Les Krims
Leslie Robert Krims (born August 16, 1942) is an American conceptualist
Life
Les Krims was born in
Books of photography
Les Krims has published numerous offset works. Two of these, "Fictcryptokrimsographs," and "Making Chicken Soup," were published by Humpy Press, which he founded and incorporated in the mid-1970s, and has since been dissolved. Krims has also published original print portfolios such as, "Idiosyncratic Pictures," and "Porsch Rainbows." Most recently (November 2005), a Photo Poche monograph, "Les Krims," edited by Robert Delpire, with an introduction by Bernard Noel, was published by Actes Sud, in France.
In The Little People of America (1971), Krims received permission to photograph people belonging to a national organization founded by the actor
In his portfolio The Deerslayers (1972), Krims took pictures of
In The Incredible Case Of The Stack O'Wheat Murders (1972), Krims both parodies forensic photography, and points to it as a remarkable archive of incredible and moving images (the various, successful CSI television series attests to his prescience). In each "Wheats" crime scene, a Stack O'Wheats (pancakes) is placed near each "victim" (he used friends and family to pose for the pictures). Each stack is topped with pats of butter and syrup, the number of pancakes in the stack signifying the number of the crime. Hershey's chocolate syrup was used to simulate blood in the photos, which was formed into words and celestial shapes. Krims originally included 8 ounces of Hershey's syrup in a heat sealed plastic bag with the original print portfolio, as well as "enough pancake mix to make one complete Stack O' Wheats".
In Making Chicken Soup (1972), Krims published pictures of his mother preparing her traditional chicken soup recipe, while nude. These pictures were published as a small book, some say giving rise years later to the popular Chicken Soup series. The book contained a dedication, which underscored the real point of the satire: "This book is dedicated to my mother and concerned photographers, both make chicken soup." Krims felt that "socially concerned" photography was a palliative, just as chicken soup was—in the long run, an ineffective remedy for serious disease.
In Fictocryptokrimsographs, published in 1975, Krims used a Polaroid SX-70 camera to make a series of 40, titled pictures. The SX-70 was chosen, because of the ability to literally move and work the not yet dry, viscous, film emulsion much like paint after the picture developed. Included are various odd and humorous pictures, which are often puns or parodies of fashion trends.
Krims has also steadily been adding pictures to an overarching project spanning three decades called, "The Decline of the Left."
In 2004, he had a two-month exhibition at Laurence Miller Gallery in NYC titled "Fictions 1969-1974".[3] In 2007, he had a retrospective at Galerie Baudoin Lebon in Paris and has been part of a dozen other group exhibitions of photography in the years 2000-2007 with others planned.[4][5]
References
- ^ Fallis, Greg (October 7, 2007). "Sunday Salon - Les Krims". Utata. Archived from the original on December 17, 2009. Retrieved December 24, 2009.
- ^ "The Deerslayers". Covering Photography. 2003. Retrieved December 24, 2009.
- ^ Johnson, Ken (April 16, 2004). "ART IN REVIEW - ART IN REVIEW; Les Krims -- 'Fact or Fiction'". The New York Times. Retrieved December 24, 2009.
- ^ "Les Krims - Exhibitions". Retrieved December 24, 2009.
- ^ "Vice Magazine: PARIS - LES KRIMS SHOW". February 14, 2007. Archived from the original on October 2, 2008. Retrieved December 24, 2009.
Further reading
- Goysdotter, Moa (2013). Impure Vision: American Staged Art Photography of the 1970s. Lund: Nordic Academic Press. ISBN 9789187351006.
- Lacoue-Labarthe, Philippe, Patrick Roegiers and Christopher Meatyard."Theatre Des Realites". Paris: Metz Pour la Photographie (1986). ISBN 2859490647
External links
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