Standish Lawder

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Standish Dyer Lawder (1936 – 21 June 2014) was an American artist, art historian and inventor, who contributed to the structural film movement in the late 1960s and early 1970s.[1]

Biography

Born in

LSD, mescaline and psilocybin, and "spent a whole day in the clinic".[3] In this, he became an early subject of psychedelics.[3] Afterwards, he received his doctor of philosophy as an art historian at Yale University.[2] His thesis, which was later published as The Cubist Cinema, examines the correlation between the history of film and its impact on modern art, described as a holistic overview by Anthony Reveaux in Film Quarterly.[4]

For several decades Standish ran a Community Non-Profit Darkroom called the Denver Darkroom. It began as Standish's dream workspace which he cordially extended to visiting Filmmakers, Artists, Journalists and Friends. It was an artistic hotspot housing a large commercial-size black and white darkroom, studios, a library, a kitchen, a dining room/ gallery and sleeping lofts/ prop storage. The demand for the community darkroom was huge and it became a non-profit in 1998, accepting paid memberships to cover operating costs. Beginning in 2000 classes in Photography were offered by Artists and faculty of Metropolitan State College of Denver (now MSU) at the Denver Darkroom.

Lawder's wife, Ursula, was the daughter of Richard Strauss-Ruppel and Frieda Ruppel, who later married Dadaist artist Hans Richter. Lawder died in 2014.[5]

Filmography

His body of work is purported to span over 25 films and his literary works encapsulates several essays on experimental film.[2] His first endeavors with experimental films started in his basement during a sabbatical of his in the late 1960s and early 1970s.[6] One of his works during this span, Necrology, has been cited by fellow filmmaker Hollis Frampton as "the sickest joke I've ever seen on film".[7]

For the production of his first two films, Runaway and Corridor, Lawder built his own

contact printer using an incandescent light bulb housed within a coffee can.[8][9] With it, he would expose his films by manipulating the brightness of the light bulb, then shined the beam it created through the flashlight tube to the film gate of his camera.[8]

Preservation

The Academy Film Archive has preserved several of Standish Lawder's films, including Necrology, Catfilm For Katy and Cynnie and Raindance.[10]

Selected filmography

  • 3 x 3: A Tic-Tac-Toe Sonata in 3 Moves (1963)
  • Budget Film (1969)
  • Catfilm for Ursula (1969)
  • Construction Job (1969)
  • Eleven Different Horses (1969)
  • Headfilm (1969)
  • Roadfilm (1969)
  • Runaway (1969)
  • Specific Gravity (1969)
  • Corridor (1970)
  • Dangling Participle (1970)
  • Necrology (1971)
  • Color Film (1971)
  • Prime Time (1972)
  • Raindance (1972)
  • Sixty Suicide Notes (1972)
  • Sunday in Southbury (1972)
  • Automatic Diaries 1971–73 (1973)
  • Catfilm for Katy and Cynnie (1973)
  • Regeneration (1980)

Bibliography

Books

  • The Cubist Cinema. New York:
    ISBN 978-0814749579
    .

Essays

References

  1. Harvard University Library
    . 23 September 2013. Retrieved 8 November 2013.
  2. ^ a b c "Standish Lawder biography". The Visual Arts Department at UC San Diego. University of California, San Diego. 21 June 2013. Retrieved 8 November 2013.
  3. ^ a b c Halter, Ed (4 December 2007). "Visions of Grandeur". The Village Voice. New York City. Retrieved 7 December 2013.
  4. JSTOR 1211605
    .
  5. ^ Hudson, David. "Standish Lawder, 1936 – 2014". Fandor. Retrieved 20 May 2014.
  6. Image Entertainment. 2008. NATD4737DVD. Archived from the original on 3 September 2011. Alt URL
  7. ^ Gerard, Lillian; Shaw, Elizabeth (3 March 1970). "Cineprobe presents experimental films by Standish Lawder" (PDF) (Press release). New York City: Museum of Modern Art. Retrieved 8 November 2013.
  8. ^ a b Toscano, Mark (28 November 2007). "A contact printer". Preservation Insanity. Los Angeles: Blogger. Retrieved 8 November 2013.
  9. ^ "Stu Brown Sextet: Dinner Music for a Pack of Hungry Cannibals" (Press release). London: no.w.here. 14 October 2008. Retrieved 10 November 2011.
  10. ^ "Preserved Projects". Academy Film Archive.

External links

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