Orison (The X-Files)
"Orison" | |
---|---|
Rob Bowman | |
Written by | Chip Johannessen |
Production code | 7ABX07 |
Original air date | January 9, 2000 |
Running time | 44 minutes |
Guest appearances | |
| |
"Orison" is the seventh episode of the
The show centers on
"Orison" was written by Johannessen, who had formerly been an executive producer on the television series Millennium. Johannessen's first draft featured an escaped prisoner who could stop time. Executive producers Chris Carter, Frank Spotnitz, and John Shiban enjoyed the premise and decided to bring back Donnie Pfaster.
Plot
At a prison in
After a medical exam, Mulder finds out that Orison has three times the bloodflow capacity of the brain due to
Production
Writing
"Orison" was written by Chip Johannessen, who had formerly been an executive producer on the Chris Carter-created television series Millennium. In Johannessen's first draft of the episode, the main antagonist was a prisoner who could stop time. Executive producers Carter, Frank Spotnitz, and John Shiban found the premise promising, with Carter enjoying the story because it bore stylistic similarities to the first season episode "Beyond the Sea".[2]
After reading the first draft, Spotnitz and Carter decided to reintroduce Donnie Pfaster, a character from the second season episode "Irresistible". Carter noted that, "we had talked about possibly revisiting some old monster this season, and this seemed like the perfect opportunity."[2] In his first appearance, Donnie Pfaster was portrayed as a "death fetishist", with his brief appearances in the guise of a demon intended to reflect the psychological impact of being held captive.[3] Although the character's ambiguous presentation remains consistent, in "Orison" it was decided to approach Pfaster as a true demon. Shiban explained "we decided late in the process to turn him into this totally demonic character, essentially evil as an entity."[2]
Spotnitz was very excited about bringing closure to the Pfaster-Scully story, saying, "For me, what really justified bringing Donnie back was the final act of the script when Donnie comes for Scully and she ends up shooting him full of holes."
Casting and filming
Nick Chinlund returned to the series to reprise his role as Pfaster. Rick Millikan, the show's casting director, eventually settled on Scott Wilson for the role of Orison believing that he could pull off the "dual nature" of the character better than anyone else.[2] The episode featured several scenes making use of complex effects, most notably the shot at the beginning, where time grinds to a halt. Bowman used several different takes, all filmed at different speeds and then combined in post-production, to achieve the right effect. The final fight scene between Scully and Pfaster, which takes up only a small portion of the episode, took over a day to film. Many of the episodes scenes were filmed in Downey, California. Make-up for the episode was done by John Vulich, who sought to "pay homage" to the make-up in the original episode. Vulich perused several fan sites and downloaded photos from "Irresistible" to aid him in this process.[5]
Music
The song in the episode that Scully keeps hearing is a cover version of the song "Don't Look Any Further", originally by former Temptations lead singer Dennis Edwards. The production staff went through several cover versions in order to find the right one for the episode. Unfortunately, according to Paul Rabwin, none of the songs "really worked."[5] Rabwin wanted Lyle Lovett to record a cover for the episode, but he was unavailable, so the staff asked singer-songwriter John Hiatt, whose version Rabwin later called "chilling, eerie, and soulful."[5] Mark Snow, the show's composer, used various musical effects for emphasis, explaining: "There's a slo-mo scene where Mulder comes in the room with Scully and guns are drawn. They're looking around, and I do these big boom single hits with a lot of reverb. There's nothing else but that. Sometimes, that is really effective."[4]
Broadcast and reception
"Orison" first aired in the United States on January 9, 2000.
The episode received mixed reviews from critics. Kenneth Silber from Space.com wrote positively of the episode, saying, "'Orison' rises above its origins in the depressing, hackneyed genre of serial-killer dramas. The episode combines a fast pace with a richly gloomy mood, and even serves to blur the all-too-sharp distinction between standalone X-Files stories and the series' 'mythology arc.'"[10] Rich Rosell from Digitally Obsessed awarded the episode 4.5 out of 5 stars and called the episode "creepy, dark and wonderful". Rosell argued that the episode "adds fuel to the fiery argument that it is [Scully], and not Mulder, that the real heart of the series was built on."[11] Tom Kessenich, in his book Examinations, gave the episode a largely positive review, writing "['Orison'] was a journey filled with horror, mystery, and self-analysis. It was also one of the most exhilarating journeys the seventh season has produced thus far."[12] Furthermore, Kessenich defended Scully's actions at the end of the episode writing that "what we saw at the end of 'Orison' was a human being pushed beyond the breaking point by a man [...] it doesn't make what she did right, but it certainly wasn't a difficult thing to understand."[13] Zack Handlen of The A.V. Club awarded the episode a "B" and felt that the episode, despite its faults, had elements that were particularly interesting.[14] He noted that the titular chaplain was a "potentially fascinating figure" who was never explored to his full extent, and that the ending was effective in that it "helps transform the episode’s climax into something more than a simple regurgitation".[14] Finally, he positively compared the mood and thematic elements of the episode to Carter's other series Millennium.[14]
Not all reviews were positive. Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, were extremely critical of the episode and rated it one star out of five. Shearman and Pearson called the episode a "mess", with the effect that "it cheapens 'Irresistible' badly".[15] The two, however, point out the sequence wherein Scully murders Pfaster as the worst scene in the episode, arguing that the scene was "at worst a betrayal of characterization that has badly damaged the moral fibre of the series."[15] Paula Vitaris from Cinefantastique gave the episode a largely negative review and awarded it one star out of four.[16] Vitaris heavily criticized the episode as "a retread of 'Irresistible'".[16] Furthermore, she derided the ending, noting that "nothing in the episode [indicated] that Scully [was] on the verge of losing her self-control".[16]
See also
Footnotes
- ^ a b Shapiro, pp. 83–92
- ^ a b c d e Shapiro, p. 92
- ^ Hurwitz and Knowles, p. 60
- ^ a b Hurwitz and Knowles, p. 117
- ^ a b c Shapiro, p. 93
- Fox.)
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link - ^ a b Shapiro, p. 281
- ^ "BARB's multichannel top 10 programmes". barb.co.uk. Retrieved 4 January 2011. Note: Information is in the section titled "w/e April 17–30, 2000", listed under Sky 1
- Los Angeles, California: Fox Broadcasting Company. 1999.
- ^ Silber, Kenneth (4 August 2000). "The X-Files - 'Orison'". Space.com. TechMediaNetwork. Archived from the original on February 7, 2005. Retrieved 5 January 2012.
- ^ Rosell, Rich (27 July 2003). "The X-Files: The Complete Seventh Season". DigitallyObsessed. Archived from the original on 29 May 2020. Retrieved 14 January 2012.
- ^ Kessenich, p. 102
- ^ Kessenich, p. 104
- ^ a b c Handlen, Zack (December 22, 2012). "The X-Files: "Orison" / "The Amazing Maleeni"". The A.V. Club. The Onion. Retrieved December 30, 2012.
- ^ a b Shearman and Pearson, p. 212
- ^ a b c Vitaris, Paula (October 2000). "The X-Files Season Seven Episode Guide". Cinefantastique. 32 (3): 18–37.
Bibliography
- Hurwitz, Matt; Knowles, Chris (2008). The Complete X-Files. Insight Editions. ISBN 978-1-933784-80-9.
- Kessenich, Tom (2002). Examination: An Unauthorized Look at Seasons 6–9 of the X-Files. ISBN 1-55369-812-6.
- Shapiro, Marc (2000). All Things: The Official Guide to the X-Files Volume 6. Harper Prism. ISBN 0-06-107611-2.
- Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN 978-0-9759446-9-1.
External links
- "Orison" at IMDb