Max Rabes

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Max Rabes in his studio (1905)

Max Friedrich Ferdinand Rabes (17 April 1868,

Impressionist painter. Although he is best remembered as an Orientalist
painter, he rejected that label during his lifetime and wanted all of his works to be equally recognized.

Biography

Following several moves, his family settled in Berlin in 1876. He was initially self taught, through making nature studies and sketches. Later, he took lessons from the landscape painter, Paul Graeb (1842–1892). Following Graeb's advice, he entered into an apprenticeship with the decorative painter, Paul Borgmann [de].[1]

He made numerous trips to North Africa and the Middle East. In 1898, on the recommendation of

Kaiser Wilhelm II on a trip to Istanbul and Palestine. His fellow painters, Carl Saltzmann and Ismael Gentz [de], were also part of the entourage. Many years later, he would travel to America with Prince Cyril
of Bulgaria.

He was appointed an honorary doctor and became a Professor at the Berlin University of the Arts. In 1899, he was awarded the Order of the Zähringer Lion.[2]

In 1914, he undertook a trip to the front lines in

Berlin-Charlottenburg.[3]

In addition to his canvases, he did decorative work; including landscape murals at a castle in

Schauspielhaus in what is now Wrocław
(1906–1908).

Selected paintings

  • The Scribe
    The Scribe
  • Vienna Masked Ball
    Vienna Masked Ball
  • Young Egyptian, Resting
    Young Egyptian, Resting
  • Fireworks at Versailles
    Fireworks at
    Versailles

References

  1. ^ Biographical data @ H.W. Fichtner galleries.
  2. ^ Ordensjournal August 2007
  3. ^ Anonymous: Berlin und die Berliner. J. Bielefelds Verlag, Karlsruhe 1905, pg. 101.

Further reading

  • Rabes, Max in: Meyers Großes Konversationslexikon, 1905, Vol.16, pg.539.
  • Richard Braungart (Ed.): "Max Rabes: Kunst der Zeit." In the series: Monographien zeitgenössischer Malerei und Plastik. Verlag Oechelhäuser, 1928.
  • Maximilian Rapsilber: Max Rabes. Ein Lebens- und Welt-Bild. Verlag Gustav Braunbeck, Berlin 1918.
  • Karin Rhein: Deutsche Orientmalerei in der zweiten Hälfte des 19. Jahrhunderts. Entwicklung und Charakteristika. Tenea Verlag für Medien, Berlin 2003

External links