Norbert-Bertrand Barbe
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Norbert-Bertrand Barbe is a French
Biography
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Barbe worked as a teacher and researcher since 1992 in several French, Costa Rican and Nicaraguan institutions. His fields are the
As
Artistic orientation and theoric relevance
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In poetry and art, his work has evolved from a naturalistic expressionism to decomposition formal and narrative questions, particularly through the shocker pop and photomontages.
In the 2000s he developed "processal" works and "geometric poems and tales",[4] which incorporate the concept of "Not Happening" and "reverse literature" in which the structure of the narrative construction appears to the reader/viewer.[5]
He is co-founder of the movement Kites (1996–1999) and Any Name (1998–2005), founder of the journal Go Home (2005 to date) and founder of Bes editions (2001 to date).
As a theorist, his path is defined by its combination of different academic disciplines. He has a masters degree in low medieval art history, and a DEA and PhD in Comparative Literature, modern and contemporary respectively, (his PhD touching issues of aesthetic and epistemological study of the works), with significant contributions to the humanities studies:
- The unification of a general theory of interpretation of symbolic productions[6] through his books Iconologia (about visual arts), Myths (about mythology), Literary origins of contemporary thought (about literature), Essays on filmic iconology (about films).
- Mirroring macro phenomena from micro (Nicaragua).[7]
- The comprehensive approach to the development and structural evolution of the modern mentality to the contemporary one studied in its works.[8] In books: Culture Lodge, The Construction of the Me; Literary origins of contemporary thought; Nothingness in contemporary thought; Darian Studies.
- The iconological approach to contemporary art and motifs as minimal units of meaning to assume the abstract work as a historical phenomenon readable since his time.[9] In books: Representation: Iconographic problem of contemporary art; Sur-realism; The Scream by Edvard Munch: A paradigmatic case of staging iconic codes of an era; Stéphane Mallarmé and the question of abstract art.
- The study of modern and contemporary architecture as an expression not just concrete and practical of using necessities, but also intellectual of formal tensions.?] centuries.
- The analysis of discourses of domination from the study of mass speech.postmodern cultureand politics.
Visual art
References
- ^ Arellano, Francisco Manuel. "Academia Nicaragüense de la Lengua". www.anilengua.com. Retrieved 2015-09-30.
- ^ See: http://franzosisch-kunsthistoriker.blogspot.com
- ^ See: http://french-art-historian-bibliography.blogspot.com; & https://openlibrary.org/search?q=norbert+bertrand+barbe
- ^ See: Poema geométrico, aka Cloaca, editor: Rosario R. Hernández, Revista Katharsis, No 8, September 2009, http://revistakatharsis.org/rev_Septiembre_2009.html Archived 2012-03-26 at the Wayback Machine & El cuento geométrico, editor: Rosario R. Hernández, Revista Katharsis, No 8, September 2009, http://revistakatharsis.org/rev_Septiembre_2009.html
- ^ See: En los recintos poéticos del Dr. Barbe, El Nuevo Diario, 19/07/2007.
- ^ Lire/Aimer, Connaître/Ecrire, Editer/Publier : du Rêve à la Réalité, in Un éditeur, un homme, Bulletin d'information et Relation L'Estracelle de la Maison de la Poésie Nord-Pas de Calais, N° 4, 2002, pp. 30–33; & El regreso del Papalote – Una entrevista de Porfirio García Romano con Norbert-Bertrand Barbe, El Nuevo Diario, 02/08/2002.
- ^ Erick Aguirre, Las traiciones de Norbert-Bertrand Barbe, El Nuevo Diario, 01/10/2005, pp. 9–11.
- ^ Adelina Morris, Un Coup de Dés : ou Stéphane Mallarmé et la question de l’art abstrait, Modern and Contemporary France, February 2008, vol. 16, No 1, pp. 76–77.
- ^ Adelina Morris, Un Coup de Dés : ou Stéphane Mallarmé et la question de l’art abstrait; & Agnès Lontrade, Roland Barthes et la théorie esthétique de Norbert-Bertrand Barbe, Critique d'Art, No 19, spring 2002, p. 40.
- ^ Steven F. White, Esthela Calderón, Culture and customs of Nicaragua, Greenwood Press, 2008, pp. 171–172.
- Géricault, Paris, n° 11, September 2002, p. 1.