List of postmodernist composers

Source: Wikipedia, the free encyclopedia.

Lists of composers by philosophical stance: Postmodernist composers

Canada

Estonia

Finland

France

Germany

Greece

Hungary

Italy

Norway

Poland

United Kingdom

United States

See also

Sources

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  2. ^ Maria Cizmic, Transcending the Icon: Spirituality and Postmodernism in Arvo Pärt’s Tabula Rasa and Spiegel im Spiegel, Twentieth-Century Music 5, no. 1 (March 2008): 45-78
  3. ^ Christopher Butler, After the Wake: An Essay on the Contemporary Avant-Garde (Oxford: Clarendon Press; New York: Oxford University Press, 1980): p. 7; Nadia Mankowskaya, "L'esthétique musicale et le postmodernisme", New Sound: International Magazine for Music, no. 1 (1993): 91–100, citation on p. 91; Christian Ofenbauer, "Vom Faltenlegen: Versuch einer Lektüre von Pierre Boulez' Notation(s) I(1)", Musik-Konzepte, nos. 89–90 (1995): pp. 55–75 (passim); Nadežda Andreevna Petrusëva, "Новая форма в новейшей музыке" [The Formal Innovations of Postmodern Music], Muzyka i vremâ: Ežemesâčnyj naučnyj kritiko-publicističeskij žurnal, no. 8 (2003): 45–48, citation on p. 45.
  4. ^ a b Christopher Butler, After the Wake: An Essay on the Contemporary Avant-Garde (Oxford: Clarendon Press; New York: Oxford University Press, 1980): p. 7.
  5. ^ a b c d Beate Kutschke, "The Celebration of Beethoven’s Bicentennial in 1970: The Antiauthoritarian Movement and Its Impact on Radical Avant-garde and Postmodern Music in West Germany", The Musical Quarterly 93, nos. 3–4 (Fall–Winter 2010): 560–615, citation on p. 582.
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  8. ^ Geoffrey Morris, "The Guitar Works of Aldo Clementi", Contemporary Music Review 28, no. 6 (Aldo Clementi: Mirror of time I, 2009): pp. 559–86, citation on 559.
  9. ^ Christopher Butler, After the Wake: An Essay on the Contemporary Avant-Garde (Oxford: Clarendon Press; New York: Oxford University Press,1980): p. 7.
  10. ^ Rickards, Guy (2017). "PAUS Odes & Elegies". Gramophone.
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  13. ^ Christopher Fox, "Tempestuous Times: The Recent Music of Thomas Adès", The Musical Times 145, No. 1888 (Autumn 2004): 41–56, citation on p. 53.
  14. ^ a b c Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (Berkeley, Los Angeles, and London: University of California Press, 1995): p. 56).
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  16. ^ Robert Carl, "Six Case Studies in New American Music: A Postmodern Portrait Gallery", College Music Symposium 30, no. 1 (Spring 1990): pp. 45–63, citation on pp. 45–48.
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  20. ^ Robert Carl, "Six Case Studies in New American Music: A Postmodern Portrait Gallery", College Music Symposium 30, no. 1 (Spring 1990): pp. 45–63, citation on pp. 45, 59–63.
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  22. Grove Music Online
    . Oxford Music Online (accessed 11 December 2015) (subscription required).
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