Rikyu (film)

Source: Wikipedia, the free encyclopedia.
Rikyū
DVD cover art
Directed byHiroshi Teshigahara
Written byGenpei Akasegawa
Hiroshi Teshigahara
Based onHideyoshi to Rikyu
by Yaeko Nogami
StarringRentarō Mikuni
Tsutomu Yamazaki
CinematographyFujio Morita
Edited byToshio Taniguchi
Music byTōru Takemitsu
Distributed byShochiku (JPN) Capitol Films (USA)
Release date
  • 15 September 1989 (1989-09-15) (Japan)
Running time
135 minutes
CountryJapan
LanguageJapanese

Rikyu (利休, Rikyū, 1989) is Hiroshi Teshigahara's film about the 16th century master of the Japanese tea ceremony, Sen no Rikyū.[1][2][3][4] The film was adapted from the novel of Yaeko Nogami.[5][6]

Synopsis

The film focuses on the late stages of life of Rikyū, during the highly turbulent

Momoyama Period.[5] Rikyū is portrayed as a man thoroughly dedicated to aesthetics and perfection, especially in relation to the art of tea. While serving as tea master to the new ruler Toyotomi Hideyoshi, Rikyū finds himself in a uniquely privileged position, with constant access to the powerful feudal lord and the theoretical ability to influence policy, yet he studiously avoids deep involvement in politics while attempting to focus his full attention to the study and teachings of the way of tea. To the extent that he expresses himself, he does so diplomatically, in a way to avoid disrupting the harmony of his relationship with Hideyoshi. Yet, as society is changed violently and radically around him, also finding himself the focus of jealousy and misdirected suspicions, Rikyū ultimately can not avoid confronting larger social issues. He is compelled to express an opinion on Hideyoshi's military plans. This one breach of his studied isolation from world affairs leads quickly to tragic consequences. The closing scene shows Rikyū, entering a bamboo forest at night alone amid an electrical storm. Subtitles inform the viewer that he committed ritual Seppuku
in 1592, presumably on this night.

Background

Director Teshigahara, himself a master and teacher of the Japanese traditional art of ikebana, brings the viewer into appreciation and deep sympathy for Rikyu's aesthetic idealism and his careful diplomatic efforts to avoid excessive entanglement in political affairs. The film itself is very studied in its aestheticism, and very expressive of the shocking force of life intruding into the guarded hermetic space of the artist/idealist.

Cast

Other Credits

Awards

Best Foreign Language Film at the 62nd Academy Awards, but was not accepted as a nominee.[8]

See also

References

  1. ^ "Rikyū". Kinema Junpo. Retrieved 27 December 2020.
  2. ^ "Rikyu". Agency for Cultural Affairs. Retrieved August 1, 2021.
  3. ^ "Rikyu". 松竹. Retrieved August 1, 2021.
  4. ^ "『利休』本物にこだわる監督の凄さ。三國連太郎&山崎努の演技も圧巻の一言【TSUTAYAプレミアムで映画漬け】". Tsutaya. Retrieved August 1, 2021.
  5. ^ a b c "映画 利休". TBS. Retrieved August 1, 2021.
  6. ^ a b "デジタル大辞泉プラス「利休」の解説". Kotobank. Retrieved 27 November 2021.
  7. ^ a b "利休". eigacom. Retrieved 27 November 2021.
  8. ^ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences

External links