The Pendulum Vibe
The Pendulum Vibe | ||||
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Studio album by | ||||
Released | June 28, 1994 | |||
Recorded | D.A.R.P. Studios, Atlanta | |||
Genre | ||||
Length | 43:57 | |||
Label | EMI | |||
Producer |
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Joi chronology | ||||
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Singles from The Pendulum Vibe | ||||
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The Pendulum Vibe is the debut album of American recording artist Joi, released on June 28, 1994, by EMI Records. She recorded the album in three weeks with producer and mentor Dallas Austin at D.A.R.P. Studios in Atlanta. The Pendulum Vibe is a neo soul album that incorporates R&B, funk, and psychedelic soul styles. The songs are about themes of enlightenment, personal freedom, intimate relationships, and womanism.
The album was acclaimed by music critics upon its release, but was overlooked commercially and went out of print. It subsequently attained a cult following among listeners of eclectic R&B music and has since been viewed by critics as a precursor to the neo soul music scene.
Background
Having trained extensively in
She later said of her experience with Austin and Atlanta's music scene, "He and I ended up clicking musically and it was some crazy, creative times".[3]
Recording
Recording sessions for the album took place at Austin's D.A.R.P. Studios in Atlanta, Georgia.[5][6] The newly opened studio was the result of his thriving production career at the time.[7] The Pendulum Vibe was produced primarily by Austin, who also played most of the instruments,[8] including bass, drums, and keyboards.[9] He also co-wrote most of the songs with Joi.[8]
Joi also worked with hip hop producer Diamond D, keyboardist Dan Matrazzo, and Shadz of Lingo,[9] an Atlanta-based hip hop group signed to EMI at the time.[10] The group's MC Lingo contributed vocals to "Freedom" and "Fatal Lovesick Journey", and Kolorado played drums.[9] The Pendulum Vibe was recorded live and completed in three weeks.[4]
Music and lyrics
A
The album has themes of enlightenment, personal freedom,
Release and promotion
Austin's Rowdy Records directed their marketing efforts at underground audiences.[19] "Sunshine & the Rain" was released on March 1, 1994.[20] It was a minor club hit.[17] "I Found My Niche" was released on August 2.[21] The album's singles received some exposure with R&B and hip hop audiences.[19]
The album was largely overlooked by consumers upon its release, as its eclectic style was difficult to promote to music outlets such as
Critical reception
Review scores | |
---|---|
Source | Rating |
Christgau's Consumer Guide | [25] |
Entertainment Weekly | A[14] |
Rolling Stone | [26] |
The Rolling Stone Album Guide | [18] |
The Pendulum Vibe was met with critical acclaim.[3][19] Musician magazine hailed the album as "the face of soul to come" with Austin and Joi's "new kind of urban dub" and lyrics: "Joi revels in her own sexuality, without necessarily being defined by it, and faces down most of the contradictions of contemporary R&B without totally rejecting it".[27] David Browne of Entertainment Weekly called Joi "as enigmatic and ear-grabbing as her music" and stated, "Joi's sweet, elastic voice wraps itself up and around spacey pop that exists in a universe all its own".[14] Browne remarked on her eccentric personality and concluded in his review, "Joi leaves you scratching your head, but she fills it with beatific sounds along the way."[14] Rolling Stone called the album "an alluring, shifting cybersexual listening experience" and complimented Joi's "dynamic range".[26] Robert Christgau, writing in The Village Voice, cited "Freedom" and "Narcissa Cutie" as highlights and wrote in summary of the album, "freedom as manumission, freedom as swinging both ways".[28]
In a retrospective review,
Legacy
[The] songwriting veers rebelliously, and often wondrously, through a wide range of stylistic influences [...] At each shift she avoids every conventional ghetto into which she could conceivably be thrust — like
before her — likely the album's major downfall but also its greatest legacy.
— Stanton Swihart,
The album established Joi as part of a wave female R&B artists who released similarly styled and themed debuts, including
Since its initial reception, The Pendulum Vibe has attained a
In 1998, Stereophile included the album on its list of Records to Die For, with editor Chip Stern calling it "unheralded" and "as visionary an R&B record as I've heard in the past 25 years."[13]
Track listing
No. | Title | Writer(s) | Producer(s) | Length | |
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1. | "Stand" | Dallas Austin | 0:37 | ||
2. | "Freedom" | Adoramus te Christe " | Traditional | Dallas Austin | 1:59 |
9. | "Narcissa Cutie Pie" | Gilliam | Joi (co.), Rondal Rucker | 4:52 | |
10. | "I Don't Mind" | Austin, Gilliam, Colin Wolfe | Dallas Austin | 3:12 | |
11. | "If We Weren't Who We Were" | Gilliam | Dallas Austin | 1:26 | |
12. | "Freedom (Celebration Mix)" | Austin, Gilliam | Dallas Austin, Diamond D | 2:32 |
Personnel
Credits adapted from liner notes.[9]
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See also
References
- ^ Rovi Corporation. Retrieved 2012-06-17.
- ^ a b c d e f Hannaham, James (September 1997). "Joi Ride". Spin. Vol. 13, no. 6. Camouflage Associates. p. 46. Retrieved 2012-06-17.
- ^ a b c d e f g h i j Howard, Jacinta (August 4, 2010). "Joi's badass revenge". Creative Loafing. Atlanta: Sharry Smith. Archived from the original on October 7, 2012. Retrieved 2012-06-29.
- ^ a b c d e f Wilbekin, Emil (April 1994). "Next". Vibe. Vol. 2, no. 3. Time Publishing Ventures. p. 33. Retrieved 2012-06-17.
- ^ a b "Joi - Pendulum Vibe CD Album". CD Universe. Muze. Retrieved 2012-06-19.
- ^ "Vital Statistics". Billboard. Vol. 109, no. 25. June 21, 1997. p. 32. Retrieved 2012-06-19.
- ^ Hogan, Ed. "Dallas Austin - Music Biography, Credits and Discography". Allmusic. Rovi Corporation. Retrieved 2012-06-29.
- ^ a b c d e f g h i j k l m n Swihart, Stanton. "The Pendulum Vibe - Joi". Allmusic. Rovi Corporation. Retrieved 2012-06-17.
- ^ a b c d The Pendulum Vibe (CD booklet). Joi. EMI Records. 1994. 7243 8 27762 2 2.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ Bush, John. "Shadz of Lingo - Music Biography, Credits and Discography". Allmusic. Rovi Corporation. Retrieved 2012-06-19.
- Rhapsody. Archived from the originalon October 6, 2010. Retrieved 2012-06-28.
- The Source. No. 61. David Mays. October 1994. p. 83.
- ^ Source Interlink Media. February 7, 1998. Retrieved 2012-06-23.
- ^ a b c d Browne, David (June 17, 1994). "The Pendulum Vibe Review". Entertainment Weekly. No. 227. Retrieved 2012-06-19.
- ^ a b c d e Lewis, Miles Marshall. "Revolutions Will Be Webicized (Joi 1997)". Miles Marshall Lewis. Retrieved 2012-06-23.
- ^ a b c d e f g h Johnson, Martin (October 22, 1994). "No Need to Shout". Chicago Reader. Retrieved 2012-06-23.
- ^ a b c d e f Murph, John (May 10, 2002). "Pussy Galore". Washington City Paper. Washington: CL Washington. Retrieved 2012-06-28.
- ^ a b c d Caramanica et al. Brackett & Hoard (2004), p. 437.
- ^ a b c Nelson, Havelock (July 27, 1996). "Label Markets Joi In Stages". Billboard Communications. Vol. 108, no. 30. pp. 10–11. Retrieved 2012-06-19.
- ^ "Sunshine & The Rain - Joi". Allmusic. Rovi Corporation. Retrieved 2012-06-20.
- ^ "I Found My Niche - Joi". Allmusic. Rovi Corporation. Retrieved 2012-06-29.
- ^ "The Pendulum Vibe - Joi". Billboard. Retrieved 2012-06-17.
- ^ Mukherjee, Tiarra (June 28, 1996). "Joi: Cool + All That". Entertainment Weekly. No. 333–334. Retrieved 2012-06-23.
- ^ Chan, Sylvia W. "Star Kitty's Revenge: Joi". Amazon. Retrieved 2012-06-28.
- ^ Christgau, Robert (n.d.). "CG: Joi". robertchristgau.com. Retrieved August 8, 2020.
- ^ a b "Review: The Pendulum Vibe". Rolling Stone. No. 700. January 26, 1995. p. 62.
- ^ "Review: The Pendulum Vibe". Musician. October 1994. p. 83.
- ^ Christgau, Robert (January 17, 1995). "Consumer Guide". The Village Voice. New York. Retrieved 2012-06-23.
- ^ Cowie, Del F. (July 2002). "Joi - Star Kitty's Revenge". Exclaim!. Toronto. Retrieved 2012-06-28.
- ^ "Joi - Credits". Allmusic. Rovi Corporation. Retrieved 2012-06-29.
Bibliography
- ISBN 0-7432-0169-8.