Nang yai

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A nang drama player and puppet

Nang yai (Thai: หนังใหญ่, pronounced [nǎŋ jàj]) is a form of shadow play found in Thailand. Puppets are made of painted buffalo hide, while the story is narrated by songs, chants and music.[1]

Pattalung, a southern city where the tradition has long been popular) features much smaller puppets.[2] Both are particularly popular in southern Thailand.[3][4][5] According to James Brandon, most scholars believe that nang yai came to Thailand via Java and the Malay Peninsula from India.[2]

Thailand shadow puppet

Nang yai and nang talung incorporate various episodes of the Indian epic

Boromakot's reign. The earliest known mention of nang yai in Thai records is from 1458, according to Brandon.[2]

Performances are traditionally held in open spaces such as a lawn or village dirt space. A white cloth screen about 16 metres (52 ft) long and 6 metres (20 ft) high, with a decorated border, is stretched across the stage. Behind the screen, a bonfire is lit to project the puppets' shadows (electric lights are often used instead now). During the show, a Thai instrumental ensemble (usually a piphat) plays music appropriate to each episode, synchronized with the puppets' action. Offstage reciters tell the story in a sort of heightened speech.[6] The puppet figures are made from perforated cow or buffalo hide, each weighing about three or four kilograms. The biggest puppet is one which characterizes a place, weighing around five to seven kilograms.

Nang yai influenced that khon, a dance-drama art form from Thailand which involves masked pantomime.[2]

The Thai Shadow Puppets, or Nang shadow puppets play a crucial role in imparting Thai cultural values, historical narratives, and mythological tales through two primary puppet varieties:

Nang Talung counterparts.[7]

Nang yai can be found throughout Thailand. For example, in

See also

References

  1. ^ "Nang Yai Puppetry: A Dramatic Art Form of Thailand", Michael Meschke, SPAFA Journal, Vol. 16, No. 6, pages 17-28
  2. ^ .
  3. ^ Thai Shadow Puppet Show Archived 2017-11-07 at the Wayback Machine, Museum of Anthropology, University of Missouri (2015)
  4. ^ Irving Chan Johnson (1998), "Review: Shadows of Life: Nang Talung, Thai Popular Shadow Theatre". Sven Broman, Journal of Southeast Asian Studies, Vol. 29, No. 2 (Sep., 1998), Cambridge University Press, pp. 464-466
  5. ^ Lian Lim, Siew (2013). "The Role of Shadow Puppetry in the Development of Phatthalung Province, Thailand" (PDF). siewlianlim.com. Southeast Asia Club Conference, Northern Illinois University. Retrieved 27 August 2018.
  6. .
  7. ^ "Theatrical Traditions: Thai Puppetry and Shadow Plays". www.thaicyclopedia.com. Retrieved 2024-04-22.
  8. ^ สำนักงานคณะกรรมการวัฒนธรรมแห่งชาติ[permanent dead link]

External links