Afro-German singer and actress
Leila Negra, the stage name of Marie Nejar (born 20 March 1930) is an
Afro-German
singer and actress. She began her career as a child film actor in the 1940s, became a singer after World War II, and left performing in the late 1950s to become a nurse.
Family and early childhood
She was born Marie Nejar in
Mülheim an der Ruhr, Germany.
[1] Her father was a black sailor out of
Liverpool, England, who originally came from
Ghana; he saw his daughter only a few times.
[2] Her mother, Cécilie, was the daughter of a white German woman and a
creole man from the island of
Martinique.
[2] Cécilie was initially disowned by her family on account of her interracial relationship. She concealed her pregnancy from her family and placed Marie in an orphanage when she was born. When Marie was three years old, Cécilie removed her from the orphanage and they moved to Hamburg to be near Cécilie's mother, with whom Cécilie had reconciled. Cécilie, who worked as a musician,
[3] bled to death following an abortion when Marie was 10 years old and Marie was then cared for by her maternal grandmother.
Marie grew up in the Hamburg docklands neighbourhood of
Nuremberg Race Laws of 1935, she was unable to finish her education and instead had to do forced labour in a factory. By her own account, she survived the early years of Nazism with the help of sympathetic people in her community, including some of the local policemen;
[1] later her appearances in
Nazi propaganda films offered some protection.
[5]Career as performer
Her film career as a performer began as a result of a search instigated by
Münchhausen, performing as a black servant with a fan. Only 12 years old when the film was shot, she didn't realize it was propaganda and was happy to have two weeks off from school and earn some money.
[1] After that, she had a small role in the comedy
Quax in Africa (produced in 1943/44 and released in 1947) as the daughter of an African tribal chief. After the war, she performed in films as a singer rather than an actor, including
Dancing Stars (1952),
Salto Mortale (1953),
The Sweetest Fruits (1954), and
Der Schweigende Engel (1954).
During the post-war years, she worked at a bar in the winter and as a
Answer Me, My Love".
[7] She toured with the well-known Austrian singer
Peter Alexander, as well as with other musicians.
[6]In her mid-twenties, after a career spanning half a dozen films and some 30 songs, she withdrew from performing as Leila Negra. In 1957, she began training as a nurse, which became her career for the remainder of her working life.
In 2007, she published her autobiography, Mach nicht so traurige Augen, weil du ein Negerlein bist: Meine Jugend im Dritten Reich (Don't look so sad, because you are a little Negro: my youth in the Third Reich). The title is taken from one of her hit songs of the 1950s. As of 2015, she was retired and still living in Hamburg.
See also
References
- ^ a b c d e Raffington, Jermaine. Interview with Marie Nejar. YouTube, Aug. 1, 2015.
- ^ a b "Marie Nejar Remembers Her Childhood in Nazi Germany". Black Central Europe, 2015.
- ^ a b Jet, May 15, 1952, p. 59.
- ^ Michael, Theodor. Black German: An Afro-German Life in the Twentieth Century. Oxford University Press, 2017, p. 6.
- ^ Layne, Priscilla. "Leila Negra and the Struggle for a Black German Identity". UNC Global. Information about talk on April 15, 2012.
- ^ a b Fenner, Angelica. Race under Reconstruction in German Cinema: Robert Stemmle's Toxi. University of Toronto Press, 2011.
- ^ Kutner, Jon, and Spencer Leigh. 1,000 UK Number One Hits Omnibus Press, 2010.
Further reading
- Nejar, Marie. Mach nicht so traurige Augen, weil du ein Negerlein bist: Meine Jugend im Dritten Reich (Do Not Look So Sad Because You Are a Little Negro: My Youth in the Third Reich). With Regina Carstensen. Rowohlt, 2007. .
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