Philip Hermogenes Calderon

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Philip Hermogenes Calderon
Born3 May 1833
Poitiers, France
Died30 April 1898(1898-04-30) (aged 64)
London, United Kingdom
OccupationPainter
NationalityBritish
ChildrenWilliam Frank Calderon
George Calderon

Philip Hermogenes Calderon

Royal Academy in London
.

Life

Ruth, Boas and Naomi
Calderon by J. P. Mayall from Artists at Home, published 1884, Department of Image Collections, National Gallery of Art Library, Washington, DC
Broken Vows (1856; Tate Britain, London).
The Vine

Calderon was born in

Roman Catholic priest who had converted to Anglicanism. Calderon planned to study engineering, but he became so interested in drawing technical figures and diagrams that he changed his mind and devoted his time to art. In 1850, he trained at Leigh's art school, London, then went to Paris to study under François-Édouard Picot in 1851. His first successful painting was called By the waters of Babylon (1852), which was followed by a much more popular one called Broken Vows (1856). From the beginning he was inspired by the Pre-Raphaelites, and some of his work showed the detail, deep colors, and realistic forms that characterize the style. The artist Henry Stacy Marks was his friend and brother-in-law, and Calderon exhibited his portrait at the Royal Academy in 1872.[1]

Calderon became a leading member of the St John's Wood Clique, a group of artists interested in modern genre and historical subjects who were inspired, both artistically and socially by the Pre-Raphaelites. Historical, biblical, and literary themes were common in Calderon's later work. Many of his pieces show women wearing rich, silky clothing in gently colored landscapes. His Morning (1884) features a copper-haired maiden watching a sunrise.

His Juliet (1888)

Frederic Leighton
, then-President of the Royal Academy. Calderon became Keeper of the Royal Academy in 1887, and from then on worked to support the teaching of anatomy based on nude models at the Royal Academy Schools. His 1891 painting St Elizabeth of Hungary's great act of renunciation was secured by the
Chantrey bequest for the national collection, and is now located in Tate Britain
, but caused considerable controversy because of its perceived anti-Catholic message. It depicted the saint bending nude over an altar watched by monks.

Works

  • By the waters of Babylon (1852; Tate, London)
  • 'Lord, Thy Will Be Done' (1855; Yale Center for British Art, New Haven)
  • Broken vows ('More hearts are breaking in this world of ours, than one would say — Longfellow) (1856; Tate, London)
  • French peasants finding their stolen child (1859; Private collection)
  • The massacre of St. Bartholomew (1863; Private collection)
  • Margaret (1876; Manchester Art Gallery)
  • Morning (1884)
  • Juliet (1888)
  • St. Elizabeth of Hungary's great act of renunciation (1891; Tate, London)

Gallery

  • 'Lord, Thy Will Be Done' (1855)
    'Lord, Thy Will Be Done' (1855)
  • Ave Maria (1858)
    Ave Maria (1858)
  • French Peasants Finding Their Stolen Child (1859)
    French Peasants Finding Their Stolen Child (1859)
  • Letter From Daddy (1873)
    Letter From Daddy (1873)
  • Juliet (1888)
    Juliet (1888)
  • St. Elizabeth of Hungary's Great Act of Renunciation (1891)
    St. Elizabeth of Hungary's Great Act of Renunciation (1891)
  • Mariana (scene depicts Act IV, Scene I, from‚ "Measure for Measure" by William Shakespeare.)
    Mariana (scene depicts Act IV, Scene I, from‚ "Measure for Measure" by William Shakespeare.)

Further reading

References

  1. ^ W. W. Fenn, 'Our Living Artists: Philip Hermogenes Calderon RA', Magazine of Art, December 1878, pp. 197–202.
  2. ^ "The Artists". Shakespeare Illustrated. Emory University. 2003. Archived from the original on 2 November 2013. Retrieved 1 November 2013.

External links

Wikimedia Commons has media related to Philip Hermogenes Calderon.
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