Leuce (mythology)
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In
Mythology
Mythology of the poplar
Maurus
Celebrants of the
At Elis, white poplar was the only wood used in sacrifices to Zeus, according to Pausanias, because Herakles imported the tree and used it to burn the thigh bones of sacrificial victims at Olympia. The oak is the customary sacred tree of Zeus, and the substitution among the Eleans may simply reflect the more widespread growth habit of the poplar there.[8] The hero was supposed to have discovered the tree growing on the banks of the upperworld Acheron in Thesprotia. Pausanias says this is
The white poplar might be worn as a crown at athletic contests in honor of Herakles, a patron of the
The white poplar was also sacred to Persephone, for whom Leuce seems to be a doublet or epithet, as a goddess of regeneration.[citation needed] Robert Graves used the myth of Leuce in developing his poetic theories of mythology. Graves, for instance, holds that the back of the poplar leaf was turned white by the sweat of Herakles.[13] In The White Goddess, he names the white poplar as one of the "three trees of resurrection", along with alder and cypress.[14]
See also
References
- Servius, note to Eclogue7.61: Leuce, Oceani filia, inter nymphas pulcherrima fuit. hanc Pluton adamavit et ad inferos rapuit. quae postquam apud eum completo vitae suae tempore mortua est, Pluton tam in amoris, quam in memoriae solacium in Elysiis piorum campis leucen nasci arborem iussit, ex qua, sicut dictum est, Hercules se, revertens ab inferis, coronavit.
- ^ Qua corona usus, duplici colore foliorum geminos labores (superorum) inferorumque testatus est. See also Isidore of Seville, Etymologiae 17.4.45: "The white poplar is named because its leaves are white on one side and green on the other. It is therefore two-colored, having marks as if of day and night, which correspond to the times of the rising and setting of the sun" (translation by Priscilla Throop).
- ^ Paul Zanker, The Power of Images in the Age of Augustus (University of Michigan Press, 1988, 199), p. 118
- ^ David Evans, "Dodona, Dodola, and Daedala," in Myth in Indo-European Antiquity (University of California Press, 1974), p. 116.
- ^ Diodorus Siculus 4.19; Nico Roymans, Ethnic Identity and Imperial Powers: The Batavians in the Early Roman Empire (Amsterdam University Press, 2004), p. 241.
- ^ Entry on "Alder," Encyclopedia of Indo-European Culture (Taylor & Francis, 1997), p. 11; Xavier Delamarre, Dictionnaire de la langue gauloise (Éditions Errance, 2003).
- ^ Alberto Bernabé and Ana Isabel Jiménez San Cristóbal, Instructions for the Netherworld: The Orphic Gold Tablets (Brill, 2008), pp. 93 and 125, citing Harpocration.
- ^ Evans, "Dodona, Dodola, and Daedala," p. 114, citing Arthur Bernard Cook, "Zeus, Jupiter, and the Oak," Classical Review 17 (1903), p. 273.
- Jove" and the white poplar instead of his conventional oak.
- ^ Arthur Calvert, P. Vergili Maronis. Aeneidos Liber V (Cambridge University Press, 1879), p. 48.
- ^ Calvert, P. Vergili Maronis. Aeneidos Liber V, p. 48.
- ^ Donald G. Kyle, Athletics in Ancient Athens (Brill, 1987, 1993), pp. 10–15.
- ^ Robert Graves, (1955). The Greek Myths I (London: Penguin, 1955, revised edition 1960), pp. 121, 124-125, and The Greek Myths II, p. 154.
- ^ Robert Graves, The White Goddess: A Historical Grammar of Poetic Myth (New York, 1948, 1975, 1999 printing), p. 171. The basis for Graves' assertion that Herakles bound his head with white poplar after killing Cacus (p. 193) is unclear.