Myres: Alexandria 340 A.D
Myres Alexandria 340A.D is the longest of Constantine P. Cavafy's published poems. It was written in March 1929, and then published a month later on 19 April 1929. This poem touches upon various societal themes discussed by Cavafy, such as love, politics and religion.
Story
Myres Alexandria 340A.D follows the poet himself, Cavafy, adopting the persona of a young
Excerpt
| Original Greek | Transliteration | English Translation |
|---|---|---|
| Στέκομουν κ’ έκλαια σε μια άκρη του διαδρόμου. Και σκέπτομουν που η συγκεντρώσεις μας κ’ η εκδρομές χωρίς τον Μύρη δεν θ' αξίζουν πια και σκέπτομουν που πια δεν θα τον δω στα ωραία κι άσεμνα ξενύχτια μας να χαίρεται, και να γελά, και ν’ απαγγέλλει στίχους με την τελεία του αίσθησι του ελληνικού ρυθμού και σκέπτομουν που έχασα για πάντα την εμορφιά του, που έχασα για πάντα τον νέον που λάτρευα παράφορα.[3] | Stékomoun k’ éklaia se mia ákri tou diadrómou. Kai sképtomoun pou i synkentróseis mas k’ i ekdromés chorís ton Mýri den th' axízoun pia kai sképtomoun pou pia den tha ton do sta oraía ki ásemna xenýchtia mas na chaíretai, kai na gelá, kai n’ apangéllei stíchous me tin teleía tou aísthisi tou ellinikoú rythmoú kai sképtomoun pou échasa gia pánta tin emorfiá tou, pou échasa gia pánta ton néon pou látreva paráfora. | I stood at one end of the vestibule and wept. And I thought how our reunions and excursions would no longer be worth-while without Myres; and I thought how I would see him no more at our fine, immodest all-night revels enjoying himself, and laughing, and reciting verses with his perfect sense of Greek rhythm; and I thought how I had lost his beauty forever, how I had lost forever the youth whom I so madly adored.[4] |
Techniques
Late Roman and Byzantine protagonists of Cavafy, illustrate the religious fluidity of that era in the most consummate way.[5] Nearly all cases show that the transition from paganism to Christianity was not that simple or rapid. This can be seen in this poem, as Myres was a devout Christian but participated in actions deemed pagan.[6]
Furthermore, the adoption of a pagan mask by Cavafy, creates many questions about the religious position of the poet.[5] He is known for changing his perspective on the subject of religion, sometimes writing nostalgically about paganism and other times supporting Christianity.[5] Ultimately, Cavafy enjoyed creating impressions about his beliefs, resulting in confusion among his scholars and readers.[3]
This historical poem is endowed with many elements of theatricality as the poet gives us with great directorial detail the space where the events of the poem take place, as well as the movements of the persons.[3][7]
References
- ^ OCLC 1300428945.)
{{cite book}}: CS1 maint: location missing publisher (link - ^ a b Μάντης, Κωνσταντίνος. "Κωνσταντίνος Καβάφης: Μύρης Αλεξάνδρεια του 340 μ.Χ". latistor.blogspot.com. Retrieved 2023-03-23.
- ^ a b c "Καβάφης: Σκέψεις πάνω σε ένα ποιήμα του [ Μύρης ]". Fanis1952's Blog (in Greek). 2010-01-03. Retrieved 2023-03-23.
- ISSN 0028-7504. Retrieved 2023-03-23.
- ^ a b c "Η ποιητική της ανασκαφής και της μετάβασης". Αυγή (in Greek). 2017-04-17. Retrieved 2023-03-23.
- JSTOR 25086852.
- JSTOR 25006511.