Narrative film

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Narrative film, fictional film or fiction film is a

stage plays and for the first three or four decades these commercial productions drew heavily upon the centuries-old theatrical tradition
.

In this style of film, believable narratives and characters help convince the audience that the unfolding fiction is real. Lighting and camera movement, among other cinematic elements, have become increasingly important in these films.[1] Great detail goes into the screenplays of narratives, as these films rarely deviate from the predetermined behaviours and lines of the classical style of screenplay writing to maintain a sense of realism. Actors must deliver dialogue and action in a believable way, so as to persuade the audience that the film is real life.

General

Probably the first fictional film ever made was the

film genres such as comedy or Western films, were, and continue to be introduced as a way to further categorize these films.[5]

Narrative cinema is usually contrasted to films that present information, such as a nature

.

Many films are based on real occurrences, however these too fall under the category of a “narrative film” rather than a documentary. This is because films based on real occurrences are not simply footage of the occurrence, but rather hired actors portraying an adjusted, often more dramatic, retelling of the occurrence (such as 21 by Robert Luketic).[5]

Unlike literary fiction, which is typically based on characters, situations and events that are entirely imaginary/fictional/hypothetical, cinema always has a real referent, called the "pro-filmic", which encompasses everything existing and done in front of the camera.

Since the emergence of classical Hollywood style in the early 20th century, during which films were selected to be made based on the popularity of the genre, stars, producers, and directors involved, narrative, usually in the form of the feature film, has held dominance in commercial cinema and has become popularly synonymous with "the movies."[6] Classical, invisible film making (what is often called realist fiction) is central to this popular definition. This key element of this invisible film making lies in continuity editing.

See also

References

  1. ^ Brown, Blain, Lighting as story telling, Cinematography: Theory & Practice, Focal Press(2002) [1]
  2. ^ Alison McMahan, Alice Guy Blaché, Lost Visionary of the Cinema (New York: Continuum, 2002) p. 13.
  3. ^ Rosalind Leveridge, “Fantastic voyages of the cinematic imagination: George Méliès’s Trip to the Moon” Early Popular Visual Culture (May 2012), 10 (2), pg. 197-199
  4. ^ Rosalind Leveridge, “Fantastic voyages of the cinematic imagination: George Méliès’s Trip to the Moon” Early Popular Visual Culture (May 2012), 10 (2), pg. 197-199
  5. ^ a b Barsam, Richard Meran and Dave Monahan. Looking at Movies: An Introduction to Film. New York: W.W. Norton &, 2010
  6. ^ Kaplan, E. Ann. Women and Film: Both Sides of the Camera. New York: Methuen, 1988