Rudolf Baranik

Source: Wikipedia, the free encyclopedia.

Rudolf Baranik (September 10, 1920 – March 6, 1998) was an artist, educator, and writer.

Born in Lithuania, he immigrated to the United States in 1938, when his family sent him to live with a relative in Chicago.[1][2] His parents were secular Jewish socialists and were killed by the Nazis during the Second World War.[2] Baranik was well known in the art world for his political advocacy,[3] and was one of the first artists to organize protests against the war in Vietnam. Some of his best known works are the Napalm Elegies, a series of 30 antiwar paintings created between 1967 and 1974. His art was inspired by his sense of the gross inequities around the world,[4] and he led virtually every progressive political movement within the New York art world from the 1960s to the mid-1990s.[5] Significant exhibitions and awards include:

Hirshhorn Museum
.

Baranik died in Eldorado, New Mexico in 1998.[2]

The paintings of Rudolf Baranik are increasingly thought to be among the most important works of the New York School painting of the 1960s and 1970s,[6] with the late paintings in particular considered by American art critic, Donald Kuspit, "the true climax of fifty years of Western abstract painting."[7]

References

  1. Newspapers.com. Open access icon
  2. ^
  3. ^ "The New York Times," by Roberta Smith, March 15, 1998
  4. ^ Elizabeth Hess in Forward to Poetics and Politics in the Art of Rudolf Baranik, Atlantic Highlands, NJ: Humanities Press, 1997.
  5. ^ Museum of New Mexico, Museum of Fine Arts, "Idea Photographic: After Modernism," Artists, Rudolf Baranik, by Virginia Lee Lierz
  6. ^ David Craven, Poetics and Politics in the Art of Rudolf Baranik, Atlantic Highlands, NJ: Humanities Press, 1997.
  7. ^ "Rudolf Baranik: An Overview," by Donald Kuspit, a paper presented on the occasion of the memorial retrospective exhibition of Rudolf Baranik's art at the University of Arizona Museum of Art, November 2000.