Sébastien Bourdon

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Self-portrait, 1652–1658
The Finding of Moses, c. 1650 (National Gallery of Art, Washington)
Burning bush, by Bourdon, portrays Moses and the burning bush, Hermitage Museum
Le Camp de Bohémiens, oil on wood, Musée Fabre

Sébastien Bourdon (French pronunciation:

Notre Dame
.

Biography

Bourdon was born in

Reformed Protestant faith.[1][2]

He lived in Paris from 1637 to 1652.[2] In 1648, Bourdon was one of the founders of the

French Royal Academy of Painting and Sculpture and was elected as one of the original twelve elders in charge of its running.[3]

In 1652 he departed for Sweden, where Queen

.

Bourdon's facility rendered him adept at portraiture, whether in a dashing

capricci of ruins, mythological "history painting" like other members of Poussin's circle[6] or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. Some of his work was in the neoclassical style of Parisian Atticism
.

Bourdon spent most of his working career outside France, where, though he was a founding member of the Académie royale, he was for long largely dismissed as a pasticheur, a situation partly rectified by a comprehensive exhibition in 2000 of his work at the Musée Fabre, Montpelier (whose collection includes a fine Lamentation painted in the last years of his life).

His success required the establishment of an extensive atelier, where his pupils included

Pierre Mosnier
. He died in Paris in 1671.

References

  1. .
  2. ^ a b Thierry Bayou, Bourdon, Sébastien, Grove Art Online.
  3. ^ Mémoires pour servir à l'histoire de l'Académie royale de Peinture et de Sculpture depuis 1648 jusqu'en 1664, Ed. Anatole de Montaiglon, Paris 1853, vol. I, p. 36.
  4. ^ Queen Christina on Horseback 1653, Museo del Prado, Madrid.
  5. Corfitz Ulfeldt
    , Frederiksborg, Denmark
  6. ^ The Finding of Moses, c. 1650, National Gallery of Art, Washington; Bacchus and Ceres with Nymphs and Satyrs, Museum of Fine Arts, Budapest, etc

Further reading

  • Laureati, Laura, 1983. in Giuliano Briganti, Ludovica Trezzani, and Laura Laureati. The Bamboccianti: The Painters of Everyday Life in Seventeenth Century Rome (Rome) pp. 238–45

External links