Living Toys

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Living Toys, Op. 9, is a composition for chamber ensemble by the English composer

Barbican Hall in London under Oliver Knussen.[1]

Instrumentation

The work is scored for a chamber ensemble of 14 players, which consists of:

.

Ades makes use of a wide variety of timbral colours available. Often this involves players using

extended techniques
, such as the double bass player and pianist hitting the back of their instruments.

Structure

The work is divided into five main sections, with three additional parts whose names are anagrams of each other.

  1. Angels
The opening of the piece involves a horn solo over which glittering, ethereal figures are played on high
gongs
and string harmonics.
  1. Aurochs
Inspired by a now-extinct bull of humongous size. The
bullfight, with members of the ensemble (including the conductor) clapping along to frantic castanets
which accompany bass clarinet, bassoon, trombone, cello and bass.
BALETT
A long, smooth melody unwinds over more shimmering accompaniment. BALETT ends with a tutti B natural.
  1. Militiamen
This section is mainly a soli for the piccolo trumpet and percussion. The trumpet plays a carefully calculated
big-band
interjections. The music builds and ends with a short tutti figure. The oboe has a short, sharp rising figure which pushes the music forward to the next part.
  1. H.A.L.'s Death
In the film
2001: A Space Odyssey, the on-board computer was referred to as 'Hal'. Near the end of the film when Hal is deactivated, he is heard to be singing the song "Daisy Bell". Here, Adès replays the song using the contrabassoon, double bass and other low-sounding instruments over sustained chords. The quote is incredibly well-disguised, and features a prominent solo for the Sopranino Recorder
.
BATTLE
Fast, technical passagework for every player and frequent time changes create a frenzied atmosphere.
  1. Playing Funerals
A climax of the piece, where all the music before it degenerates into complete dissonance. The music unwinds and settles into a slow tempo, where subtle changes of timbre and register transform the colour of the music.
TABLET
This is the concluding section of the composition. It consists of haunting chords played in the strings and winds, with the gongs from earlier creating a lifeless sound. The piece finishes with 3 final splashes of colour, before the horn and violin fade into nothing.

Recordings

London Sinfonietta with Markus Stenz: (From Amazon.com)

References

  1. ^ Oliver, Michael (May 1998). "Adès Living Toys". Gramophone. Retrieved 9 September 2016.

External links

Information on Living Toys at Faber Music can be found here