Mawalan Marika

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Mawalan Marika
Bornc.1908
Died26 November 1967
NationalityAustralian
Known for
Roy Dadaynga Marika
, Dhunggala Marika (brothers)

Mawalan Marika (c.1908–1967), often referred to as Mawalan 1 Marika to distinguish from

Yolngu people of north-east Arnhem Land, in the Northern Territory of Australia. He is known for his bark paintings, carvings and political activism.[2]

Biography

Mawalan Marika was born around 1908 in

Dhuwa moiety, one of the two moieties found in Arnhem Land.[4]

In addition to being an important asset to many anthropologists, including Charles P. Mountford and Ronald Berndt, he was one of the most prominent political activists of his time.[2] Mawalan and his four brothers led the other clans in presenting the Yirrkala bark petitions to the Australian Government in 1963, in the lead-up to the 1971 Gove land rights case (aka Milirrpum v Nabalco Pty Ltd, named after his brother Milirrpum[4]).[5][6]

Marika was one of the first artists to break from tradition and teach his daughters (i.e. women) how to paint the sacred

Methodist mission at Yirrkala in 1935.[4] One way he tried to encourage this transmission of knowledge was the establishment of commercial production of bark paintings through the mission.[7]

Career

Female spirit figure with body painting(1948)

Marika painted over 40 works, many of which can be found in art collections of museums or private collectors.

Yirrkala Church Panels in 1963.[2] One of Marika's figurative traits is that he often paints the Djang'kawu sisters, who are said to be the creator beings of the Dhuwa moiety. The Marika family see themselves as direct descendants of the Djang'kawu. Mawalan created an entire series of paintings detailing the journey on the Djang'kawu sisters into country.[3] A collection of Marika's bark paintings entitled Djan'kawu story (1959) is held by the Art Gallery of New South Wales.[9]

As well as being known for his bark paintings, Marika had a high level of skill in carving and sculpture. His sculptures are cleanly painted with clan designs and finished with feathers, human hair, or other such natural attachments.[2]

His style is characteristic of the Dhuwa moiety, featuring many dots, diagonal lines, and geometric/diamond shapes.

ceremonies of the clan.[1]

Collections

Significant exhibitions

  • Old Masters Exhibition - National Gallery of Australia[2]
  • The Art of Arnhem Land - Perth, 1957[4]
  • Dreamings - New York, 1988[4]
  • Aratjara - Europe, 1993–94[4]
  • Yalangbara: Art of the Djang'kawu - National Museum of Australia, 2010–11[4]

References

  1. ^ a b c "The Marika family". National Museum of Australia. Retrieved 27 July 2021.
  2. ^ a b c d e f "Mawalan Marika". Aboriginal Bark Paintings. 18 October 2017. Retrieved 4 May 2020.
  3. ^ a b c d "Mawalan Marika". Art Gallery of New South Wales. Retrieved 2 May 2020.
  4. ^ a b c d e f g "National Museum of Australia - Mawalan Marika". National Museum of Australia. Retrieved 2 December 2022.
  5. ^ "Our Campaign". Rirratjingu Aboriginal Corporation. 2020. Retrieved 28 July 2021.
  6. ^ "Leaders in law, business and community". Office of the Registrar of Indigenous Corporations. Retrieved 28 July 2021. ...five Rirratjingu brothers took action. Mawalan Marika, Mathaman Marika, Milirrpum Marika, Dhunggala Marika and Roy Dadaynga Marika led the 13 Yirrkala clans to create the Yirrkala bark petitions.
  7. ^
    National Portrait Gallery of Australia
    . Retrieved 4 May 2020.
  8. ^ "Marika, Mawalan | 41 Artworks | MutualArt". www.mutualart.com. Retrieved 4 May 2020.
  9. ^ "Works from the collective title Djan'kawu story". Art Gallery of NSW. Retrieved 18 July 2021.

Further reading