Mel Cummin

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Mel Cummin
McCall's Magazine
paper-dolls
AwardsThe Edward C. Sweeney Medal (1978)

Melville Porter Cummin (January 29, 1895 – December 1, 1980), popularly known as Mel Cummin, was a magazine illustrator and a newspaper staff artist; a notable cartoonist in the early decades of American

naturalist and explorer.[3]

Biography

Early years

Mel Cummin was born in Brooklyn, New York, on January 29, 1895. Of

teetotaler. Cummin married at around age twenty.[3] He became a father at age twenty-one in 1916.[5]

Graphic artist

Cummin worked as a graphic artist for many decades. At various times he was a staff artist for publications of the

West Point
.

He served as art director for the American Kennel Club "Gazette". The editors of the "Gazette" paid tribute to Cummin in 2005 by revisiting his work, and called him "the master draftsman whose cartoons were such a distinctive part of the GAZETTE during the 1940s and '50s."[6] In fact, Cummin drew for that publication at least as early as 1937.[7]

Cummin drew editorial cartoons for The Middletown News-Signal, an Ohio daily. He worked as an illustrator for the San Francisco Examiner as well as a number of New York newspapers, and also contributed to magazines, including the original Life.

When the renowned

New York Evening Journal and occasionally The Mirror from 1924 to 1927, and again in 1934 and 1935.[8] Cummin called Brisbane "a well-informed naturalist," and said the two collaborators discussed the subject of Naturalism frequently.[9]

Mel Cummin's paper doll pages for McCall's in 1922.

One of the endeavors that brought Cummin popular notice was his recurring

McCall's Magazine beginning in the early 1920s. Examples of his subjects include Teeny Town,[10] Martha and George Washington, Dappelton Farm's Wagon House and Hay Barn, Strike Out for the Camp-Fire Trail! (shown), The Madisons and Their Family Carriage and John Adams and Abigail, His Wife. Our American Humorists (1922 ed.) [11]
lists Cummin among many others including Winsor McCay as "Our Comic Artists," and (in a probable reference to this work for McCall's) credits him with "Children's Cartoons."

Early comic strips

Debut strip of Cummin's Good Time Guy (1927)

Later in the decade, Cummin was the first artist for

Bill Conselman, a notable screenwriter who was writing under the pen name "Frank Smiley". Cummin was succeeded the following year by Dick Huemer.[12][13]

Around the same time, Cummin began developing a comic strip called Hap Hazzard (alternatively titled Hap McSnap),

art deco-influenced style (the originals surfaced in the 1990s comic art market), with dialog full of puns and complicated wordplay, suggesting it too may have been written by Conselman. Cummin made another foray into comics in 1929 with Traveler in the Land of Trundletree, a daily strip that may have been nationally syndicated, or only local.[14]

Back to nature

Cummin was a well-known artist-naturalist, who produced work for museums (including backgrounds and drawings for exhibits) and their publications,

Edward C. Sweeney Medal for service to the Explorers Club.[3]
Cummin rounded out his credentials with memberships in the American Society of Ichthyologists and Herpetologists, New York Zoological Society, and National Geographic Society.

His willingness to take a public stand in favor of science and the

theory of evolution is demonstrated by his involvement with a publication called Evolution: A Journal of Nature. The magazine was published between 1927 and 1938. Its twelfth and final issue notes the addition to the group of Contributing Editors of "Melville P. Cummin, Artist and Naturalist, associated with the American Kennel Gazette."[18]

Mel Cummin's Back to Nature feature.

In the late 1930s, Cummin decided to marry his comic strip experience to his passion for

naturalism in creating Back to Nature, for which he was granted a copyright on May 10, 1937.[19][20] This educational syndicated daily newspaper feature spotlighted flora and fauna facts with the subjects rendered in a naturalistic art style. In promoting the feature Cummin wrote, "We pride ourselves on our culture, on our mastery of the principles of modern science; and, like peacocks, we like to display the social graces. Yet, many would trade places gladly with our forefathers who lived so close to nature. Our so-called civilization is merely a thin veneer covering a framework of rough wood that has been thousands of years in the making."[21]

Golden age

Mel Cummin drew covers, interiors, and he also served as

comic book publishers of the Golden Age of the 1940s (his tenure as art director there is alternately listed as 1943–1948 on the Who's Who of American Comic Books 1928-1999 website).[14] The cover to Target Comics #V7 #1, [1]
for example, was produced from Cummin's pencil and ink artwork.

Later years

Cummin's home studio, which he designed and built himself, was set in four acres of the beautiful wilderness of the Hudson Highlands, in Fort Montgomery, New York. In 1977, he listed his present occupation on a questionnaire as "trying to convince myself that I'm retired," and his avocations as "model-making, dioramas, and designing wooden toys for children."[3]

Melville Porter Cummin died the first day of December 1980,[23] survived by his wife of 65 years, Marion (Van Buskirk) Cummin, and two daughters, Eleanor Claire and Miriam Louise.[3][5]

Cartoonist Herb Roth, assistant and successor to H. T. Webster, was an intimate friend for decades. Roth wrote of Mel Cummin in 1937, "Knowing him as I do, I believe the newspaper that contains his work is fortunate; and far more fortunate are its readers. He is an exceptional man."[24]

Notes

Mel Cummin art from Hap Hazzard, c. 1929. This work, left unfinished, reveals his method.
  1. ^ "United States Social Security Death Index," index, FamilySearch (https://familysearch.org/pal:/MM9.1.1/VSFC-CW5 : accessed 22 Feb 2013), Melville Cummin, December 1, 1980; citing U.S. Social Security Administration, Death Master File, database (Alexandria, Virginia: National Technical Information Service, ongoing).
  2. ^ Proceedings of the... Session of New York Yearly Meeting... By Society of Friends, Published 1936, Original from the University of Michigan. Digitized Oct 8, 2007.
  3. ^ a b c d e The Archives of the Explorers Club Membership Files (Deceased Members) "Archived copy" (PDF). Archived from the original (PDF) on 2009-01-05. Retrieved 2007-10-14.{{cite web}}: CS1 maint: archived copy as title (link) and http://www.explorers.org/
  4. ^ St. Nicholas by Mary Mapes Dodge. Scribner & Co., 1909, Item notes: v. 36, pt. 2 Original from Princeton University Digitized May 21, 2008 p.667
  5. ^ a b Friends' Intelligencer. Friends' Intelligencer Association. 1917. pp. 27–.
  6. ^ AKC Gazette. American Kennel Club, Inc. July 2005.
  7. ^ The American Kennel Gazette. American Kennel Club. July 1937.
  8. ISBN 9780810959415
    . Retrieved 17 March 2013.
  9. ^ Back to Nature, the New Daily Feature for Newspapers that was Created on Popular Demand by Mel Cummin, Copyright, 1937, by Mel Cummin (a self-published prospectus for newspaper staffs), p.5
  10. ^ "The History of Paper Dolls".
  11. ^ Masson, Thomas L. 1922. Our American humorists. New York: Moffat, Yard and Company, p.429.
  12. ISBN 1-55850-539-3
    .
  13. ^ Metropolitan Newspaper Service, & Conselman, W. (1927). "Good Time Guy, a new sunrise in the comic world" by William M. Conselman, author of Ella Cinders, writing under the nom de plume of Frank Smiley with drawings by Mel Cummin. New York: Metropolitan Newspaper Service.
  14. ^ a b c Who's Who of American Comic Books 1928-1999 website - http://www.bailsprojects.com/(S(g4ngwu55g2z4c245gv1xfc55))/whoswho.aspx?mode=AtoZsearch&id=CUMMIN%2c+MEL
  15. ^ The Naturalists' universal directory By Samuel Edson Cassino, Published by The Cassino Press, 1933, Original from the University of Michigan, Digitized Sep 5, 2007
  16. ^ Ingersoll, Ernest. Explorers Journal. New York: Explorers Club, 1921.
  17. ^ The ... annual report of the American Museum of Natural History By American Museum of Natural History- Item notes: v. 67-69 - 1936 - Nature
  18. ^ EVOLUTION: A Journal of Nature, January, 1938: http://www.ucl.ac.uk/silva/sts/staff/cain/projects/ejn/ejn_issues/ejn4_02.pdf
  19. ^ Library of Congress. Copyright Office (1938). Catalog of Copyright Entries. Part 1. [B] Group 2. Pamphlets, Etc. New Series. pp. 457–.
  20. ^ Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office. U.S. Government Printing Office. 1938.
  21. ^ Back to Nature, the New Daily Feature for Newspapers that was Created on Popular Demand by Mel Cummin, Copyright, 1937, by Mel Cummin (a self-published prospectus for newspaper staffs)
  22. ^ The Who's Who of American Comic Books, p. 37, by Jerry Bails & Hames Ware (Detroit, Mich. : J. Bails, 1973-1976).
  23. ^ "Family History Search with Historical Records - SuperSearch".
  24. ^ Back to Nature, the New Daily Feature for Newspapers that was Created on Popular Demand by Mel Cummin, Copyright, 1937, by Mel Cummin (a self-published prospectus for newspaper staffs), p. 27

External links

  • [2] - Lambiek Entry
  • [3] - Comicstripfan.com Entry
  • [4] - A summary of the contents of Cummin's membership file at the Explorers Club: Membership materials of Melville Porter Cummin (1895- ). This file contains several photographs, including photos of Cummin photographing in the wilderness (note: these photographs total nine but are within an envelope labeled “10 pictures”). In addition, there are newspaper clippings including an extensive New York Times obituary. Also within this file are: two examples of a daily newspaper supplement (Back To Nature) that Cummin headed up; and historical postcards, designed by the Melville Cummin Studios.
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