On Top and Beneath Ryōgoku Bridge
On Top and Beneath Ryōgoku Bridge (両国橋上下 Ryōgoku-bashi ue-shita) is a picture made up of six prints designed by the Japanese ukiyo-e artist Utamaro and published in c. 1795–96. The scene depicts numerous people—mainly elegantly-dressed women of various social classes—on outings at Ryōgoku Bridge over the Sumida River in Edo (modern Tokyo). At about 75 by 60 centimetres (30 in × 24 in), the assembled set is the earliest known ukiyo-e picture of such an extravagant size.
Background
Ukiyo-e art flourished in Japan during the Edo period from the 17th to 19th centuries, and took as its primary subjects courtesans, kabuki actors, and others associated with the "floating world" lifestyle of the pleasure districts. Alongside paintings, mass-produced woodblock prints were a major form of the genre.[1] In the mid-18th century full-colour nishiki-e prints became common, printed using a large number of woodblocks, one for each colour.[2] A prominent genre was bijin-ga ("pictures of beauties"), which depicted most often courtesans and geisha at leisure, and promoted the entertainments of the pleasure districts.[3]
The Sumida River flowed through eastern Edo (modern Tokyo). Ryōgoku Bridge was the largest bridge over the river in this heavily-populated and thriving urban centre.[6] Its name translates as "bridge of the two provinces", as it was built to connect the provinces of Musashi Province, in which Edo lay, and Shimōsa.[7]
Publication
The prints bear no title, and different titles are given in different sources in both Japanese and English. The set was published in c. 1795–96 by Ōmiya Gonkurō ,[a][8] whose seal (近江屋権九郎) appears on each print.[9] Each bears the signature Utamaro hitsu (歌麿筆, "The brush of Utamaro").[10]
Copies of the set or members of it are in the collections of the British Museum, the Guimet Museum, the Museum of Fine Arts, Boston, the Art Institute of Chicago, the Metropolitan Museum of Art, and the Tokyo National Museum.[9]
Description
The picture is made up of six prints arranged in two tiers of three. Each is a vertical, multicoloured
The print features a large number of people on outings by the busy Ryōgoku Bridge over the Sumida River.[8] Nearly all the figures are women.[9] The view faces downstream,[9] and boathouses line the river in the background.[8]
Nine elegantly-dressed[12] tall women[6] stand or lean on the bridge, watching the river flow beneath. Some hold hand fans or parasols,[12] suggesting a hot summer scene. The women come from different social rankings. From details such as the hairstyles some of the women are recognizable as geishas. The women in the upper left are women-in-waiting from a feudal lord's palace, and are wearing age-bōshi[b] head-dresses, which were popular during Japan's Edo period. A woman holding a child stands at the centre,[8] and to the right is a group of entertainers.[9] Behind the woman furthest to the right holding a round hand fan can be seen a water-seller's equipment; fresh water was scarce in the area, as it was made from reclaimed land by the ocean. Such merchants sold slightly sweetened water from distant springs.[6]
Below the bridge various parties enjoy boating. A group appear to be having a drinking party on a canopied boat in the centre and right foreground. A geisha wearing a
Notes
References
- ^ Fitzhugh 1979, p. 27.
- ^ Kobayashi 1997, pp. 80–83.
- ^ Harris 2011, p. 60.
- ^ Kobayashi 1997, pp. 87–88.
- ^ Kobayashi 1997, p. 88.
- ^ a b c d e f Kobayashi 2000, p. 37.
- ^ Murdoch 2004, p. 89.
- ^ a b c d e f g h Tanabe 2016, p. 75.
- ^ a b c d e f g British Museum staff.
- ^ a b Museum of Fine Arts, Boston, staff.
- ^ Kano 1991, p. 107.
- ^ a b Goncourt 2012, p. 82.
Works cited
- British Museum staff. "Triptych print". British Museum. Archived from the original on 2017-02-01. Retrieved 2017-02-01.
- Fitzhugh, Elisabeth West (1979). "A Pigment Census of Ukiyo-E Paintings in the Freer Gallery of Art". Ars Orientalis. 11. Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan: 27–38. JSTOR 4629295.
- Goncourt, Edmond de (2012) [1891]. Utamaro. Translated by Locey, Michael; Locey, Lenita. Parkstone International. ISBN 978-1-78042-928-1.
- Harris, Frederick (2011). Ukiyo-e: The Art of the Japanese Print. ISBN 978-4-8053-1098-4.
- Kano, Hiroyuki (1991). Utamaro 歌麿. Shinpen meihō Nihon no bijutsu (in Japanese). Vol. 28. Shogakukan. ISBN 9784093751285.
- Kobayashi, Tadashi (1997). Ukiyo-e: An Introduction to Japanese Woodblock Prints. ISBN 978-4-7700-2182-3.
- Kobayashi, Tadashi (2000). Utamaro: Portraits from the Floating World. ISBN 978-4-7700-2730-6.
- Murdoch, James (2004). A History of Japan. ISBN 978-0-415-15417-8.
- Museum of Fine Arts, Boston, staff. "On Top of and Beneath Ryōgoku Bridge". Museum of Fine Arts, Boston. Archived from the original on 2016-03-28. Retrieved 2017-02-01.
- Tanabe, Shōko (2016). "Hashi-ue hashi-shita" 橋上橋下. In Asano, Shūgō (ed.). Utamaro Ketteiban 歌麿決定版. Bessatsu Taiyō (in Japanese). Vol. 245. Heibonsha. pp. 74–75. ISBN 9784582922455.
External links
- Media related to Kitagawa Utamaro at Wikimedia Commons
- Media related to Ryōgoku Bridge in ukiyo-e at Wikimedia Commons