Maxixe (dance)
The maxixe (Portuguese pronunciation: ).
Like the
tango, the maxixe travelled to Europe and the United States
in the early years of the 20th century.
The music was influenced by various other forms including the
habanera, and is danced to a rapid 2/4 time. Pianist Ernesto Nazareth composed many Brazilian tangos; he was known for blending folk influences into his tangos, polkas and waltzes. He resisted using folk terms for his compositions; he preferred Brazilian Tango to maxixe.[1]
The maxixe was one of the dances that contributed to
samba de gafieira) and lambada
.
Vernon Castle said of the maxixe in his 1914 book Modern Dancing, "The steps themselves are not difficult; on the contrary, they are childishly simple; it is the easiest dance of all to do, and I think the hardest of all to do well."[2]
Troy Kinney (1914) wrote the following about the Maxixe:[3]
This is, virtually, a revival of the
Tangosteps and enchainements (step sequences). Instead of the Tango's touch-and-turn-in of the foot, it employs a device of resting the heel on the floor, the foot pointed upward, while the body assumes a bent-over posture not particularly attractive.
See also
- Corta Jaca
- Chiquinha Gonzaga
- Ernesto Nazareth
- Tango (music)
- Samba
- Polka
- Lundu
- Choro
References
- ^ Ernesto Nazareth's Polkas and Tangos. Archived 2007-05-29 at the Wayback Machine
- ^ Castle, Vernon "Modern Dancing" (1914) pg 107 - Accessed at the Library of Congress.
- Margaret West Kinney (1914) "The Dance: Its Place in Art and Life" (public domain, digitized by Google)
External links
- Media related to Maxixe (dance) at Wikimedia Commons
- Example of dance in YouTube
- The Maxixe