Leo Scepter
The Leo Scepter is a
Original function
Scholars have argued about the original function of this ivory, whether it was the tip of a scepter, or the grip on the lid of a casket containing a crown. However, recent scholars have argued that the ivory was in fact a ceremonial comb made probably for the Emperor Leo VI.[4]
Significance
The Leo Ivory is the largest known ivory work of art made under the Macedonian Renaissance. It measures 10.2 x 10.0 x 2.1 centimeters, and it is carved in all four sides. The piece contains a dowel hole measuring 3.2 centimeters into its base, which some experts have suggested was perhaps attached to something else, and was designed to be handled.[3]
Manufacture
While references in Byzantine texts to ivory after the sixth century are few, various historians have suggested that early Christian ivories such as the ivory plaque with the coronation of Emperor Leo VI's son, Constantine VII Prophyrogenitos, were made in an urgent effort to erase their peasant origins from the public memory, to legitimate the power of the Macedonian dynasty, and to communicate to the Byzantine society the ideology that their kingship was the will of God.[5] The scarcity of ivory in the area, and its significance in the art of the Byzantine Empire and Church certainly encouraged its production.[6]
Physical description
The iconography carved in the front of the comb represents Christ in the center, surrounded by St.
References
- ^ Cutler, Anthony. "The Hand of The Master: Craftsmanship, Ivory, and Society in Byzantium (9th-11th Centuries)" Princeton University Press. Princeton, NJ. 1994.
- ^ Corrigan, Kathleen. "The Ivory Scepter of Leo VI: A Statement of Post-Iconoclastic Imperial Ideology". The Art Bulletin, Vol.60, No.3. 1978. Pp 407-416.
- ^ a b Cutler, Anthony."The Hand of The Master: Craftmanship, Ivory, and Society in Byzantium (9th-11th centuries)" p. 200.
- ^ Stephenson, Paul. "Byzantine World". New York. ed. Routledge. 2010. p. 305.
- ^ Cormack, Robin. "Byzantine Art". Oxford History of Art. Oxford University Press. 2000. p. 134.
- ^ Osborn, Harold and Antonia Bostrom. "Ivories". The Oxford Companion to western Art. Ed. Hugh Brigstocke. Oxford Art Online. Oxford University Press. Web.
- ^ Evans, Helen C. and William D. Wixom. "The Glory of Byzantium: Art and Culture of The Middle Byzantine Era'. The Metropolitan Museum of Art. New York. 1997.p. 201.