Paul Petrie
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Paul Petrie | |
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| Born | July 1, 1928 |
| Died | November 9, 2012 (aged 84)[1] |
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| Occupation(s) | University Professor |
Paul James Petrie (July 1, 1928 – November 9, 2012) was an American poet and professor emeritus of English and creative writing at the University of Rhode Island in Kingston, where he taught for over 30 years. His work has appeared in over 100 literary journals and magazines—including Poetry,[2] The New Yorker,[3] Atlantic Monthly,[4] New York Times,[5] The Nation,[6] The New Republic,[7] Sewanee Review,[8] Paris Review,[9] Massachusetts Review,[10] The Michigan Quarterly Review[11] - and has been reprinted in eight anthologies including The Treasury of American Poetry.[12]
Biography
Paul Petrie was born in 1928 in Detroit, Michigan, and grew up in what, at that time, was the outer fringes of the city, an area half rural and half suburban. From this fact may have arisen his abiding love of nature, while his interest in poetry was probably affected by his mother's Canadian grade school education (much memorization of poems) and her ability to recite whole swatches of Longfellow and Tennyson verbatim.[13]
In 1946 he attended
, and earning his doctorate in 1957 with a dissertation in Creative Writing. For one year he taught in Nebraska, and for 31 years at the University of Rhode Island, during which period he spent sabbatical leaves in Devon, England, as well as several months in Settignano and Amsterdam.He was married to the artist Sylvia Spencer Petrie, a printmaker and former member of the 19 on Paper art group, who has also illustrated several of his books. They have three children, Philip, Emily and Lisa, and 5 grandchildren.
Work
Petrie's work tends to be diverse, in form, technique, and subject matter. His poems, like the world they illuminate, are multifaceted and so are hard to sum up. If there is one theme that appears to be pervasive, it is mutability, the transience of everything, and the various ways we humans attempt to deal with it in our lives.[14]
In some of his pieces he employs traditional forms and meters (though with considerable latitude), and in others he uses more open forms and freer rhythms, while still maintaining a voice uniquely his own.[15] In general it is not inaccurate to say that he puts more stress on the musical elements of poetry than is currently common.
Above all, he dislikes dogmas, whether in theory, subject matter or technique, and uses whatever seems best suited to the matter at hand.
Awards
- 1990 Wayne State University Arts Achievement Award
- 1984 Capricorn Award Winner for The Runners
- 1968 Phi Beta Kappa poet at Brown University
Poetry collections
- The Collected Poems, Antrim House, 2014, ISBN 978-1-936482-60-3
- Rooms of Grace: New and Selected Poems, New Orleans Poetry Journal Press, 2005, ISBN 0-938498-10-X
- The Runners, Slow Loris Press, 1988, ISBN 0-918366-29-1(Winner of the Capricorn Award for 1984)
- Strange Gravity, The Tidal Press, 1984, ISBN 978-0-930954-22-2
- Not Seeing Is Believing, Juniper Press, 1983
- Time Songs, Biscuit City Press, 1979
- Light from the Furnace Rising, Copper Beech Press, 1978, ISBN 978-0-914278-19-1
- The Academy of Goodbye, The University Press of New England, 1974, ISBN 0-87451-098-8
- From Under The Hill of Night, Vanderbilt University Press, 1969, ISBN 978-0-8265-1140-9
- The Leader, Hellcoal Press, 1968 (a tribute to Martin Luther King Jr.), a poem read at the 1968 Phi Beta Kappa dinner at Brown University, whose first section describes the June, 1963 Great March on Detroit in which the poet participated
- The Race With Time and the Devil, Golden Quill Press, 1965 (a selection of the Book Club for Poetry)
- Confessions of a Nonconformist, Hillside Press, 1963
References
- ^ "Paul J. Petrie Obituary: View Paul Petrie's Obituary by The Providence Journal". Legacy.com. 2012-11-09. Retrieved 2012-12-09.
- ^ "Paul Petrie's poems in Poetry". February 2023.
- ^ "Paul Petrie's poems in The New Yorker". The New Yorker.
- ^ "The Dream" January, 1969. "Lament for the March King" November, 1969. "The Pause" May, 1978. "The Death of Couperin" November, 1985.
- ^ "The Newport Ferry" June 11, 1964. "For Nan" March 1, 1965. "Domestic Sonnet" August 8, 1965. "Trains" February 12, 1968. "A Story Within a Story" May 25, 1969. "A Sunny Day in Settignano" August 4, 1969.
- ^ "Chain" January 16, 1960.
- ^ "Launched" March 11, 1957. "Fall" October 20, 1958. "Maneuvers" January 9, 1961. "Dream of the Marching Men" June 11, 1961. "Summer Storm" July 17, 1976.
- ^ "A Discourse on Angels" Fall, 1971. "The Burning Nightmare" Spring, 1979. "The Bow of Ulysses" Summer, 1995.
- ^ "After the Funeral" Fall, 1957.
- ^ "Black birds", "Someone's Birds" Winter, 1961. "House on the Point" Summer, 1962. "Man in Black" Fall, 1963. "The Existentialist" , "The Wall" Summer 1965.
- ^ "The Vanished" Fall, 1965. "The Phases of Darkness", "The Egyptian Room" Spring, 1967. "Jan Sibelius" Fall, 1969. "The Anatomy of Hope" Winter, 1970. "Death Warrant for a Small Name" Fall, 1974.
- ISBN 0-88029-513-9
- ^ Arline A. Fleming (June 30, 1985). "Up Front With Paul Petrie", Sunday Journal Magazine of the Providence Journal Bulletin, June 30, 1985.
- ^ Sally Wells (February 6, 1991). "Artist in Profile--Paul Petrie" Narragansett Times, February 6, 1991
- ^ Philip Levine (poet). Introduction to The Runners by Paul Petrie, Slow Loris Press, 1988
External links
- Paul Petrie's poetry in The Poetry Kit
- Paul Petrie's poetry in The Writer's Almanac with Garrison Keillor
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