Savoyard with a Marmot

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Savoyard with a Marmot
St. Petersburg

Savoyard with a Marmot is an

Goethe, and Les deux petits savoyards both depict this.[1]

According to Iris Lauterbach, "Watteau's paintings contain no lack of allusions to carnal desires...In Savoyard with a Marmot, for example, a showman with a cheerful smile on his face and carrying a cage with a marmot on top appears against a wintery setting. With his upright oboe, the man is making the marmot dance - a well-known sexual metaphor at that time."[2]

The Hermitage Museum, where the painting is held, alternately states that the painting depicts the Savoyard's disassociation and loneliness; Savoy was a poor region, and emigres were often marginal outcasts within the lands they decamped for.[3] Earlier, in 1715, Watteau had drawn an older Savoy woman with her boxed marmot in "Standing Savoyarde with a Marmot Box", before expanding the depth of the depiction with this work.[4]

The painting was a part of Catherine the Great's collection, before transferring to the Hermitage Museum.[5]

References

  1. ^ "Savoyard with a Marmot by WATTEAU, Jean-Antoine". www.wga.hu.
  2. . Retrieved 2 February 2024.
  3. ^ "Art works". Hermitage. Retrieved 2021-10-05.
  4. ^ "Savoyard with a Marmot by WATTEAU, Jean-Antoine". www.wga.hu.
  5. ^ "The Savoyard and His Marmot. : languagehat.com". languagehat.com.