Physical Graffiti: Difference between revisions

Physical Graffiti is the sixth album by the English hard rock band Led Zeppelin. It is a double album which was released on February 24, 1975. Recording sessions for the album were initially plagued by health problems by John Paul Jones, who was considering leaving the band. After reuniting at Headley Grange, the band wrote and recorded eight songs, the combined length of which stretched the album beyond the typical length of an LP. This prompted the band to make Physical Graffiti a double album by including previously unreleased tracks from earlier recording sessions.

Physical Graffiti was commercially and critically successful; the album has sold 16 million copies in the United States alone and has come to be regarded as one of Led Zeppelin's defining works. Template:RS500

Recording history

The recording sessions for Physical Graffiti initially took place in November 1973 at Headley Grange in East Hampshire, England. For these recordings, the band utilised Ronnie Lane's Mobile Studio. However, these sessions came to a halt quickly and the studio time was turned over to the band Bad Company, who used it to record songs for their forthcoming album, Straight Shooter.^[1] In an interview he gave in 1975, guitarist and album producer Jimmy Page explained the reason for this abrupt cessation of recording:

It took a long time for this album mainly because when we originally went in to record it, John Paul Jones wasn't well and we had to cancel the time . . . everything got messed up. It took three months to sort the situation out.^[2]

However, according to Led Zeppelin author Dave Lewis,

it later emerged that Jones had wanted to quit the band and take up a position as choirmaster at Winchester Cathedral. Peter Grant urged caution, suggesting that Jones was overwrought from the incessant touring and should take a rest from Zeppelin for a few weeks. Jones changed his mind and sessions resumed at Headley Grange after the Christmas holidays.^[1]

Once they had reconvened, the band recorded eight tracks at Headley Grange in January and February 1974, which were engineered by Ron Nevison. Vocalist Robert Plant later referred to these eight tracks as "the belters":

We got eight tracks off ... and a lot of them were really raunchy. We did some real belters with live vocals, off-the-wall stuff that turned out really nice.^[1]

Similar to the sessions for the previous two albums, the decision to record at the informal surroundings of Headley Grange provided a welcome opportunity for the band to improvise and develop material along the way.^[1] As Plant commented:

Some of the tracks we assembled in our own fashioned way of running through a track and realising before we knew it that we had stumbled on something completely different.^[1]

Because the eight tracks extended beyond the length of a conventional album, it was decided at some point to include several unreleased songs which had been recorded during the sessions for previous Led Zeppelin albums. The instrumental "

We had more material than the required 40-odd minutes for one album. We had enough material for one and a half LPs, so we figured let's put out a double and use some of the material we had done previously but never released. It seemed like a good time to do that sort of thing, release tracks like "Boogie With Stu" which we normally wouldn't be able to do.[3]

According to engineer Nevison, the decision to expand the album to include songs from previous sessions was not part of the original planning:

I never knew that Physical Graffiti was going to be a double album. When we started out we were just cutting tracks for a new record. I left the project before they started pulling in songs from Houses of the Holy and getting them up to scratch. So I didn't know it was a double [album] until it came out.^[4]

Additional overdubs were added and the final mixing of the album was performed in October 1974 by Keith Harwood at Olympic Studios, London. The title "Physical Graffiti" was coined by Page to illustrate the whole physical and written energy that had gone into producing the set.^[1]

Music

In the opinion of Lewis, Physical Graffiti

was a massive outpouring of [Led] Zeppelin music that proved to be the definitive summary of their studio work ... Given the luxury of a double format, Physical Graffiti mirrors every facet of the Zeppelin repertoire. The end result is a finely balanced embarrassment of riches.^[1]

Spanning several years of recording, the album featured forays into a range of musical styles, including hard rock ("

Vocalist Robert Plant has stated that, of all the albums Led Zeppelin released, Physical Graffiti represented the band at its most creative and most expressive.^[7] He has commented that it is his favourite Led Zeppelin album. It is also the only Led Zeppelin album to feature bassist/keyboardist John Paul Jones playing additional guitar on some tracks.

Album sleeve design

The album's sleeve design features a photograph of a New York City tenement block, with interchanging window illustrations. The album designer, Peter Corriston, was looking for a building that was symmetrical with interesting details, that was not obstructed by other objects and would fit the square album cover. He said:

We walked around the city for a few weeks looking for the right building. I had come up a concept for the band based on the tenement, people living there and moving in and out. The original album featured the building with the windows cut out on the cover and various sleeves that could be placed under the cover, filling the windows with the album title, track information or liner notes.^[8]

The two buildings photographed for the album cover are located at 96 and 98

• Inner disc cover 1
  Inner disc cover 1
• Inner disc cover 2
  Inner disc cover 2
• Middle insert front
  Middle insert front
• Middle insert back
  Middle insert back

The original album jacket for the LP included 4 covers made up of 2 inners (for each disc), a middle insert cover and an outer cover. The inner covers depict various objects and people (including photos of the band members in

The album was released on February 24, 1975. It was the band's first release on their own Swan Song Records label, which had been launched in May 1974. Until this point, all of Led Zeppelin's albums had been released on Atlantic Records.

Physical Graffiti was a massive commercial and critical success, reaching #1 on

1. "Custard Pie" (Jimmy Page, Robert Plant) – 4:13
2. "The Rover" (Page, Plant) – 5:37
3. "In My Time of Dying" (Page, Plant, John Paul Jones, John Bonham) – 11:05

Side two

1. "Houses of the Holy" (Page, Plant) – 4:02
2. "Trampled Under Foot" (Page, Plant, Jones) – 5:37
3. "Kashmir" (Page, Plant, Bonham) – 8:32

Side three

1. "In the Light" (Page, Plant, Jones) – 8:46
2. "
   Bron-Yr-Aur
   "* (Page) – 2:06
3. "Down by the Seaside" (Page, Plant) – 5:13
4. "Ten Years Gone" (Page, Plant) – 6:32

Side four

1. "
   Night Flight
   " (Jones, Page, Plant) – 3:36
2. "The Wanton Song" (Page, Plant) – 4:07
3. "
   Boogie with Stu" (Bonham, Jones, Page, Plant, Ian Stewart, Ritchie Valens
   **) – 3:53
4. "
   Black Country Woman
   " (Page, Plant) – 4:24
5. "Sick Again" (Page, Plant) – 4:42

* Some cassette versions of the album place "Bron-Yr-Aur" immediately after "Kashmir", presumably to make each side of the cassette last approximately the same amount of time.

** Credited to "Mrs. Valens, mother of Ritchie Valens". According to Jimmy Page, since the jam leaned heavily on "Ooh My Head" by the late Ritchie Valens, it was decided to give credit to his mother "because we heard she never received any royalties from any of her son's hits, and Robert did lean on that lyric a bit. So what happens? They tried to sue us for all of the song! We had to say bugger off".^[14]

Personnel

• Jimmy Page – acoustic and electric guitar, mandolin, producer
• vocals, acoustic guitar
  on "Boogie with Stu"
• John Paul Jones – bass, organ, piano, electric piano, mellotron, guitar, mandolin, VCS3 synthesizer
• John Bonham – drums, percussion

Additional personnel

• Ian Stewart – piano on "Boogie with Stu"
• George Chkiantz – engineer
• Peter Grant – producer, executive producer
• Keith Harwood – engineer, mixing
• Andy Johns – engineer
• Eddie Kramer – engineer, mixing
• Ron Nevison – engineer
• Mike Doud – artwork, design, cover design
• Peter Corriston – artwork, design, cover design
• Elliot Erwitt
  – photography
• Dave Heffernan – illustrations
• B.P. Fallon – photography
• Roy Harper – photography

CD Mastering engineers

• Barry Diament - original CD (mid-1980s)
• George Marino - remastered CD (1990)

Charts

Album

Singles

Certifications

References