• 1970, Paintings, Kingston Parish Library, Kingston, Jamaica.
• 1967, Paintings, Contemporary Art Gallery, Kingston, Jamaica.

Group

• 2015,
  No Colour Bar: Black British Art in Action 1960–1990, Guildhall Art Gallery, City of London
  , UK.
• 2005, Back to Black, Whitechapel Gallery and touring, UK.
• 1998–99, Four Group Shows, Kingdom Fine Arts, Boston, MA, USA.
• 1998, Black as Colour: Art, Cinema, and the Racial Imaginary, National Gallery of Jamaica, Kingston.
• 1997, Mutual Life Gallery, Kingston, Jamaica.
• 1992, Cecil Cooper, Kofi Kayiga, Bryan McFarlane, Parish Gallery, Washington, D.C., USA.
• 1991, Travelling Exhibit, Virginia Museum of Fine Arts, Richmond, VA, USA.
• 1990, Forty Years: Edna Manley School for the Visual Arts, National Gallery of Jamaica, Kingston.
• 1989–90, Black Art Ancestral Legacy, Dallas Museum of Art, Dallas, Texas, USA.
• 1988, Works on Paper, Institute of Contemporary Arts, Boston, MA, USA.
• 1986, Anniversary Group Exhibit, Contemporary Art Centre, Kingston Jamaica.
• 1983, Museum of the National Centre of Afro American Artists, Boston, MA, USA.
• 1978, Eleven Jamaican Painters,
  Caracas, Venezuela
  .
• 1972–92, Annual National Exhibition, National Gallery of Jamaica, Kingston.

References