Queering the Pitch
Queering The Pitch: The New Gay and Lesbian Musicology is a 1994 book edited by Philip Brett, Elizabeth Wood, and Gary C. Thomas.[1][2] It was published in the United States by Routledge and focuses on the impact of factors such as sexuality or race has on a musician's music.[3]
Synopsis
The book's chapters examines how sexuality in the American Musicological Society (AMS) as well as the differences on how the musician's sexuality and the sexuality defines the musician's music along with gender, race, class and nationality.
Reception
The book has received reviews from multiple outlets,[4][5][6] which includes the Journal of the American Musicological Society,[7] The Chronicle of Higher Education,[8] Musicology Australia,[9] and Notes.[10]
References
- ^ Brett, Philip; Wood, Elizabeth; Thomas, Gary (1994). Queering The Pitch: The New Gay and Lesbian Musicology. New York, NY: Routledge. pp. 357.
- JSTOR 3175186.
- ^ Miller, Edward (24 April 2018). "Queering The Pitch: The New Gay and Lesbian Musicology".
- JSTOR 1146432.
- JSTOR 1004269.
- JSTOR 737134.
- JSTOR 3128820.
- ^ ""Queering the Pitch: The New Gay and Lesbian Musicology"". The Chronicle of Higher Education. 1994-02-02. Retrieved 2018-08-28.
- ISSN 0814-5857.
- JSTOR 899102.