Martin Peerson
Martin Peerson (or Pearson, Pierson) | |
---|---|
Born | Between 1571 and 1573 probably Classical music |
Occupation(s) | Composer, organist and virginalist |
Years active | Beginning of the 17th century |
Martin Peerson (or Pearson, Pierson, Peereson) (between 1571 and 1573 – December 1650 or January 1651 and buried 16 January 1651) was an English
Life and career
From Peerson's
In the 1580s, Peerson was a
Peerson then took up musical studies at the
In spite of his Roman Catholic leanings, evidenced by the use of pre-
Music
Peerson's powerful patrons enabled him to print and publish a considerable quantity of his music, although little remains today.
In 1620 Peerson's collection Private Musicke was published.
Thereafter, despite changing musical trends, Peerson's music showed significant roots in Renaissance polyphony. However, he was adept in the use of then-modern compositional procedures; this is evident in his often daring use of chromaticism, especially seen in word painting.[6] Some of his finest music is contained in his set of 15 Latin motets, which was probably composed around the turn of the century.[1] Existing only in a single copy, it originally consisted of five part-books but the Cantus book is lost. Richard Rastall, professor of historical musicology at the University of Leeds, spent 12 years reconstructing the missing part. The complete Latin motets have been published by Antico Edition, and a recording of their performance by Ex Cathedra entitled Peerson: Latin Motets was produced by Hyperion Records in 2005.[4][9]
Selected works
- Private Musicke. Or the First Booke of Ayres and Dialogues: Contayning Songs of 4. 5. and 6. Parts, of Seuerall Sorts, and being Verse and Chorus, is Fit for Voyces and Viols. And for Want of Viols, they may be Performed to either the Virginall or Lute, where the Proficient can Play vpon the Ground, or for a Shift to the Base Viol alone. All Made and Composed According to the Rules of Art. By M. P. Batchelar of Musicke, London: Printed by Thomas Snodham, 1620, OCLC 606486968.
- Mottects or Grave Chamber Mvsiqve: Containing Songs of Fiue Parts of Seuerall Sorts, some ful, and some Verse and Chorus. But all Fit for Voyces and Vials, with an Organ Part; which for want of Organs, may be Performed on Virginals, Base-Lute, Bandora, or Irish Harpe. Also, A Mourning Song of Sixe Parts for the Death of the late Right Honorable Sir Fvlke Grevil ... Composed According to the Rules of Art by M.P., London: Printed by William Stansby, 1630, OCLC 496804311.
Notes
- ^ Grove Music Online, retrieved 8 April 2007.
- ^ a b c Martin Peerson (1572–1650) (fl. end 15th Century), Here of a Sunday Morning, archived from the original on 7 May 2013, retrieved 11 May 2008.
- ^ There is no extant memorial to Peerson in St. Paul's Cathedral. The Cathedral was destroyed in the Great Fire of London of 1666 and subsequent demolition effaced most evidence on the ground of pre-Fire burials; Peerson's is not among the few remaining fragments of monuments: personal e-mail communication on 11 May 2007 with Joseph Wisdom, Librarian of St. Paul's Cathedral Library.
- ^ a b Recordings: Peerson: Latin Motets, Ex Cathedra, 2005, archived from the original on 7 October 2007.
- ^ MARTIN PEERSON (c. 1572–1651): Latin Motets, Hyperion Records, 2005, archived from the original on 2 November 2012.
- ^ a b c Gary Higginson (March 2005), Review of Ex Cathedra's recording Peerson: Latin Motets (2005), Musicweb International, archived from the original on 12 October 2008.
- OCLC 606486968.
- OCLC 496804311.
- ^ "Settling an Old Score", The Reporter: The University of Leeds Newsletter (509), 4 July 2005, archived from the original on 27 September 2011.
References
- Higginson, Gary (March 2005), Review of Ex Cathedra's recording Peerson: Latin Motets (2005), Musicweb International, archived from the original on 12 October 2008.
- "Settling an Old Score", The Reporter: The University of Leeds Newsletter (509), 4 July 2005, archived from the original on 27 September 2011.
Further reading
- Husk, William H. (1900), "OCLC 861060.
- Heydon, Julia Jeanne (1990), Martin Peerson's Private Musicke: A Transcription, Edition, and Study of an Early 17th-century Collection of English Consort Songs [unpublished D.M.A. thesis], Eugene, Or.: OCLC 24253447.
- Jones, Audrey (1957), The Life and Works of Martin Peerson [unpublished M.Litt. thesis], Cambridge, England: OCLC 21422375.
- Middleton, Louisa M. (1895), "OCLC 163196182.
- Peerson, Martin ([2001?]–), Rastall, Richard, ed., Complete Works, Newton Abbot, Devon, England: Antico Edition, OCLC 55506888. 2 vols.
External links
- Free scores by Martin Peerson in the Choral Public Domain Library (ChoralWiki)
- Free scores by Martin Peerson at the International Music Score Library Project (IMSLP)
- The Peerson Project by the University of Leeds