The State Historical Society of Missouri, a private membership and state funded organization, is a comprehensive research facility located in Columbia, Missouri, specializing in the preservation and study of Missouri's cultural heritage. Established in 1898 by the Missouri Press Association and made a trustee of the state in 1901, the Society is the official historical society of the state of Missouri and is located on the campus of the University of Missouri in Downtown Columbia, Missouri. The Society publishes the quarterly Missouri Historical Review, the only scholarly academic journal produced in the state.
The Society engages in a number of outreach programs to bring Missouri's history to the public. Such programs are the Missouri History in Performance theatre, the Missouri History Speakers' Bureau, and the Missouri Conference on History. The collection of the Society, concerning pamphlets, books, and state publications, is over 460,000 items. In addition, the Society has over 500,000 manuscript items, 2,900 maps, over 150,000 state archival records, and over 57,000 reels of
St. Louis, Missouri
, specializing in the preservation and collection of Missouri and Middle West history, was absorbed into the Society.
History
Establishing an official state historical society had been discussed a few years before its eventual founding in 1898 but did not gain substantial backing until the topic was raised at a January 1898 meeting of the Missouri Press Association.[2] Two of the chief supporters were Edwin W. Stephens, later first president of the Society, and Walter Williams, founder of the Missouri School of Journalism, and a third, Isidor Loeb, a member of the University of Missouri's history and political science faculty.[3] At the January meeting, the proposal met with support of the members and a committee was established to draw up a constitution and bylaws for a historical society that would serve the state of Missouri.[4] In this formative period of the Society's underpinnings, Stephens and Williams sought and received great support from the University of Missouri. Such was the support, that the not yet formed Society was given space in present-day Jesse Hall.[5] Progress advanced quickly and only four months later, at the association's annual meeting on May 26, the Missouri Press Association voted to create the State Historical Society of Missouri, and named Stephens as its president, as well, Williams as its secretary.[6]
The Society's leaders sought to see the formal adoption of the historical society by the state. In just under a year, their lobbying efforts were awarded by the passage of a bill by the Fortieth General Assembly, signed into law on May 4, 1899, by Governor
Lon Stephens, which established the Society as a trustee of the state.[6] However, the Society did not receive its first appropriation until 1901.[7] That amount was $4,500 dollars, intended to service the Society from 1901 to 1902.[8]
The 1899 bill stated precisely the duties of the new state historical society:
It shall be the duty of the Society to collect books, maps, and other papers and material for the study of history, especially of this state and of the middle west; to acquire narratives and records of the pioneers, to procure documents, manuscripts and portraits, and to gather all information calculated to exhibit faithfully the antiquities and the past and present condition, resources and progress of this state...[9]
Newspapers formed the nucleus of the Society's collection, because of the society's close relationship with editors. Membership could be gained for such men by the annual donation of their papers, and after ten years, a lifetime membership granted.
1904 St. Louis World's Fair and began the first publications of the Missouri Historical Review.[14]
The growing collection necessitated the need for more space to store it. Slowly the society had expanded its presence in Jesse Hall, storing much of its collection in its basement, while taking over the first floor of the building.[15] By 1902, the Society had begun looking for the resources for a new facility, going so far as attempting to lobby library philanthropist Andrew Carnegie.[16] Just over a dozen years later in 1915, the Society moved into the newly built Ellis Library, its home ever since.[16]
Shoemaker years
At approximately the same time, Floyd C. Shoemaker joined the Society and began a forty-five year career with the institution. In his time, Shoemaker accomplished a number of milestones under the Society. One such accomplishment was a campaign to establish the Society's membership as the largest in the nation, with the membership expanding from 1,285 in 1916 to 3,356 in 1936.[17] While the Great Depression did not seriously affect the Society, it did become involved in several ways with the New Deal programs. For a couple years, it hired men from the National Youth Administration to assist in the moving books and newspapers. As well as hiring women from the Civil Works Administration to complete needed tasks about the Society such as updating the Society's "Who's Who" files for the state and indexing selected newspapers.[18] The Society also assisted the Federal Writers' Project and the Works Progress Administration.[18]
Joining Shoemaker at the Society in the same time period was George Mahan, who served as a trustee and as president. Mahan's contributions included a post-mortem donation to allow the Society to purchase books for the Society's
historical markers along United States highway 36 from St. Joseph to Hannibal.[19] The staff of the Society researched each marker and wrote their inscriptions.[20] The Society would expand the historic marker program over the next decades, planting them across the state. Shoemaker also continued to expand the Society's collection, writing personal requests with some success. In 1932, Shoemaker cataloged donations for that year consisting of, "1,207 books, 964 pamphlets, 1 painting, 86 photographs and negatives, 28 manuscript collections, 3 ledger books, 1 medal, 49 clippings, 4 sheets of music, and 4 poems," not including newspaper donations.[21]
Shoemaker pushed for more publications from the Society, which ranged from books to newspaper weeklies. From 1925 to 1939, the Society published a series of articles entitled, This Week in Missouri History, that appeared in at least one paper in 97 of the 114 counties across the state, including St. Louis.[22] Begun in 1922, the Society embarked on a twenty volume project that concluded in 1965, entitled The Messages and Proclamations of the Governors of the State of Missouri. These volumes included biographical sketches, in addition to the documentation.[22] Shoemaker proudly considered the Missouri Historical Review as one of the finest such publications in the country at the time.[23]
Center for Missouri Studies
On August 10, 2019, the 198th anniversary of Missouri's statehood, the Center for Missouri Studies opened in Columbia. The center is a large public facility built to replace Ellis Library as the headquarters of the State Historical Society of Missouri. It contains a vastly expanded gallery/collection display area, a library/reading room, classrooms, offices, open and closed stacks, microfilm rooms, art restoration lab, a large event room, and a gift shop. The Center for Missouri Studies is located on Elm Street on the University of Missouri campus in Downtown Columbia, across from Peace Park.
From across Elm Street
Elm Street entrance
Loading dock and alley
Elm and 5th Street
North entrance and parking lot
Collections and exhibits
The Society houses a large collection of works by famed Missouri artists George Caleb Bingham and Thomas Hart Benton, in addition to other artists. Overall, the Society possesses over four thousand pieces of artwork, including paintings, lithographs, sketches, and engravings. The editorial cartoon collection includes works by Daniel Fitzpatrick, S. J. Ray, Don Hesse, Tom Engelhardt, and renown Second World War artist, Bill Mauldin.[24] The Society also contains photography and map collections.
The State Historical Society of Missouri hosts changing exhibits of art and history drawn from its collections. All exhibits and collections are open and fully accessible to the public.