Silver-gilt

Source: Wikipedia, the free encyclopedia.

V&A Museum

Silver-gilt or gilded/gilt silver, sometimes known in American English by the French term vermeil, is

goldsmithing that appear to be gold are actually silver-gilt; for example most sporting trophies (including medals such as the gold medals awarded in all Olympic Games after 1912)[1] and many crown jewels
are silver-gilt objects.

Apart from the raw materials being much less expensive to acquire than solid gold of any

oxidation and need frequent polishing; gold does not oxidize at all. The "gold" threads used in embroidered goldwork
are normally also silver-gilt.

Techniques

Silver gilt toilet service by Johann Jacob Kirstein, 1786

Silver-gilt objects have been made since ancient times across

gilt-bronze, also known as ormolu
, was more common.

Vermeil

A vermeil wine cooler manufactured in 1810 by Paul Storr is located in the Vermeil Room of the White House.

Vermeil (/ˈvɜːrmɪl/ or /vərˈm/; French: [vɛʁˈmɛj]) is an alternative for the usual term silver-gilt. It is a French word which came into use in the English language, mostly in America, in the 19th century, and is rare in British English.[4][5][6] "Vermeil" can also refer to gilt bronze, an even less costly alternative construction material than silver.[7]

The US Code of Federal Regulations 16, Part 23.5 defines vermeil thus: "An industry product may be described or marked as 'vermeil' if it consists of a base of sterling silver coated or plated on all significant surfaces with gold or gold alloy of not less than 10-karat fineness, that is of substantial thickness and a minimum thickness throughout equivalent to two and one half (2+12) microns (or approximately 110000 of an inch) of fine gold."[8][9]

Considerations in use

Sassanid
silver-gilt shield-boss, 7th century

Silver objects could be gilded at any point, not just when first made, and items regularly handled, such as

parcel-gilt
.

Fully silver-gilt items are visually indistinguishable from gold, and were no doubt often thought to be solid gold. When the

Gothic Revival architect Sir George Gilbert Scott was concerned by the morality of this. Gilding of the interior only he accepted, but with all-over gilding "we ... reach the actual boundary of truth and falsehood; and I am convinced that if we adopt this custom we overstep it.... why make our gift look more costly than it is? We increase its beauty, but it is at the sacrifice of truth."[12] Indeed, some Early Medieval silver-gilt Celtic brooches had compartments apparently for small lead weights to aid such deception.[13]

See also

Citations

  1. ^ German Olympic museum website Archived 2009-05-14 at the Wayback Machine and Beijing 2008 Appendix 8 Archived 2009-06-12 at the Wayback Machine
  2. ^ "And as when a man overlays silver with gold, a cunning workman whom Hephaestus and Pallas Athena have taught all manner of craft, and full of grace is the work he produces, even so the goddess shed grace upon his head and shoulders" from this translation
  3. ^ Strong, 11
  4. ^ Oxford English Dictionary, 2nd. Edition (1989)
  5. ^ 16 CFR § 23.4 - Misuse of the word "vermeil."
  6. ^ Compare for example the online collection of the Museum of Fine Arts, Boston, which describes over 800 objects as "silver-gilt" against a handful of pieces of jewellery incorporating "vermeil" Accessed July 30, 2009
  7. ^ Oxford English Dictionary, Second edition, 1989
  8. ^ US Code of Federal Regulations, 16CFR23.5, Revised January 1, 2009
  9. ^ "What is Gold Vermeil? And why is it so great?".
  10. ^ Glanville, 187
  11. ^ Inventory
  12. ^ Scott, 249
  13. ^ British Museum, mentioning two examples.

General and cited references