The Algorithmic Beauty of Plants

Source: Wikipedia, the free encyclopedia.

The Algorithmic Beauty of Plants is a book by

L-systems
).

The book is no longer in print but is available free online.[1]

Contents

The book has eight chapters:

  • Chapter 1 – Graphical modeling using L-systems
  • Chapter 2 – Modeling of trees
  • Chapter 3 – Developmental models of herbaceous plants
  • Chapter 4 – Phyllotaxis
  • Chapter 5 – Models of plant organs
  • Chapter 6 – Animation of plant development
  • Chapter 7 – Modeling of cellular layers
  • Chapter 8 – Fractal properties of plants

Reception

Lindenmayer systems or L-systems. It is also a testimony of the power of current computer technology. The pictures in the book are not photographs of real plants. They are all generated on the computer by relatively simple algorithms based upon the idea of L-systems."[2] Klir goes on to explain the mathematics of L-systems, involving replacement of strings of symbols with further strings according to production rules, adding that "high computer power is essential since the generation of realistic forms requires tremendous numbers of replacements and the geometric interpretation of the generated strings requires a highly sophisticated computer graphics".[2]

Adrian Bell, reviewing the book in New Phytologist, writes that it demands respect for three reasons, namely that it is the first book to explain the algorithms behind virtual plants, it "unashamedly" connects art and science, and is unusual in being a real book on a computer-based subject. Each chapter, writes Bell, is an introductory manual to the simulation of an aspect of plant form, resulting "eventually" in a 3-D image of a plant architecture.[3]

Peter Antonelli, reviewing the book in

Goethe would have disapproved of having the barrier of mathematics between the observer and the observed.[4]

graphic artists create "the magnificent cyber-floras that sway and grow so realistically in the movies", and those who admire plant symmetry will enjoy the book. He is more skeptical about its claim to serious science as the book "fails to educate its readers" about the challenge of understanding plant form in terms of developmental biology. Therefore he believes the book falls short, the dazzling beauty of fractals not proving their relevance to biology.[5]

References

Sources