Missa L'homme armé sexti toni
Missa L'homme armé sexti toni is probably the latter of two five sections of the mass contain several examples of compositional virtuosity, including strict canons in the Sanctus/Osanna and simultaneous statements of the theme both forwards and in retrograde in the final Agnus Dei.
References
- Noble, Jeremy (1972), sleeve notes to his recording with The Josquin Choir
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