Manuel Panselinos

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Manuel Panselinos
Vatopedi Monastery (14th century)
MovementPalaeologan Renaissance and Macedonian school

Manuel Panselinos (Greek: Μανουήλ Πανσέληνος) was a Byzantine painter and writer of the Palaeologan Renaissance, known for introducing pathos into frescos, murals and especially icons from the 13th and 14th centuries. He was active in the region of Macedonia, and was widely considered to be the most prominent and influential figure of the palaeologan renaissance and the Macedonian school of painting centered at the Empire's second-largest city, Thessaloniki.[1]

Biography

Manuel Panselinos was born in the late 13th century in Thessaloniki. His primary works were iconography and frescos. His works can be found in several monasteries of

Protaton Church in Karyes. His most important work is the mural painting of the church of the Protaton. His contemporaries were Georgios Kalliergis, Michael Astrapas, and Eutychios Astrapas. Some historians believe Kalliergis was one of his students due to the similarity in painting styles.[2]

However, the tradition ascribing the Athonite paintings to Manuel has only been attested in the 17th century, and it is only in the 18th century that Dionysios of Fourna claimed that he was born in Thessaloniki, and to have derived some of the rules in his own work from him.[3] Manuel has sometimes been tentatively equated with members of the Astrapas family, but without firm evidence.[3]

Stylistically,

Art historians have pointed out a distinctive style in Manuel's works and striking similarities between various paintings attributed to him: their soft colors, the symmetrical rendering of the figures, and the uniqueness of form in compositions and proportions, especially in faces.[4]

Scientific research

Research on Athos has shown all purported paintings of his to be genuine works of Manuel, including (but not limited to) the frescoes in the Protaton and the outer Narthex of the Katholikon of Vatopedi, the head of Saint Nicholas in the Katholikon of the Great Lavra (the body has been retouched), the portable icon of Saint Demetrios in the Great Lavra, and the two icons of Saint George in Vatopedi. Authentic works of his have also been located in monuments in Thessaloniki and other cities in Greek Macedonia.[4][5]

Gallery

  • Jesus as a child, Protaton, Karyes
    Jesus as a child, Protaton, Karyes
  • John the Baptist, Protaton, Karyes
    John the Baptist, Protaton, Karyes
  • Jesus and Samaritan woman, Protaton, Karyes
    Jesus and Samaritan woman, Protaton, Karyes
  • Presentation of Mary, Protaton, Karyes
    Presentation of Mary, Protaton, Karyes
  • Saint Demetrius, Protaton, Karyes
    Saint Demetrius, Protaton, Karyes
  • Saint Eustace, Protaton, Karyes
    Saint Eustace, Protaton, Karyes
  • Fresco from Saint Euthymius chapel, Thessaloniki
    Fresco from Saint Euthymius chapel, Thessaloniki
  • Saint John the Evangelist, Protaton, Karyes
    Saint John the Evangelist, Protaton, Karyes
  • Saints Mercurius and Artemius of Antioch, Protaton, Karyes
    Saints Mercurius and Artemius of Antioch, Protaton, Karyes
  • Saints Theodore Stratelates and Theodore Tyron, Protaton, Karyes
    Saints Theodore Stratelates and Theodore Tyron, Protaton, Karyes
  • Resurrection of Christ, Protaton, Karyes
    Resurrection of Christ, Protaton, Karyes
  • Crucifixion of Jesus, Protaton, Karyes
    Crucifixion of Jesus, Protaton, Karyes
  • Jesus and the Cross, Protaton, Karyes
    Jesus and the Cross, Protaton, Karyes

See also

References

  1. ^ Tsigaridas, Euth. N. (2003). Manuel Panselinos from the Holy Church of the Protaton. Athens, Greece: Hagioritiki Estia. p. 5.
  2. ^ Alin, Trifa Razvan (March 2011). "MASTER MANUIL PANSELINOS AND THE MACEDONIAN SCHOOL OF PAINTING" (PDF). European Journal of Science and Theology. 7 (1): 13–23 – via European Journal of Science and Theology website.
  3. ^ .
  4. ^ a b athosweblog (2009-06-04). "813 – book: Manuel Panselinos 1956". Athos – Agios Oros. Retrieved 2023-08-27.
  5. ISSN 0305-4403
    .