Repoussoir
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In two-dimensional works of art, such as
Impressionists such as Gustave Caillebotte.[1]
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Jacob Isaaksz. van Ruisdael, The Jewish Cemetery (1655–60, oil on canvas, 141 x 182.9 cm). The tree in the right-foreground of Ruisdael's painting is an example of repoussoir that pushes the viewer's eye into the composition.
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The Four Philosophers (c. 1615. Oil on panel; 167 x 143 cm,Pitti Palace, Florence). In his friendship portrait of himself, his brother Philip Rubens, Justus Lipsius and Jan van den Wouwer (left to right), the painter Rubens's self-portraiton the left is an example of a figural repoussoir that is further accentuated by the flowing red curtain.
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Gustave Caillebotte. Paris Street; Rainy Day (1877, Art Institute of Chicago). The rear-facing man on the right with the tilted umbrella is an example of repoussoir figure leading the viewer's gaze into the composition.
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Georges Seurat, Gray Weather, Grande Jatte (1888, 71 × 66 cm, oil on canvas, Metropolitan Museum of Art). In a similar manner to the van Ruisdael piece, the tree that takes up the entire right edge of this work is an example of repoussoir.[2]
References
- S2CID 195030759.
He fulfils the function of a 'repoussoir',and by leading the imagination into a distant land,effectively offsets the shock of seeing the hero die in a modern uniform.
- ISBN 978-0-300-20835-1.
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