Sawtooth wave

Source: Wikipedia, the free encyclopedia.
Sawtooth wave
A bandlimited sawtooth wave pictured in the time domain and frequency domain.
A bandlimited sawtooth wave[1] pictured in the time domain (top) and frequency domain (bottom). The fundamental is at 220 Hz (A3).
General information
General definition
Fields of applicationElectronics, synthesizers
Domain, codomain and image
Domain
Codomain
Basic features
ParityOdd
Period1
Specific features
Root
Fourier series

The sawtooth wave (or saw wave) is a kind of

non-sinusoidal waveform. It is so named based on its resemblance to the teeth of a plain-toothed saw with a zero rake angle
. A single sawtooth, or an intermittently triggered sawtooth, is called a ramp waveform.

The convention is that a sawtooth wave ramps upward and then sharply drops. In a reverse (or inverse) sawtooth wave, the wave ramps downward and then sharply rises. It can also be considered the extreme case of an asymmetric triangle wave.[2]

The equivalent piecewise linear functions

based on the
period
1.

A more general form, in the range −1 to 1, and with period p, is

This sawtooth function has the same

sine
function.

While a

slip-stick behavior of the bow drives the strings with a sawtooth-like motion.[3]

A sawtooth can be constructed using additive synthesis. For period p and amplitude a, the following infinite Fourier series converge to a sawtooth and a reverse (inverse) sawtooth wave:

In

floor(x), infinite harmonics are sampled and the resulting tone contains aliasing
distortion.

Animation of the additive synthesis of a sawtooth wave with an increasing number of harmonics

An audio demonstration of a sawtooth played at

440 Hz
(A4) and 880 Hz (A5) and 1,760 Hz (A6) is available below. Both bandlimited (non-aliased) and aliased tones are presented.

Applications

  • Sawtooth waves are known for their use in music. The sawtooth and square waves are among the most common waveforms used to create sounds with subtractive
    virtual analog
    music synthesizers.
  • Sawtooth waves are used in switched-mode power supplies. In the regulator chip the feedback signal from the output is continuously compared to a high-frequency sawtooth to generate a new duty cycle PWM signal on the output of the comparator.
  • In the field of computer science, particularly in automation and robotics, allows to calculate sums and differences of angles while avoiding discontinuities at 360° and 0°.
  • The sawtooth wave is the form of the vertical and horizontal
    electrostatic
    deflection.
    • On the wave's "ramp", the magnetic field produced by the deflection yoke drags the electron beam across the face of the CRT, creating a scan line.
    • On the wave's "cliff", the magnetic field suddenly collapses, causing the electron beam to return to its resting position as quickly as possible.
    • The current applied to the deflection yoke is adjusted by various means (transformers, capacitors, center-tapped windings) so that the half-way voltage on the sawtooth's cliff is at the zero mark, meaning that a negative current will cause deflection in one direction, and a positive current deflection in the other; thus, a center-mounted deflection yoke can use the whole screen area to depict a trace. The horizontal frequency is 15.734 kHz on NTSC, 15.625 kHz for PAL and SECAM.
    • The vertical deflection system operates the same way as the horizontal, though at a much lower frequency (59.94 Hz on NTSC, 50 Hz for PAL and SECAM).
    • The ramp portion of the wave must appear as a straight line. If otherwise, it indicates that the current isn't increasing linearly, and therefore that the magnetic field produced by the deflection yoke is not linear. As a result, the electron beam will accelerate during the non-linear portions. This would result in a television image "squished" in the direction of the non-linearity. Extreme cases will show marked brightness increases, since the electron beam spends more time on that side of the picture.
    • The first television receivers had controls allowing users to adjust the picture's vertical or horizontal linearity. Such controls were not present on later sets as the stability of electronic components had improved.

See also

Sine, square, triangle, and sawtooth waveforms

References

  1. ^ Kraft, Sebastian; Zölzer, Udo (5 September 2017). "LP-BLIT: Bandlimited Impulse Train Synthesis of Lowpass-filtered Waveforms". Proceedings of the 20th International Conference on Digital Audio Effects (DAFx-17). 20th International Conference on Digital Audio Effects (DAFx-17). Edinburgh. pp. 255–259.
  2. ^ "Fourier Series-Triangle Wave - from Wolfram MathWorld". Mathworld.wolfram.com. 2012-07-02. Retrieved 2012-07-11.
  3. ^ Dave Benson. "Music: A Mathematical Offering" (PDF). Homepages.abdn.ac.uk. p. 42. Retrieved 26 November 2021.

External links