Midwinter Graces
Midwinter Graces | ||||
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Avatar Studios (New York City) | ||||
Genre |
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Length | 48:03 | |||
Universal Republic | ||||
Producer | Tori Amos | |||
Tori Amos chronology | ||||
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Singles from Midwinter Graces | ||||
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Midwinter Graces is the eleventh solo studio album by singer-songwriter
An original song by Amos, "A Silent Night with You", was released as the promotional single from the album.
Development
Midwinter Graces began as a suggestion by
. During interviews for the album, Amos spoke at length about making this album for both her father, a Methodist Priest, and for Morris, a liberal man of the Jewish faith.In early November 2009, Amos gave an interview for Pride Source Magazine, in which she disclosed the primary reasoning behind the album.[3]
"[My father] wanted me to do this," said Amos. "I think the fact that I didn’t write 'She’s a Hussy, Merry Christmas' will make everybody really happy. There’s no mention of Satan or dancing with Satan or anything like that. There’s nothing disrespectful on this record; it’s really beautiful."
"Doug looked at me," continued Amos, "it was March – and he said, 'I'm 70, and I want you to do this. You can do this. You’ve been doing this your whole life.' He inspired me. He’s been able to have these conversations with me since the mid ’80s. He pushed me to start writing Little Earthquakes, so he’s been in my life for so long. (Before July of last year), I hadn’t seen him for 14 years. And even though he’s 70, he’s as sharp as he ever was.
"He challenges me, and he couldn’t accept that I couldn’t achieve it. He said, 'You can do this. If you don’t have something to do, you’ll lose your mind.' So I thought about it, and one thing led to another."
In another interview, Amos explained, "[He] said to me in March when I was visiting him in New York, 'I’ve always wanted to know what you would do with a seasonal album. You’re a minister’s daughter so you grew up with this stuff, but you’re also a feminist.' A lot of this music was written when things were really puritanical and women didn’t have any rights, and so there isn’t a lot of embracing of the feminine except with the Virgin Mary, if that makes any sense. Because he and I were talking about music that goes back, a more pagan style of music where there seems to be a place where goddesses were honoured if you go back into antiquity. And he said, 'I’d really like to see you have a perspective on the carols and write some of your own.'"[4]
"I left him and ended up in Florida and it was 100 degrees and Tash came in running in a bikini saying, 'Are you playing Christmas music, mummy?' And I said, 'Yeah, I think I am.' (Laughs)."[3]
Composition
Following the personal struggles with sin, power, faith and "being a wife, mother and woman" Amos explored on Abnormally Attracted to Sin, she found comfort in immersing herself in the old carols and hymns she sang and played during her youth. When asked how she followed an album "about damnation" with an album embracing spirituality Amos replied, "“You think, let’s go to church.”[5]
"I’ve been writing it since I was a little girl," exclaimed Amos during an interview with
Amos, who has struggled with and fought her religious upbringing, both through her music and with her own mosaic set of beliefs, approached the prospect of doing a holiday album, or seasonal record, from the perspective of someone who was struggling to gain a deep and enriching spirituality not necessarily tied to a set of dogmatic beliefs: "I felt that as a minister’s daughter I could open up the circle to all those people who might not want to embrace Christianity, but have a spiritual feeling about the time.[5]
"The record contains a lot of story and beauty, and it does transcend some of the shame that gets attached to some of the music even during the season," noted Amos.[5] There's a side to the record when you listen to it that talks about what is the gold – what really is that? It's valuing whom you have in your life, the relationships you've built. It's not just about success – or it just isn't all your material possessions anymore – it's how you live your life, and that's all included in the music."[5]
When asked why she chose to have her daughter, Natashya Hawley, sing on the song "Holly, Ivy and Rose", Amos took the opportunity to draw attention to her whole family's involvement in the piece:
"It just sort of happened,"[7] said Amos. "It started with Kels, Tash’s older cousin. Kels has been singing for years and is in performing arts school in Boston. She has a really big instrument. I thought we had to do something together that works. ‘Candle: Coventry Carol’ in itself is an ancient song, and I thought it would lend itself to that. And then Tash was thinking she wanted to do a bawdy song. And I said no. She wanted to do a bawdy British schoolboy read on a carol. And I said, “no, we’re not doing that, we’re not shocking grandma”. I came up with this idea of ‘Holly, Ivy and Rose’ and she really took to that idea. So in the end both of them are there. And I thought that was important because we all sing together."[8] "There’s a whole family representation going on. And in the artwork, my nephew [Casey Dobyns] is a model in New York, and he plays the angel [on the cover of the album]. So the next generation is represented."[7]
Amos' brother died in a car crash in 2005 and it is widely believed[by whom?] that the song that closes the album, Our New Year, deals with her own thoughts and feelings behind his tragic demise. However, when asked, Amos chose to keep the meaning of the song private, "I think at this time of year you think of people that might not be in your life anymore or who’ve left the planet. I get really nostalgic at Christmas, and memories of other times with other people who you might not have heard from in a long time can cross your mind." Finally, when asked pointedly if she had anyone in mind when writing the song, Amos responded definitively, "I did. But, we’ll leave it there."[9] "People get nostalgic and you have to acknowledge that there are people that aren’t with you anymore, so there’s a song that does that. But," Amos insisted, "for the most part, for a Tori record, it’s pretty upbeat."[10]
In regards to the album as a whole, Amos surmised, "I would say that it embraces the rebirth of light, but light means knowledge, light means consciousness. Everybody can attain that and have that in their life. Consider the idea that it’s inner God. It’s in every child that’s born; every child carries this ability within them. And I like that sentiment."[9]
Recording
In an interview in which she discussed the process behind recording the album, Amos disclosed,"We ended up doing basic tracks at Martian which is my husband’s studio in England, and then we started realising that we needed to record on days off all through the States, and we would record almost every day we got off in America, and then came back to mix it in England at Martian."[9]
Due to Doug Morris' request being on such short notice, Amos found herself writing and recording the album on the road while on her 2009 world tour in support of
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | (68/100)[11] |
Review scores | |
Source | Rating |
AllMusic | [12] |
American Songwriter | [13] |
Billboard | (78/100)[14] |
Drowned in Sound | (6/10)[15] |
The Guardian | [17] |
The Independent | [16] |
Paste | (4.9/10)[18] |
PopMatters | (8/10)[19] |
The Rolling Stone Album Guide | [20] |
Slant Magazine | [21] |
Upon its release, reviews of the album were mostly positive and enthusiastic. On Metacritic, it was given a score of 68 out of 100 based on 10 "generally favorable reviews".[11]
Independent music magazine,
London newspaper The Independent gave the album two differing reviews. The first review was mixed, giving the album 3/5 stars and criticizing some of the song arrangements and production choices, though it did say, "The pluses outweigh the minuses [on this album], with further highlights coming courtesy of Amos' own 'Winter's Carol' and 'A Silent Night with You' – the former blessed with stately, hypnotic grace, while the latter's undulating melody evokes the warmth of a reverie triggered by seasonal radio fare."[16] The second review of the album, although unstarred, was positive, stating, "[This album] flits back and forth between traditional yuletide tunes and Amos' own compositions, but the former are riddled with her own lyrical addenda, and the latter are heavy with references to carols, invariably twisted to secular – and subtly sexual – ends." "Stylistically," they continued, "with all the tootling flutes, arpeggiating harpsichords and sonorous electric violins, it's reminiscent of folk-rock bands circa the cusp of the 1970s." They also noted, "Even when she is singing a "straight" rendition of a Christmas chestnut, there's always an underlying feeling that every syllable is laden with intrigue and layered with hidden meaning." They concluded, "For a festive album with a difference, it's time to vote Tori [Amos]."[28]
Drowned in Sound observed, "Fans of her earlier work will delight in the more direct, piano-driven melodies and orchestral arrangements that dominate the album, as well as the welcomed return of the long neglected harpsichord on several tracks,"[15] A mixed review by The Skinny called the album "moderately successful," awarding it 3/5 stars.[29] Slant Magazine gave the album 3/5 stars, citing Winter's Carol, a song from and preview of Amos' upcoming musical adaptation of George MacDonald's The Light Princess, as the standout track: "The song's strong melody and arrangement are reminiscent of something from Under the Pink, bolstering a pagan yarn about the passing of the seasons." On the album as a whole, Slant concluded, "it's an ironic, pleasantly competent oddity."[21] Consequence of Sound gave it four stars out of five and called it "a pleasant and often gorgeous effort,"[30] and Internet magazine, PopMatters, cited the album as "Amos’ best work in years."[19] AllMusic was not impressed, however, giving it two-and-a-half stars out of five and stating, "Thanks to some familiar melodies, it can sometimes seem seasonally appropriate, but it always seems purely Tori, who has somehow managed to deliver an easy listening version of all her signatures in one tidy, not so-Christmasy, package."[12]
Promotion
Promotion for the album began early. On November 6, 2009, the weekend before its release, Amos offered up an exclusive full-preview/download of the album via E! Online
Singles
"
Live performances
During promotion for the album Amos made a string of public and private appearances. She was usually accompanied by her Bösendorfer and a keyboard, switching to various settings throughout her performances.
Amos started off with a special one-off show at The Jazz Cafe in
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | " Emmanuel " (arrangement, additional lyrics and music: Amos) | traditional | 3:00 |
11. | "Winter's Carol" | Amos | 5:19 |
12. | "Our New Year" | Amos | 4:13 |
Additional tracks
Deluxe edition bonus tracks (US and Canada standard tracks):
- "Comfort and Joy" (traditional — arrangement, additional lyrics and music: Amos) — 3:56
- "John Freeman Young) — 3:39
iTunes bonus track:
- "Good King Wenceslas" (traditional — arrangement, additional lyrics and music: Amos) — 5:33
Personnel
- Tori Amos – vocals, piano, Harpsichord, Wurlitzer
- Synths, Samplers, string & brass conduction and arrangements
- Matt Chamberlain - drums, percussion, bells
- Jon Evans – bass
- Mac Aladdin – guitars
- Kelsey Dobyns – guest vocals, "Candle: Coventry Carol"
- Natashya Hawley – answer vocal, "Holly, Ivy and Rose"
- Bruce Burchmore - lute
- Tony Kadleck, Bob Millikan, Brian Pareshi - flugelhorn
- Tom Malone, Keith O'Quinn, Dan Levine - trombone
- Lon Price - orchestration
- Tony Kadleck, Bob Millikan, Brian Pareshi, James De la Garza - trumpet
- Ronnie Cuber - baritone saxophone
- Lawrence Feldman - alto saxophone
- Bob Malach, Lawrence Feldman - clarinet
- Sam Bortka, Bob Malach - tenor saxophone
- Sam Bortka - bass clarinet
- Dave Taylor - bass trombone
- Bob Peterson, Norm Hughes, Charles Everett, Benedikt Brydern, John Wittenberg, Halm Shtrum, Francine Nadeau Walsh, Calabria McChesney-Foti, Phillip Vaiman, Razdan Kuyumjian, Mark Cargill, Margaret Wooten, Armen Garabedian, Gil Romero, Shari Zippert - violin
- Jimbo Ross, Evan Wilson, Dan Neufeld, Denise Buffum, Harry Shirinian - viola
- Nancy Ross, Armen Ksajikian, Timothy Loo, Giovanna Moraga Clayton, Ernie Ehrhardt - cello
Charts
Album
Chart (2009)[42] | Peak position |
---|---|
Australian Albums (ARIA)[43] | 152 |
Dutch Albums (Album Top 100)[44] | 99 |
French Albums ( SNEP)[45]
|
133 |
Polish Albums (ZPAV)[citation needed] | 40 |
UK Albums (OCC)[46] | 97 |
US Billboard 200 | 66 |
US Top Alternative Albums (Billboard)[citation needed ]
|
16 |
US Top Holiday Albums (Billboard)[citation needed ]
|
9 |
US Top Rock Albums (Billboard)[citation needed ]
|
23 |
References
- ^ "Tori Amos Announces Midwinter Graces". toriamos.com.
- ^ "Martian Sound Engineering".
- ^ a b "Tori Amos — Midwinter Graces, Interview". pridesource.com. Archived from the original on 2011-07-27. Retrieved 2009-11-15.
- ^ "Tori Amos — Midwinter Graces, Interview". BizzareMag.com.
- ^ a b c d "Tori Amos, Midwinter Graces Interview". PrideSource.com.
- ^ "Tori Amos, Midwinter Graces Interview". The Advocate.
- ^ a b "Tori Amos, Midwinter Graces Interview". FlavorWire.com. 25 November 2009.
- ^ "Tori Amos, Midwinter Graces Interview". Polari Magazine. 3 December 2009.
- ^ a b c "Tori Amos, Midwinter Graces Interview". BizarreMag.com.
- ^ a b "Tori Amos - Undented: Special Midwinter Graces Showcase in London Announced!". Undented. 2009-11-10. Retrieved 2012-03-01.
- ^ a b "Critic Reviews for Midwinter Graces". Metacritic. Retrieved 2012-11-28.
- ^ a b AllMusic review
- ^ a b Bowen, Lizza Connor (2009-11-12). "TORI AMOS > Midwinter Graces". American Songwriter.
- ^ a b Billboard review
- ^ a b Farah, Amanda (2009-11-23). "Tori Amos - Midwinter Graces". Drowned in Sound. Archived from the original on 2009-11-24. Retrieved 2009-11-23.
- ^ a b The Independent review
- ^ a b "Tori Amos: Midwinter Graces | CD review". The Guardian. 2009-12-11. Archived from the original on 2016-12-21.
- ^ Paste review
- ^ a b Martin, Erin Lyndal (2009-11-10). "Tori Amos: Midwinter Graces". PopMatters.
- ^ "Rolling Stone Album Guide". Rolling Stone. Archived from the original on 2013-07-13. Retrieved 2017-09-05.
- ^ a b Cinquemani, Sal (2009-11-01). "Tori Amos: Midwinter Graces". Slant Magazine.
- ^ Chinen, Nate. "Holiday Music CDs". The New York Times.
- ^ "London Evening Standard review". Archived from the original on 2009-12-14. Retrieved 2009-12-11.
- ^ Diver, Mike (2009-12-07). "Christmas Records Day 7: Tori Amos' Midwinter Graces". BBC Music.
- ^ Gray, Mike (2009-11-12). "Tori Amos — Midwinter Graces (2009)". The Digital Fix.
- ^ "Tori Amos — Midwinter Graces, Review". P. Viktor. 2009-10-25. Archived from the original on 2009-10-31.
- ^ Mother Jones review
- ^ Price, Simon (December 20, 2009). "Tori Amos — Midwinter Graces, review". The Independent. London. Archived from the original on 2022-05-14. Retrieved May 12, 2010.
- ^ Cusack, Chris (2009-10-26). "Tori Amos — Midwinter Graces (2009)". The Skinny. Archived from the original on 2009-10-29.
- Consequence of Sound.
- The Huffington Post.
- ^ Washington Square News review
- ^ "Tori Amos — Midwinter Graces, Preview". Eonline.com. 7 November 2009.
- ^ "Tori Amos — Midwinter Graces, Preview". Imeem.com.
- ^ "Tori Amos — Pink and Glitter, Video Premiere". New.music.yahoo.com.
- ^ "Tori Amos — A Silent Night With You, Video Premiere". Spinner.com.
- ^ "Tori Amos - Get Midwinter Graces, Tori Amos' first Seasonal Album!". Toriamos.culturejam.com. Retrieved 2012-03-01.
- ^ Burbank, Maggie (2009-12-18). "Tori Amos Reinvents Christmas Carols in New Album - ABC News". Abcnews.go.com. Retrieved 2012-03-01.
- ^ "Tori Amos at the Jazz Cafe on Spoonfed - Things to do in London". Spoonfed.co.uk. Archived from the original on 2012-02-27. Retrieved 2012-03-01.
- ^ "Soundcheck ®: Tori Amos". WNYC. Retrieved 2012-03-01.
- ^ "Tori Amos to Perform Selections From 'Mindwinter Graces' in Exclusive Live Session Powered... - NEW YORK, Dec. 2 /PRNewswire/". New York: Prnewswire.com. Retrieved 2012-03-01.
- ^ "Midwinter Graces". Billboard.com. Retrieved 2012-03-01.
- ^ "Response from ARIA re: chart inquiry, received 2015-11-09". Imgur. Archived from the original on 2015-11-09. Retrieved 2015-11-09.
- ^ "Dutchcharts.nl – Tori Amos – Midwinter Graces" (in Dutch). Hung Medien. Retrieved November 22, 2021.
- ^ "Lescharts.com – Tori Amos – Midwinter Graces". Hung Medien. Retrieved November 22, 2021.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved November 22, 2021.