Radmila Bakočević

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Radmila Bakočević (Serbian Cyrillic: Радмила Бакочевић, pronounced [rǎdmila bakɔ̌ːtʃɛʋitɕ]; born January 5, 1933), is a Serbian operatic soprano who had a major international opera career that began in 1955 and ended upon her retirement from the stage in 2004. During her career, she sang at most of the world's important opera houses, including performances throughout Europe, North and South America. She forged important long-term artistic partnerships with two opera houses during her career: the National Theatre in Belgrade and the Vienna State Opera.

Biography

Bakočević was born in Guča, Lučani, Kingdom of Yugoslavia. She studied singing at the

La Bohème
. Earning rave reviews, she became a regular performer at that opera house.

In 1958 Bakočević earned Second Prize at the Belgrade International Competition of Young Artists. In 1962 she won the Geneva International Singing Competition and in 1964 she won the Lüttich International Singing Competition. These competition wins brought her to the attention of the international opera community and she was soon engaged to perform in the world's leading opera houses.

In 1967 Bakočević made her debut at the

Triest the Olga in Nikolai Rimsky-Korsakov's The Maid of Pskov. That same year she joined the roster at the Vienna State Opera where she sang regularly through 1982 in such roles as Minnie in Puccini's La fanciulla del West, Elisabetta in Giuseppe Verdi's Don Carlos and Maddalena in Umberto Giordano's Andrea Chénier among many others. She made her San Francisco Opera debut on October 15, 1968, as Leonora in Il trovatore. She joined the Metropolitan Opera in New York City for the 1968–1969 season, singing there Cio-Cio-San in Madama Butterfly, Leonora, Marguerite in Faust, Micaela in Carmen and Mimì. In 1969 she made her first appearance at the Deutsche Oper Berlin as Maria in Pyotr Ilyich Tchaikovsky's Mazeppa
.

In 1972, Bakočević made her first appearance in Paris at the Palais Garnier as Norma. She returned many times to Paris during the 1970s, performing in all of the major houses in that city. In 1973 she made her debut with the Philadelphia Lyric Opera Company as Amelia in Un ballo in maschera with Plácido Domingo and Bernabé Martí alternating as Riccardo, Cornell MacNeil as Renato, Lili Chookasian as Ulrica and Patricia Wise as Oscar. She appeared in 1982 in the title role of Puccini's Turandot at the Deutsche Oper am Rhein, a role she repeated in Dublin in December 1986.

Bakočević's many other appearances between 1963 and 1982 included performances at the

Teatro Regio di Torino
to name just a few.

A

Les Contes d'Hoffmann, Marguerite in Charles Gounod's Faust and Micaela in Georges Bizet's Carmen. She did, however, possess a flexible enough voice to tackle several bel canto roles by Bellini and Donizetti
.

Since retiring from the stage, Bakočević works as a

Rector from 1998 to 2000. She is also a member of the Association of Musical Artists of Serbia
.

Works

Other roles that Bakočević performed on stage during her career including: Adriana in

La Forza del destino, Lisa in Tchaikovsky's The Queen of Spades, Manon in Puccini's Manon Lescaut, Marie in Bedřich Smetana's The Bartered Bride, Mlada in Smetana's Dalibor, Pauline in Sergei Prokofiev's The Gambler, Poppea in Claudio Monteverdi's L'incoronazione di Poppea, Salome in Richard Strauss's Salome, Tatyana in Tchaikovsky's Eugene Onegin, and Violetta in Verdi's La traviata
.

Sources

External links