Mind Fields

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This article is about the book. For the Toto album, see
Mindfields (song). For other uses, see Mindfield (disambiguation)
.
Mind Fields
LC Class
ND955.P63 Y472 1994

Mind Fields is a book featuring paintings by Polish painter

prose poems by American writer Harlan Ellison
. The 34 paintings by Yerka were created first. Ellison then wrote a short story based on a single painting. The exception was "Under the Landscape" which was based on two separate paintings.

Contents

  1. The Creation of Water
  2. Twilight in the Cupboard
  3. Amok Harvest
  4. Theory of Tension
  5. Back to Nature
  6. Internal Inspection
  7. Metropolis II
  8. In the Oligocenskie Gardens
  9. Europe
  10. Fever
  11. Attack at Dawn
  12. Susan
  13. Between Heaven and Hell
  14. Shed of Rebellion
  15. To Each His Own
  16. Eruption
  17. The Inquisition
  18. Beneath the Dunes
  19. The Silence
  20. Darkness Falls on the River
  21. Paradise
  22. Express Delivery
  23. The Agitators
  24. Truancy at the Pond
  25. Ammonite
  26. Base
  27. Foraging in the Field
  28. Traffic Prohibited
  29. Afternoon with the Bros. Grimm
  30. The Cosmic Barnyard
  31. Under the Landscape (two paintings)
  32. Ellison Wonderland
  33. Please Don't Slam the Door

Paintings

The paintings in Mind Fields are typical of Yerka's style. According to Yerka, many of the paintings, including "Between Heaven and Hell" and "Attack at Dawn", draw on his childhood memories from the 1950s as their primary inspiration.[1] Other paintings, such as "Amok Harvest" and "Express Delivery", draw on his experiences traveling through the Polish countryside.[1]

Yerka was responsible for the title of all but two of the story-paintings, which were named by Ellison.

The Late Late Show
.

Stories

Ellison became involved with Yerka's paintings when he was asked to write an introduction to the Mind Fields collection. According to Ellison, he found the paintings so inspiring that he told his publishers that he wanted to write a story for each one.

themes of transformation and attack.[4]

Ellison also wrote many of the stories to reflect subjects and themes that commonly occur in his work. "Twilight in the Cupboard" and "The Silence" both prominently feature the themes of Jewish assimilation and the Holocaust. The former was inspired in part by Ather D. Morse's 1967 book While Six Million Died.[5] "Eruption" and "Ammonite" embody the lost city/Atlantis theme present in much of Ellison's work. "Metropolis II" also incorporates themes from many of Ellison's other stories. In particular, it mixes autobiographical details with fiction in a manner similar to "All the Lies that are My Life" and other stories.[4]

Although Ellison did not follow his usual custom of writing an introduction to the book, he did provide commentary on 17 of the stories in the form of

endnotes
. These notes describe the background to some of the stories, and point out important themes. Yerka's son Philip died during the creation of the book, and Ellison dedicated the final story "Please Don't Slam the Door" to his memory in one of the notes.

References

  • Weil, Ellen; Wolfe, Gary K. (2002). Harlan Ellison: The Edge of Forever. Columbus, OH: Ohio State University Press. pp. 238–241.
    ISBN 0-8142-0892-4
    .

Footnotes

  1. ^ a b Yerka, Jacek (2006). "Jacek Yerka by Himself..." agra-art. Archived from the original on 2007-12-03. Retrieved 2007-12-14.
  2. ^ Weil & Wolfe 2002, p. 239
  3. ^ Weil & Wolfe 2002, p. 238
  4. ^ a b Weil & Wolfe 2002, p. 240-241
  5. ^ Weil & Wolfe 2002, p. 196-197
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