P. Jay Sidney
P. Jay Sidney | |
---|---|
Born | Sidney Parhm, Jr.[1] April 8, 1915 Norfolk, Virginia, U.S. |
Died | September 30, 1996 | (aged 81)
Other names | Jay P. Sidney |
Occupation | Actor |
P. Jay Sidney (April 8, 1915 – September 30, 1996) was an American screen actor, who was also known as Jay P. Sidney.[2][3] Although obscure today, he was a prominent activist who fought for equal representation of African Americans in American entertainment.[4]
Biography
Sidney Parhm Jr. was born in Norfolk, Virginia, to a poor family. His mother died when he was young, and his father moved the family to New York City. His father died when Sidney was 15, and he was placed in foster care. An excellent student, he graduated high school while still 15 years old, then attended City College for two years. He did not complete his college course, leaving in order to pursue a career in theater.[1]
Early stage and radio career
Sidney quickly obtained small parts in New York City theatrical productions. By 1934 he was included in
During the 1940s Sidney built a radio career, beginning with his series Experimental Theatre of the Air.[1]
Film and television work
Sidney, by dint of his activism and persistence, landed early roles in television. This newly-emerging medium could have opened new career opportunities for black actors, but such was not the case. A newspaper article from the mid-1950s, headlined "TV’S NEW POLICY FOR NEGROES," depicts Sidney as the lone exception to the dearth of black dramatic actors. The writer noted: "the video floodgates were expected to be thrown open to experienced Negro actors. It never happened."[citation needed]
From 1951 on, Sidney made a living on TV, getting a few notable roles, such as Cato in 1952's The Plot to Kidnap General Washington. He had a two-year run on The Phil Silvers Show (his presence was protested by Southern TV station managers, but their protests were not acted on). He starred in the NBC daytime soap opera The Doctors as Paul Stark in 1968. He appeared on more than 170 shows, while also continuing to provide voice-overs and advertisements. However, he realized that his work was mostly insubstantial appearance. He told an interviewer, "I had a whole goddamned career of 'Yassuh, can I git ya another drink, sir?' But I did what was available. I did not mix feelings with the fact that I needed money to live."[citation needed]
In addition to his role as Private Palmer on The Phil Silvers Show (1957–59),[5] Sidney's four-decade career includes The Joe Louis Story (1953),[6] Brother John (1971),[7] A Gathering of Old Men (1987), A Face in the Crowd (1957), and Trading Places (1983).[8][4]
Marriage and activism
Sidney married Carol Foster in 1954. She was a well-educated (graduate of Howard University) daughter of a dentist. She had moved to New York to be a French translator, but dreamed of being an actress. They had a tumultuous marriage, and finally separated (they did not officially divorce until 1977, however) without having children. Carol Foster Sidney later did become a New York actress, with a 10-year career there.
Carol Foster Sidney supported her husband’s activism, marching with him and other activists, including his lawyer and close friend Bruce M. Wright. They picketed offices such as CBS and BBDO, and other places, passing out flyers. He paid for advertisements in The New York Times advocating a boycott against Lever Brothers, which used black talent only in its TVs ads aimed at blacks.
In 1962 Sidney testified before the House, arguing against "discrimination that is almost all-pervading, that is calculated and continuing."
In 1967 he left a role on the long-running TV soap As the World Turns because of its policy that offered employment contracts to white actors but not to blacks.
Noted liberal television personality
Sidney's last significant appearance was in the 1987 TV movie A Gathering of Old Men. But by the time he finished his career, in some ways little had changed; in his final movie, A Kiss Before Dying (1991), he played a bellman.
Unpublished memoir
Sidney collected his press clippings in a binder, which is saved at the New York Public Library’s Schomburg Center for Research in Black Culture. The collection also included a 15-page handwritten memoir (labeled "ephemera"). Although written in the third person, it appears to be Sidney's summary of his life and career.
His vision
Sidney is known for leading a one-man crusade to get African Americans equal representation in television programming and commercials, he wrote letters, picketed, favored boycotts, taped interactions with television executives, lobbying against de facto segregation.[1] In 1962, Sidney testified before the United States House of Representatives.[1]
Filmography
- The Joe Louis Story (1953) - John Roxborough, Handler
- A Face in the Crowd (1957) - Llewellyn (uncredited)
- Black Like Me (1964) - Frank Newcomb
- No Way to Treat a Lady (1968) - Medical Examiner (uncredited)
- Brother John (1971) - Rev. MacGill
- Trading Places (1983) - Heritage Club Doorman
- A Kiss Before Dying (1991) - Bellman (final film role)
References
- ^ a b c d e f g h Nussbaum, Emily (December 7, 2015). "American Untouchable. The actor who fought to integrate early TV". The New Yorker.
- ^ Bogle, Donald, Primetime Blues: African Americans on Network Television, New York: Farrar, Straus and Giroux, 2001, p. 58.
- ^ "Jay P. Sidney in the 1940 Census", Archives.com.
- ^ a b Chow, Kat (December 1, 2015). "The Forgotten Actor Who Battled Hollywood's Whiteness In The 1950s". NPR. WBUR.org.
- ^ "Pvt. Palmer (Character)", IMDb.
- ^ A. W. (November 4, 1953). "The Joe Louis Story (1953) At the Holiday". The New York Times.
- ^ Canby, Vincent (March 25, 1971). "Stern Angel Returns Home to Hackley, Ala". The New York Times.
- ^ "P. Jay Sidney". Movies & TV Dept. The New York Times. 2015. Archived from the original on 2015-12-09.
External links
- P. Jay Sidney at IMDb
- P. Jay Sidney at the Internet Broadway Database