Smikros

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Smikros (

There are three signed vases from Smikros. John Beazley called him an imitator of Euphronios. It is possible that Smikros cooperated in some late and not completely successful vases, which are assigned to Euphronios. On one psykter in the Hermitage (St Petersburg), Euphronios has a female figure with the inscription Smikra provided, which could be understood to be a reference to his pupil. Another amphora seems to belong to Smikros, which suggests possibly a co-operation between both artists. Smikros might also have decorated another stamnos and two pelikai assigned to him.

Beazley called Smikros a bad draughtsman. This is, however, only in comparison with the other members of the Pioneer Group. At that time, red figure vase painting was still in its infancy and the pioneers were still vigorously experimenting. A lack of ingenuity with the picture composition can be seen. His designs are precise, yet become inaccurate in his representation of such details as ears, fingers and dress.

Guy Hedreen (2016) supposed that Smikros is not a real vase-painter but a fictitious creation by Euphronios.^[1][2]

References

References

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• Peredolskaja, A. A. (1958). "The Hermitage pelike by Smikros". Epitymbion Roman Haken. Prag. pp. 100–101.{{cite book}}: CS1 maint: location missing publisher (link)
• Greifenhagen, Adolf (1967). "Smikros. Lieblingsinschrift und Malersignatur". Jahrbuch der Berliner Museen. 9: 5–25.
  JSTOR 4125676
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• Greifenhagen, Adolf (1974). "Die Silene der Smikros-Amphora Berlin 1966.19". Archäologischer Anzeiger: 238–240.
• Ohly-Dumm, Martha (1974). "Euphroniosschale und Smikrosscherbe". Münchner Jahrbuch der bildenden Kunst. 25: 7–26.
  ISSN 0077-1899
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• ISBN 0-500-18149-7
  .